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Author: Lee Hendrix Publisher: Getty Publications ISBN: 1606066587 Category : Art Languages : en Pages : 426
Book Description
Now back in print, “the ultimate book-lover’s gift book” (Los Angeles Times) In 1561–62 the master calligrapher Georg Bocskay (died 1575), imperial secretary to the Holy Roman Emperor Ferdinand I, created Mira calligraphiae monumenta (Model Book of Calligraphy) as a demonstration of his own preeminence among scribes. Some thirty years later, Ferdinand’s grandson, the Emperor Rudolf II, commissioned Europe’s last great manuscript illuminator, Joris Hoefnagel (1542–1600), to embellish the work. The resulting book is at once a treasury of extraordinary beauty and a landmark in the cultural debate between word and image. Bocskay assembled a vast selection of contemporary and historical scripts for a work that summarized all that had been learned about writing to date—a testament to the universal power of the written word. Hoefnagel, desiring to prove the superiority of his art over Bocskay’s words, employed every resource of illusionism, color, and form to devise all manner of brilliant grotesques, from flowers, fruit, insects, and animals to monsters and masks. Unavailable for nearly a decade, this gorgeous volume features over 180 color illustrations, as well as scholarly commentary and biographies of both artists to inspire scholars, bibliophiles, graphic designers, typographers, and calligraphers.
Author: Lee Hendrix Publisher: Getty Publications ISBN: 1606066587 Category : Art Languages : en Pages : 426
Book Description
Now back in print, “the ultimate book-lover’s gift book” (Los Angeles Times) In 1561–62 the master calligrapher Georg Bocskay (died 1575), imperial secretary to the Holy Roman Emperor Ferdinand I, created Mira calligraphiae monumenta (Model Book of Calligraphy) as a demonstration of his own preeminence among scribes. Some thirty years later, Ferdinand’s grandson, the Emperor Rudolf II, commissioned Europe’s last great manuscript illuminator, Joris Hoefnagel (1542–1600), to embellish the work. The resulting book is at once a treasury of extraordinary beauty and a landmark in the cultural debate between word and image. Bocskay assembled a vast selection of contemporary and historical scripts for a work that summarized all that had been learned about writing to date—a testament to the universal power of the written word. Hoefnagel, desiring to prove the superiority of his art over Bocskay’s words, employed every resource of illusionism, color, and form to devise all manner of brilliant grotesques, from flowers, fruit, insects, and animals to monsters and masks. Unavailable for nearly a decade, this gorgeous volume features over 180 color illustrations, as well as scholarly commentary and biographies of both artists to inspire scholars, bibliophiles, graphic designers, typographers, and calligraphers.
Author: Lee Hendrix Publisher: Getty Publications ISBN: 089236212X Category : Art Languages : en Pages : 424
Book Description
In 1561–62 the master calligrapher Georg Bocksay, imperial secretary to the Holy Roman Emperor Ferdinand I, created the Mira calligraphiae monumenta as a demonstration of his own pre-eminence among scribes. Years later, Ferdinand’s grandson, the Emperor Rudolf II, commissioned Europe’s last great manuscript illuminator, Joris Hoefnagel, to embellish his work. The resulting book is at once a treasury of extraordinary beauty, a landmark in the cultural debate between word and image, and one of the most intriguing memorials of Rudolf’s endlessly fascinating rule in Prague. This complete facsimile of the codex, now in the J. Paul Getty Museum, is supported by scholarly commentaries and biographies of both artists. Bocksay assembled a vast selection of contemporary and historical scripts for a work which summarized all that had been learned about writing up to that date—a testament to the universal power of the written word. The finest white vellum and lavish use of gold and silver highlighted his flamboyant technical prowess and extraordinary sureness of hand. Hoefnagel took his commission to decorate this marvel, now accompanied by an alphabet of Roman majuscules and Gothic miniscules, as a challenge to prove the superiority of his art over Bocksay’s words. Every resource of illusionism, colour and form was employed in a rich, striking, and witty scheme. Brilliant grotesques of all kinds—flowers, fruit, insects, animals, monsters and masks—counterpoint the lettering and elaborate on the nature of the universe, the word of God, and the glory of His temporal representative, the Holy Roman Emperor Rudolf II. Of consuming interest to scholars, collectors, bibliophiles and art historians, this remarkable opus will also be a key source of inspiration for graphic designers, typographers, practising calligraphers and devotees of the art of the book.
