Author: Albert C. Labriola
Publisher: Penn State University Press
ISBN:
Category : Art
Languages : en
Pages : 264
Book Description
Milton's influence upon poets and poetry has been broadly and specifically studied often in collections of essays. The present volume of original essays, by emphasizing and classifying Milton's influence on the arts other than poetry, is a significant addition to interdisciplinary scholarship. The editors choose to interpret John Good's words literally--Milton's influence "was powerfully felt upon all the multiplied forms and phases of eighteenth century life"--and to examine the implications of that assertion even into twentieth-century life. No other volume considers the certainty or possibility of Milton's influence on arts as diverse as oratorio, opera, drama, dance, book illustration, sculpture, and landscape architecture. Beyond Milton's well-documented influence on poets and poetry, the contributors focus their attention on the other arts and other creative artists whose imaginations were nevertheless affected by the poet Milton, at times profoundly so. Their chief aim is to be representative, not fully comprehensive, in defining, describing, and demonstrating the manifold influence of Milton on the other arts. A related aim is to motivate others to do likewise. Divided into three parts--Milton and book illustrations, Milton and the performing arts, and Milton and the philosophy of form--this book makes a central and significant point about the impact of Milton's work on the imaginations of artists in various disciplines throughout the following centuries. Indeed, for many of the works of art analyzed in the present volume, Milton must be considered their "onlie begetter."
Milton's Legacy in the Arts
Author: Albert C. Labriola
Publisher: Penn State University Press
ISBN:
Category : Art
Languages : en
Pages : 264
Book Description
Milton's influence upon poets and poetry has been broadly and specifically studied often in collections of essays. The present volume of original essays, by emphasizing and classifying Milton's influence on the arts other than poetry, is a significant addition to interdisciplinary scholarship. The editors choose to interpret John Good's words literally--Milton's influence "was powerfully felt upon all the multiplied forms and phases of eighteenth century life"--and to examine the implications of that assertion even into twentieth-century life. No other volume considers the certainty or possibility of Milton's influence on arts as diverse as oratorio, opera, drama, dance, book illustration, sculpture, and landscape architecture. Beyond Milton's well-documented influence on poets and poetry, the contributors focus their attention on the other arts and other creative artists whose imaginations were nevertheless affected by the poet Milton, at times profoundly so. Their chief aim is to be representative, not fully comprehensive, in defining, describing, and demonstrating the manifold influence of Milton on the other arts. A related aim is to motivate others to do likewise. Divided into three parts--Milton and book illustrations, Milton and the performing arts, and Milton and the philosophy of form--this book makes a central and significant point about the impact of Milton's work on the imaginations of artists in various disciplines throughout the following centuries. Indeed, for many of the works of art analyzed in the present volume, Milton must be considered their "onlie begetter."
Publisher: Penn State University Press
ISBN:
Category : Art
Languages : en
Pages : 264
Book Description
Milton's influence upon poets and poetry has been broadly and specifically studied often in collections of essays. The present volume of original essays, by emphasizing and classifying Milton's influence on the arts other than poetry, is a significant addition to interdisciplinary scholarship. The editors choose to interpret John Good's words literally--Milton's influence "was powerfully felt upon all the multiplied forms and phases of eighteenth century life"--and to examine the implications of that assertion even into twentieth-century life. No other volume considers the certainty or possibility of Milton's influence on arts as diverse as oratorio, opera, drama, dance, book illustration, sculpture, and landscape architecture. Beyond Milton's well-documented influence on poets and poetry, the contributors focus their attention on the other arts and other creative artists whose imaginations were nevertheless affected by the poet Milton, at times profoundly so. Their chief aim is to be representative, not fully comprehensive, in defining, describing, and demonstrating the manifold influence of Milton on the other arts. A related aim is to motivate others to do likewise. Divided into three parts--Milton and book illustrations, Milton and the performing arts, and Milton and the philosophy of form--this book makes a central and significant point about the impact of Milton's work on the imaginations of artists in various disciplines throughout the following centuries. Indeed, for many of the works of art analyzed in the present volume, Milton must be considered their "onlie begetter."
Logic of the Fall
Author: Richard Arnold
Publisher: Peter Lang
ISBN: 9780820481760
Category : Literary Criticism
Languages : en
Pages : 134
Book Description
Logic of the Fall is the first book to examine the formal logical properties of central speeches and dialogues in Paradise Lost, according to John Milton's formulae, principles, and concerns in his own Art of Logic. In so doing, this book offers unconventional but cogent readings of this poem's central issues: the respective roles and responsibilities of Adam and Eve; the method of Satan's engineering of the Fall (and on who falls first); the causative properties of the Fall and the issue of culpability; and Milton's ultimate legacy for his readership. The Fall of humankind in Paradise Lost is not due to passion or will over reason, but rather to «pure reason» over «right reason.»
Publisher: Peter Lang
ISBN: 9780820481760
Category : Literary Criticism
Languages : en
Pages : 134
Book Description
Logic of the Fall is the first book to examine the formal logical properties of central speeches and dialogues in Paradise Lost, according to John Milton's formulae, principles, and concerns in his own Art of Logic. In so doing, this book offers unconventional but cogent readings of this poem's central issues: the respective roles and responsibilities of Adam and Eve; the method of Satan's engineering of the Fall (and on who falls first); the causative properties of the Fall and the issue of culpability; and Milton's ultimate legacy for his readership. The Fall of humankind in Paradise Lost is not due to passion or will over reason, but rather to «pure reason» over «right reason.»
