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Author: Lynn Abbott Publisher: Univ. Press of Mississippi ISBN: 1496810058 Category : Music Languages : en Pages : 433
Book Description
Blues Book of the Year —Living Blues Association of Recorded Sound Collections Awards for Excellence Best Historical Research in Recorded Blues, Gospel, Soul, or R&B–Certificate of Merit (2018) 2023 Blues Hall of Fame Inductee - Classic of Blues Literature category With this volume, Lynn Abbott and Doug Seroff complete their groundbreaking trilogy on the development of African American popular music. Fortified by decades of research, the authors bring to life the performers, entrepreneurs, critics, venues, and institutions that were most crucial to the emergence of the blues in black southern vaudeville theaters; the shadowy prehistory and early development of the blues is illuminated, detailed, and given substance. At the end of the nineteenth century, vaudeville began to replace minstrelsy as America’s favorite form of stage entertainment. Segregation necessitated the creation of discrete African American vaudeville theaters. When these venues first gained popularity, ragtime coon songs were the standard fare. Insular black southern theaters provided a safe haven, where coon songs underwent rehabilitation and blues songs suitable for the professional stage were formulated. The process was energized by dynamic interaction between the performers and their racially-exclusive audience. The first blues star of black vaudeville was Butler “String Beans” May, a blackface comedian from Montgomery, Alabama. Before his bizarre, senseless death in 1917, String Beans was recognized as the “blues master piano player of the world.” His musical legacy, elusive and previously unacknowledged, is preserved in the repertoire of country blues singer-guitarists and pianists of the race recording era. While male blues singers remained tethered to the role of blackface comedian, female “coon shouters” acquired a more dignified aura in the emergent persona of the “blues queen.” Ma Rainey, Bessie Smith, and most of their contemporaries came through this portal; while others, such as forgotten blues heroine Ora Criswell and her protégé Trixie Smith, ingeniously reconfigured the blackface mask for their own subversive purposes. In 1921 black vaudeville activity was effectively nationalized by the Theater Owners Booking Association (T.O.B.A.). In collaboration with the emergent race record industry, T.O.B.A. theaters featured touring companies headed by blues queens with records to sell. By this time the blues had moved beyond the confines of entertainment for an exclusively black audience. Small-time black vaudeville became something it had never been before—a gateway to big-time white vaudeville circuits, burlesque wheels, and fancy metropolitan cabarets. While the 1920s was the most glamorous and remunerative period of vaudeville blues, the prior decade was arguably even more creative, having witnessed the emergence, popularization, and early development of the original blues on the African American vaudeville stage.
Author: Lynn Abbott Publisher: Univ. Press of Mississippi ISBN: 1496810058 Category : Music Languages : en Pages : 433
Book Description
Blues Book of the Year —Living Blues Association of Recorded Sound Collections Awards for Excellence Best Historical Research in Recorded Blues, Gospel, Soul, or R&B–Certificate of Merit (2018) 2023 Blues Hall of Fame Inductee - Classic of Blues Literature category With this volume, Lynn Abbott and Doug Seroff complete their groundbreaking trilogy on the development of African American popular music. Fortified by decades of research, the authors bring to life the performers, entrepreneurs, critics, venues, and institutions that were most crucial to the emergence of the blues in black southern vaudeville theaters; the shadowy prehistory and early development of the blues is illuminated, detailed, and given substance. At the end of the nineteenth century, vaudeville began to replace minstrelsy as America’s favorite form of stage entertainment. Segregation necessitated the creation of discrete African American vaudeville theaters. When these venues first gained popularity, ragtime coon songs were the standard fare. Insular black southern theaters provided a safe haven, where coon songs underwent rehabilitation and blues songs suitable for the professional stage were formulated. The process was energized by dynamic interaction between the performers and their racially-exclusive audience. The first blues star of black vaudeville was Butler “String Beans” May, a blackface comedian from Montgomery, Alabama. Before his bizarre, senseless death in 1917, String Beans was recognized as the “blues master piano player of the world.” His musical legacy, elusive and previously unacknowledged, is preserved in the repertoire of country blues singer-guitarists and pianists of the race recording era. While male blues singers remained tethered to the role of blackface comedian, female “coon shouters” acquired a more dignified aura in the emergent persona of the “blues queen.” Ma Rainey, Bessie Smith, and most of their contemporaries came through this portal; while others, such as forgotten blues heroine Ora Criswell and her protégé Trixie Smith, ingeniously reconfigured the blackface mask for their own subversive purposes. In 1921 black vaudeville activity was effectively nationalized by the Theater Owners Booking Association (T.O.B.A.). In collaboration with the emergent race record industry, T.O.B.A. theaters featured touring companies headed by blues queens with records to sell. By this time the blues had moved beyond the confines of entertainment for an exclusively black audience. Small-time black vaudeville became something it had never been before—a gateway to big-time white vaudeville circuits, burlesque wheels, and fancy metropolitan cabarets. While the 1920s was the most glamorous and remunerative period of vaudeville blues, the prior decade was arguably even more creative, having witnessed the emergence, popularization, and early development of the original blues on the African American vaudeville stage.
