Mind Noir and El Siglo de Oro PDF Download

Author: Susan S. Nash
Publisher:
ISBN: 9780953535057
Category :
Languages : en
Pages : 20

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Author: Susan Smith Nash
Publisher:
ISBN:
Category : Film noir
Languages : en
Pages : 32

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Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 2432

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Author: Susan Smith Nash
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 164

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A collection of longer stories from the author of Channel-Surfing the Apocalypse. Susan Smith Nash possesses the rare ability to write about topical events and issues without being predictable or mundane. Oklahoma will never be the same.

Author: Susan Smith Nash
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 196

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Author: Susan Smith Nash
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 110

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Drama. "Susan Smith Nash's dramas are postmodern collisions of cultures and identities which ask the audience (and not always politely!) to look within themselves. They'll discover the prejudice and arrogance they thought belonged to someone else are festering inside their own minds. But, so festers freedom. And the world of possibilities" -Ana Erentxum.

Author:
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 428

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Author: Rebekka Mallinckrodt
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110749866
Category : History
Languages : en
Pages : 206

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This volume documents the practice of bringing enslaved people to early modern Europe not only as a side effect of overseas colonial regimes but as a pan-European experience that even developed its own dynamics on the continent. Drawing on examples from France, Scotland, the Netherlands, Denmark, and the Holy Roman Empire, the contributors show how slavery affected both the enslaved and the enslavers' societies, changing European notions of freedom, dependence, and subjugation. At the same time, Afro-European families and cultural productions challenge the view of the Black diaspora as Europe's "other." The volume thus reveals not only the roots of present-day racism extending far back into the past, but also a common heritage yet to be discovered.

Author: K. Meira Goldberg
Publisher: McFarland
ISBN: 0786494700
Category : Performing Arts
Languages : en
Pages : 347

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The language of the body is central to the study of flamenco. From the records of the Inquisition, to 16th century literature, to European travel diaries, the Spanish dancer beguiles and fascinates. The word flamenco evokes the image of a sensuous and rebellious woman--the bailaora --whose movements seduce the audience, only to reject their attention with a stomp of defiance. The dancer's body is an agent of ideological resistance, conveying a conflicting desire for subjectivity and autonomy and implying deeply held ideas about history, national identity, femininity and masculinity. This collection of new essays provides an overview of flamenco scholarship, illuminating flamenco's narrative and chronology and addressing some common misconceptions. The contributors offer fresh perspectives on age-old themes and suggest new paradigms for flamenco as a cultural practice. Instructors considering this book for use in a course may request an examination copy here.

Author: Chouki El Hamel
Publisher: Cambridge University Press
ISBN: 1139620045
Category : History
Languages : en
Pages : 534

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Black Morocco: A History of Slavery, Race, and Islam chronicles the experiences, identity and achievements of enslaved black people in Morocco from the sixteenth century to the beginning of the twentieth century. Chouki El Hamel argues that we cannot rely solely on Islamic ideology as the key to explain social relations and particularly the history of black slavery in the Muslim world, for this viewpoint yields an inaccurate historical record of the people, institutions and social practices of slavery in Northwest Africa. El Hamel focuses on black Moroccans' collective experience beginning with their enslavement to serve as the loyal army of the Sultan Isma'il. By the time the Sultan died in 1727, they had become a political force, making and unmaking rulers well into the nineteenth century. The emphasis on the political history of the black army is augmented by a close examination of the continuity of black Moroccan identity through the musical and cultural practices of the Gnawa.