Author: Lee Hendrix Publisher: Getty Publications ISBN: 9780892366224 Category : Art Languages : en Pages : 72
Book Description
The court of Holy Roman Emperor Rudolf II produced nothing more amazing than the Mira colligrophioe monumenta, a flamboyant demonstration of two arts-calligraphy and miniature painting. The project began when Rudolf's predecessor commissioned the master calligrapher Georg Bocskay to create a model book of calligraphy. A preeminent scribe, Bocskay assembled a vast selection of contemporary and historic scripts. Many were intended not for practical use but for virtuosic display. Years later, at Rudolf's behest, court artist Joris Hoefnagel filled the spaces on each manuscript page with images of fruit, flowers, insects, and other natural minutiae. The combination of word and images is rare and, on its tiny scale, constitutes one of the marvels of the Central European Renaissance. The manuscript is now in the collections of the Getty Museum. Forty-eight of its pages are reproduced in this book, containing samples of classic italic hands; historical, invented, and exhibition hands; Rotunda, a classicizing humanist script based on Carolingian miniscule; classically based scripts; and Gothic blackletter and chancery.
Author: Lee Hendrix Publisher: Getty Publications ISBN: 9780892364725 Category : Art Languages : en Pages : 72
Book Description
A selection of forty-one pages of the manuscript Mira calligraphiae monumenta, comprising Joris Hoefnagel's illumination of Georg Bocskay's model book of calligraphy, now in the manuscript collection of the J. Paul Getty Museum.
Author: James H. Marrow Publisher: Getty Publications ISBN: 9780892362844 Category : Art Languages : en Pages : 274
Book Description
Leading French painters in the late medieval period executed miniatures for lavishly illuminated books of hours. In the mid-fifteenth century, Simon de Varie commissioned such a book. Completed in 1455, it included five priceless works by the most eminent French painter of the time, Jean Fouquet, as well as other striking paintings by two of his contemporaries. In the seventeenth century, Simon de Varie's book was divided into three sections and sold as separate volumes. Two of these volumes are today in the Royal Library in The Hague. The third volume--thought lost until 1984, when it surfaced in a private collection and was subsequently acquired by the Getty Museum--contains the first miniatures by Jean Fouquet to have been discovered in eighty years. This beautiful book will reproduce in color all of the miniatures and historiated initials in the original manuscript, along with selected text pages with secondary decoration. Comparative illustrations also accompany the two essays in the volume. Marrow's text addresses the role of books of hours in late medieval culture; the contents and form of de Varie's Hours; and the relationship of the miniatures by Fouquet to the rest of the artist's oeuvre. In a related essay, Francois Avril discusses the position of Simon de Varie and his family in mid-fifteenth-century France. The publication of The Hours of Simon de Varie adds to the Getty's impressive list of publications on illuminated manuscripts begun in 1990 and including the widely acclaimed facsimile Mira calligraphiae monumenta.
Author: Bernhard Siegert Publisher: Fordham Univ Press ISBN: 0823263770 Category : Social Science Languages : en Pages : 287
Book Description
In a crucial shift within posthumanistic media studies, Bernhard Siegert dissolves the concept of media into a network of operations that reproduce, displace, process, and reflect the distinctions fundamental for a given culture. Cultural Techniques aims to forget our traditional understanding of media so as to redefine the concept through something more fundamental than the empiricist study of a medium’s individual or collective uses or of its cultural semantics or aesthetics. Rather, Siegert seeks to relocate media and culture on a level where the distinctions between object and performance, matter and form, human and nonhuman, sign and channel, the symbolic and the real are still in the process of becoming. The result is to turn ontology into a domain of all that is meant in German by the word Kultur. Cultural techniques comprise not only self-referential symbolic practices like reading, writing, counting, or image-making. The analysis of artifacts as cultural techniques emphasizes their ontological status as “in-betweens,” shifting from firstorder to second-order techniques, from the technical to the artistic, from object to sign, from the natural to the cultural, from the operational to the representational. Cultural Techniques ranges from seafaring, drafting, and eating to the production of the sign-signaldistinction in old and new media, to the reproduction of anthropological difference, to the study of trompe-l’oeils, grids, registers, and doors. Throughout, Siegert addresses fundamental questions of how ontological distinctions can be replaced by chains of operations that process those alleged ontological distinctions within the ontic. Grounding posthumanist theory both historically and technically, this book opens up a crucial dialogue between new German media theory and American postcybernetic discourses.
