Milton's Poetry of Choice and Its Romantic Heirs PDF Download

Author: Leslie Brisman
Publisher: Ithaca [N.Y.] : Cornell University Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 360

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Author: Leslie Brisman
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 0

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Author: John Carey
Publisher: Routledge
ISBN: 1317865693
Category : Literary Criticism
Languages : en
Pages : 585

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Book Description
This masterly edition contains all of Milton's English poems, with the exception of Paradise Lost, together with translations and texts of all his Latin, Italian and Greek poems. First published in 1968 - and substantially updated in 1996 - John Carey's edition has, with Alastair Fowler's Paradise Lost, established itself as the pre-eminent edition of Milton's poetry, both for the student and the general reader. Hailed as 'a very Bible of a Milton', the extensive notes and headnotes serve to illuminate the wealth of Milton's allusions and to synthesize the judgements and disagreements of a bewildering array of modern critics. Each headnote sets out details of composition and context which will deepen any reader's appreciation of the poetry, while also providing a concise overview of the critical and scholarly debates that continue to flame around the work of one of the greatest poets in the English language. Steeped in learning though it undoubtedly is, it is also an unfailing light to those who wish to plot their own path through the dazzling riches of Milton's imagination.

Author: Fiona Stafford
Publisher: John Wiley & Sons
ISBN: 1118773004
Category : Literary Criticism
Languages : en
Pages : 248

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Book Description
Reading Romantic Poetry introduces the major themes and preoccupations, and the key poems and players of a period convulsed by revolution, prolonged warfare and political crisis. Provides a clear, lively introduction to Romantic Poetry, backed by academic research and marked by its accessibility to students with little prior experience of poetry Introduces many of the major topics of the age, from politics to publishing, from slavery to sociability, from Milton to the mind of man Encourages direct responses to poems by opening up different aspects of the literature and fresh approaches to reading Discusses the poets' own reading and experience of being read, as well as analysis of the sounds of key poems and the look of the poem on the page Deepens understanding of poems through awareness of their literary, historical, political and personal contexts Includes the major poets of the period, Blake, Wordsworth, Coleridge, Byron, Shelley, Keats, Burns and Clare —as well as a host of less familiar writers, including women

Author: Christopher Kendrick
Publisher: Routledge
ISBN: 1317626400
Category : Literary Criticism
Languages : en
Pages : 216

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First published in 1986, this title critiques the canonical view of Milton as an isolated Great Man, and reassesses the impact of the Puritan Revolution on two of his major works: the Areopagitica and Paradise Lost. The study focuses on the emergence of a discreet ethical framework of thought within the dominant theological code of these two works, arguing that this framework – integral to Protestantism – is also crucial to the construction of subjectivity under capitalism. Through an analysis of the rhetorical strategies of the Areopagitica and the generic composition of Paradise Lost, Christopher Kendrick demonstrates that Milton’s ‘individualism’ both affirms the success of the Puritan Revolution and also exposes the contradictions between the capitalist subject’s ethical freedom and the world of necessity of which that freedom is part.

Author: E. Bellamy
Publisher: Springer
ISBN: 0230522661
Category : Literary Criticism
Languages : en
Pages : 228

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Imagining Death in Spenser and Milton assembles a collection of essays on the compelling topic of death in two monumental representatives of the early modern canon, Edmund Spenser and John Milton. The volume draws its impetus from the conviction that death is a central, yet curiously understudied, preoccupation for Spenser and Milton, contending that death - in all its early modern reformations and deformations - is an indispensable backdrop for any attempt to articulate the relationship between Spenser and Milton.

Author: Cynthia Chase
Publisher: Routledge
ISBN: 1317900073
Category : Literary Criticism
Languages : en
Pages : 315

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Book Description
The essays in this volume have all been carefully chosen by Cynthia Chase to exemplify the most important strands in contemporary critical thought on Romantic literature, in particular the best of recent feminist, deconstructive, and new historicist writing. They include contributions from critics such as Paul de Man, Mary Jacobus, Marjorie Levinson and Jerome Christensen. The collection, with its substantial introduction and judicious selection of key work, explains the significance of recent critical debate by relating it to fundamental critical questions that define Romanticism. Through the course of their analyses the essays offer answers to perhaps the most essential question posed by the Romantic period: what is the role of language in history?

Author: Kathryn S. Freeman
Publisher: Routledge
ISBN: 1317188071
Category : Literary Criticism
Languages : en
Pages : 248

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It is not surprising that visitors to Blake’s cosmology – the most elaborate in the history of British text and design – often demand a map in the form of a reference book. The entries in this volume benefit from the wide range of historical information made available in recent decades regarding the relationship between Blake’s text and design and his biographical, political, social, and religious contexts. Of particular importance, the entries take account of the re-interpretations of Blake with respect to race, gender, and empire in scholarship influenced by the groundbreaking theories that have arisen since the first half of the twentieth century. The intricate fluidity of Blake’s anti-Newtonian universe eludes the fixity of definitions and schema. Central to this guide to Blake's work and ideas is Kathryn S. Freeman's acknowledgment of the paradox of providing orientation in Blake’s universe without disrupting its inherent disorientation of the traditions whereby readers still come to it. In this innovative work, Freeman aligns herself with Blake’s demand that we play an active role in challenging our own readerly habits of passivity as we experience his created and corporeal worlds.

Author: Paul Hammond
Publisher: Oxford University Press
ISBN: 0192538187
Category : Literary Criticism
Languages : en
Pages : 541

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Book Description
Every major poet or philosopher develops their own distinctive semantic field around those terms which matter most to them, or which contribute most profoundly to the imagined world of a particular work. This book explores the specific meanings which Milton develops around key words in Paradise Lost. Some of these are theological or philosophical terms (e.g. 'evil', 'grace', 'reason'); others are words which shape the imagined world of the poem (e.g. 'dark', 'fall', 'within'); yet others are small words or even prefixes which subtly move the argument in new directions (e.g. 'if', 'not', 're-'). Milton seems to expect his readers to be alert to the special semantic field which he creates around such words, often by infusing them with biblical and literary connotations, and activating their etymological roots; alert also to the patterns created by the repetitions of such words, and particularly to their diverse use (and often their blatant misuse) by different characters. To understand the migrations and malleability of key words is part of the education of Milton's reader.

Author: Jerrold E. Hogle
Publisher: Oxford University Press
ISBN: 019536371X
Category : Literary Criticism
Languages : en
Pages : 433

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In this set of thorough and revisionary readings of Percy Bysshe Shelley's best-known writings in verse and prose, Hogle argues that the logic and style in all these works are governed by a movement in every thought, memory, image, or word-pattern whereby each is seen and sees itself in terms of a radically different form. For any specified entity or figure to be known for "what it is," it must be reconfigured by and in terms of another one at another level (which must then be dislocated itself). In so delineating Shelley's "process," Hogle reveals the revisionary procedure in the poet's various texts and demonstrates the powerful effects of "radical transference" in Shelley's visions of human possibility.