Author: Jennifer Allison Publisher: Penguin ISBN: 1101562846 Category : Juvenile Fiction Languages : en Pages : 337
Book Description
Ever since her father died, quirky Gilda Joyce has been working hard to sharpen her psychic skills. She's determined to communicate with spirits from the Other Side and become a crack investigator of spooky, twisted mysteries. After wrangling an invitation to visit relatives in San Francisco, Gilda discovers that her dreary, tight-lipped uncle and his strange, delicate daughter need her help to uncover the terrible family secret that has a tortured ghost stalking their home. From poignant to hair-raising and hilarious, this is a behind-the-scenes, tell-all account of the very first case in the illustrious career of Gilda Joyce, Psychic Investigator.
Author: Gilda Radner Publisher: Simon and Schuster ISBN: 1439148864 Category : Biography & Autobiography Languages : en Pages : 305
Book Description
Fresh from the Second City troupe in Toronto, Gilda Radner created such memorable characters as Emily Litella and Roseanne Roseannadanna as a member of the original cast of Saturday Night Live. The wife of Gene Wilder, Gilda was plagued by persistent health problems and two miscarriages, and was diagnosed with ovarian cancer in 1986. Brave, funny, and painfully honest, the twentieth-anniversary edition of It's Always Something is the story of Gilda's journey while living with cancer and her determination to continue laughing. "Cancer," she said, "is about the most unfunny thing in the world." But Gilda's gutsy and unique sense of humor never left her as she describes two years of cancer treatment -- surgery, chemotherapy, and radiation treatment, as well as the high and low points of her own career. Told as only Gilda could tell it, and newly revised to include a resource guide for those living with cancer, It's Always Something is the inspiring story of a courageous, funny woman determined to enjoy life no matter the circumstances.
Author: William Bearden Publisher: Arcadia Publishing ISBN: 9780738542379 Category : History Languages : en Pages : 138
Book Description
The blues was born in the Mississippi Delta, and since that fateful night in 1903 when W. C. Handy heard the mournful sound of a pocketknife sliding over the strings of an acoustic guitar and the plaintive song of a long-forgotten musician in the hot night of Tutwiler, Mississippi, the blues has been on a journey around the world. From the cotton fields and juke joints of the Delta, up Highway 61 to Memphis's Beale Street, St. Louis, the Southside of Chicago, England, and points beyond, the blues is America's unique form of music. Blues is incisive in its honesty, elemental in its rhythm, and powerful in its almost visceral sensation. Nearly every style of popular music has its roots in the blues. Muddy Waters said it best: "The blues had a baby, and they called it rock and roll." Memphis has become the heart of the blues world, with a re-born Beale Street acting as its spiritual center. People come from the world over to experience its beat, savor its emotion, and feel its power. In the end . . . "it ain't nothin' but the blues."