Author: Ann Lauinger Publisher: Little Red Tree Publishing ISBN: 9781935656227 Category : Poetry Languages : en Pages : 134
Book Description
Little Red Tree is proud to present "Against Butterflies" by Ann Lauinger, Winner of the Vernice Quebodeaux Pathways Poetry Prize. The book also contains 25 full color images taken from the "Mira Calligraphiae Monumenta" by the Renaissance artist Joris Hoefnagel. Richard Harteis [Judge of the prize] describes her work: ..".I can only say how much I admire it: It is refreshing today to find a poet who is at once accessible and yet challenges the reader with a unique voice that pays real dividends when you learn to listen. Music, yes, form and symbol and philosophy, yes, but metaphor is the engine which drives it all, the star to which a poet hitches his wagon...." Gerry Lafemina writes: ..".Ann Lauinger s Against Butterflies reminds us of poetry s sheer pleasures.... Lauinger shows us the world through the transformative and transcendental lenses of poetry...and thus asks us to re-experience the world. These poems, with their 'syllabled light, ' are a joy to read, and their world a joy to revel in." Kim Bridgford writes: "The paradox of Ann Lauinger s title, "Against Butterflies," is that the gorgeous butterflies of her language win out over loss. Although her subject matter is haunting in fact, her opening sestina makes a literal home for terror we cannot help accepting her invitation."
Author: Robert Storr Publisher: eBook Partnership ISBN: 1912122561 Category : Art Languages : en Pages : 1405
Book Description
'Interviews' collates, in a single volume, the major body of interviews conducted by the revered American critic and curator Robert Storr, encompassing engaging discussions with some of the most renowned names in the artworld over the last two centuries. The book features nearly 30 illustrated interviews with artists and curators, including Gerhard Richter,Alex Katz, Chuck Close, Richard Serra, Gabriel Orozco, Elizabeth Murray, Harald Szleeman, Catherine David and Mike Kelley.The introduction by art historian and curator Francesca Pietropaolo precedes a conversation between herself and Storr in which they dissect the interview as a medium: discussing the ethics involved, the notion of technique and approach, alongside the limitations and difficulties of the process. 'Interviews' presents an important, stimulating chronicle of Storr's most essential discussions with an esteemed cast of interviewees.
Author: Lee Hendrix Publisher: Heinemann International Incorporated ISBN: Category : Art Languages : en Pages : 72
Book Description
Included in the magnificent pages of the Mira calligraphiae monumenta are two alphabets. Executed by an unknown hand, the first consists of Roman capital letters; the other is Gothic lower-case letters. As with the calligraphy of Bocskay described above, these alphabets were embellished by Joris Hoefnagel, a painter at the court of Rudolf II. In embellishing the alphabets, Hoefnagel employed symbols and heraldic objects--masks, animals, plants, obelisks--to convey the power and greatness of the emperor. An Abecedarium contains the thirty-eight pages from the Mira codex that display Hoefnagel's virtuosity in decorating the alphabets. Calligraphers, graphic artists, and all lovers of beautiful books will delight in Hoefnagel's artistry.
Author: Lee Hendrix
Author: Lee Hendrix
Author: Lee Hendrix
Author: Lee Hendrix
Author: Lee Hendrix
Author: Lee Hendrix
Author: James H. Marrow
Author: Bernhard Siegert
Author: Ann Lauinger
Author: Robert Storr
Author: Lee Hendrix