Author: Dr. Beverly G. Bond Publisher: Arcadia Publishing ISBN: 1439617538 Category : History Languages : en Pages : 132
Book Description
Once celebrated as the Main Street of Negro America," Beale Street has a long and vibrant history. In the early 20th century, the 15-block neighborhood supported a collection of hotels, pool halls, saloons, banks, barber shops, pharmacies, dry goods stores, theaters, gambling dens, jewelers, fraternal clubs, churches, entertainment agencies, beauty salons, pawn shops, blues halls, and juke joints. Above the street-level storefronts were offices of African American business and professional men: dentists, doctors, undertakers, photographers, teachers, realtors, and insurance brokers. By mid-century, following the social strife and urban renewal projects of the 1960s and 1970s, little remained of the original neighborhood. Those buildings spared by the bulldozers were boarded up and falling down. In the nick of time, in the 1980s, the city realized the area's potential as a tourist attraction. New bars, restaurants, and entertainment venues opened along the remaining three-block strip, providing a mecca for those seeking to recapture the magic of Beale Street."
Author: Jennifer Allison Publisher: Penguin ISBN: 1101562870 Category : Juvenile Fiction Languages : en Pages : 353
Book Description
Zany Gilda Joyce leaves her wacky disguises at home but brings all her psychic and investigative skills with her as she sets out to investigate a mysterious death at a Catholic girls? school. Is Our Lady of Sorrows really haunted by the ghost of Dolores Lambert? Or is the student body suffering from group hysteria? Solving this mystery will put Gilda in more danger than she ever imagined? and will put all of her brashness, bravery, and smarts to the test.
Author: Philip Miller Publisher: Cargo Publishing ISBN: 1910449059 Category : Fiction Languages : en Pages : 310
Book Description
Recently bereaved, George Newhouse, is an art historian and newly appointed curator at the National Gallery who becomes increasingly obsessed with a lost minor Dutch masterpiece, The Blue Horse by Van Doelenstraat. The painting’s provenance is disputed and many doubt its existence at all. But Newhouse has uncovered a letter by Rembrandt where the master states, ‘That damned painting vexes my mind’s eye’. As Newhouse struggles with his grief, his grip of reality slowly loosening, he embarks on surreal journey of loss and self-discovery, fuelled by alcohol, drugs and self-destructive behaviour. As the lines between reality and imagination blur, will George lose himself in his obsession or return from the brink of destruction in time? Highly atmospheric and exploiting many of the tropes of art appreciation, this is a compelling literary noir and remarkable debut by one of Scotland’s leading art correspondents. ‘There were times in Philip Miller’s The Blue Horse when I had to look away from the twilight art world his lyrical prose so effectively eviscerates. There is a tremendous sense of darkness here. And yet his strength as a storyteller, his ability to create multiple narratives of greed and grief; of blurred desire, pulled me back. There is an intoxication about this writing, a narcotic lure to its descriptions of ambition and decline but it never strays far from the simple art of a good story well told.’Toni Davidson, author of Scar Culture and My Gun Was As Tall As Me ‘I was disturbed... interesting and convincing’ Alasdair Gray
Author: Karl Koenig Publisher: Pendragon Press ISBN: 9781576470244 Category : Music Languages : en Pages : 624
Book Description
This anthology was compiled to aid the scholar working on the origins and evolution of jazz. Covering materials published through 1929, it also begins with article from 1859 which do not concern jazz directly, but will serve to present a solid foundation for understanding the American music scene from which jazz developed. Chronologically listed and well-indexed, the hundreds of articles comprise, in effect, a history of jazz as it evolved. Beginning with accounts of Negro music in the pre-jazz era, continuing in an exploration of spirituals, followed by a description of ragtime, we finally learn about the development of jazz from its practitioners and informed audiences of the time.
Author: Lynn Abbott
Author: Lynn Abbott
Author: Jennifer Allison
Author: Edward Jewitt Wheeler
Author: Gilda Radner
Author: William Bearden
Author: Dr. Beverly G. Bond
Author: David Saltman
Author: Jennifer Allison
Author: Philip Miller
Author: Karl Koenig