Milton Glaser
Author: Milton Glaser
Publisher: Abrams
ISBN: 1683359267
Category : Design
Languages : en
Pages : 250
Book Description
This essential volume by the godfather of modern graphic design explores his process and showcases his highly influential early-career work. This gorgeously illustrated volume delves into the early decades of America’s pre-eminent graphic artist. Milton Glaser’s work ranges from the iconic I Love New York logo to the famous psychedelic Bob Dylan poster and numerous book and record covers; it encompasses everything from store and restaurant design to toy creations as well as magazine formats and logotypes, including New York magazine. In short, his work has helped define the look of our time. Here Glaser undertakes a remarkably wide-ranging representation of his oeuvre. In a new introduction, he speaks of the influences on his work, the responsibilities of the artist, the hierarchies of the traditional art world, and the role of graphic design in the area of his creative growth. First published in 1973, Milton Glaser: Graphic Design is an extraordinary achievement and an indisputable classic.
Publisher: Abrams
ISBN: 1683359267
Category : Design
Languages : en
Pages : 250
Book Description
This essential volume by the godfather of modern graphic design explores his process and showcases his highly influential early-career work. This gorgeously illustrated volume delves into the early decades of America’s pre-eminent graphic artist. Milton Glaser’s work ranges from the iconic I Love New York logo to the famous psychedelic Bob Dylan poster and numerous book and record covers; it encompasses everything from store and restaurant design to toy creations as well as magazine formats and logotypes, including New York magazine. In short, his work has helped define the look of our time. Here Glaser undertakes a remarkably wide-ranging representation of his oeuvre. In a new introduction, he speaks of the influences on his work, the responsibilities of the artist, the hierarchies of the traditional art world, and the role of graphic design in the area of his creative growth. First published in 1973, Milton Glaser: Graphic Design is an extraordinary achievement and an indisputable classic.
Milton Glaser Posters
Author: Milton Glaser
Publisher: Harry N. Abrams
ISBN: 9781419729935
Category : Design
Languages : en
Pages : 0
Book Description
Milton Glaser has designed more than 500 posters. Some, like his 1967 Bob Dylan poster for Columbia Records, are icons; others, like the series celebrating "I [heart] New York," evoke his best-known works. Milton Glaser Posters includes more than 400 of them, with Glaser's own commentary describing his intentions and inspiration. It is a delight for the art lover, an education in visual storytelling, and a journey through the cultural life of half a century, all rolled into one compact, intense book.
Publisher: Harry N. Abrams
ISBN: 9781419729935
Category : Design
Languages : en
Pages : 0
Book Description
Milton Glaser has designed more than 500 posters. Some, like his 1967 Bob Dylan poster for Columbia Records, are icons; others, like the series celebrating "I [heart] New York," evoke his best-known works. Milton Glaser Posters includes more than 400 of them, with Glaser's own commentary describing his intentions and inspiration. It is a delight for the art lover, an education in visual storytelling, and a journey through the cultural life of half a century, all rolled into one compact, intense book.
The Design of Dissent
Author: Milton Glaser
Publisher: Rockport Publishers
ISBN: 1616736372
Category : Design
Languages : en
Pages : 240
Book Description
Chosen by the Editors at Amazon.com as one of the top 50 Best Books of 2005 - Now in paperback! With the world's economy in a slump, the Middle East's never ending conflict, and the on-going war on terrorism, there is a heightened awareness in the world community of the many sides of the numerous issues that both directly and indirectly affect our lives. Increasingly, people are feeling powerless and underrepresented because they have no voice. Designers, however, have a voice. They are among the most influential bystanders because their skills enable them to communicate a message easily through the Web or through posters and printed pieces. A picture is worth a thousand words and designers have used this adage to their advantage for years by creating simple yet powerful designs that immediately convey the message to the viewer. The Design of Dissent focuses on graphic work that designers have made as a result of social and political concerns. The time is certainly ripe as the U.S., and world, flares in opposition on so many important issues.
Publisher: Rockport Publishers
ISBN: 1616736372
Category : Design
Languages : en
Pages : 240
Book Description
Chosen by the Editors at Amazon.com as one of the top 50 Best Books of 2005 - Now in paperback! With the world's economy in a slump, the Middle East's never ending conflict, and the on-going war on terrorism, there is a heightened awareness in the world community of the many sides of the numerous issues that both directly and indirectly affect our lives. Increasingly, people are feeling powerless and underrepresented because they have no voice. Designers, however, have a voice. They are among the most influential bystanders because their skills enable them to communicate a message easily through the Web or through posters and printed pieces. A picture is worth a thousand words and designers have used this adage to their advantage for years by creating simple yet powerful designs that immediately convey the message to the viewer. The Design of Dissent focuses on graphic work that designers have made as a result of social and political concerns. The time is certainly ripe as the U.S., and world, flares in opposition on so many important issues.
Milton's Legacy
Author: Kristin A. Pruitt
Publisher: Susquehanna University Press
ISBN: 9781575910864
Category : Literary Criticism
Languages : en
Pages : 278
Book Description
In The Reason of Church Government, a thirty-three-year-old John Milton writes of his hope that by labour and intent study... joyn'd with the strong propensity of nature, I might perhaps leave something so written to aftertimes, as they should not willingly let it die. Even the young Milton, committed as he was to achieving a place in the annals of poetic history, might have been surprised by the strenuous efforts in aftertimes to keep his legacy alive. The fifteen essays that comprise this collection focus, from varied perspectives, on Paradise Lost, Paradise Regained, and A Mask, poems that have attracted sustained critical attention. Several consider shorter poems, such as the Nativity Ode, The Passion, Upon the Circumcision, and Sonnet 14. Some pursue issues of sources, authorship, and audience, while still others probe extant biographical records or reflect on the author as biographical subject. Diverse though they are in subject matter, approaches, and emphases, all demonstrate how Milton scholarship in the twenty-first century continues to be committed to not willingly let ting] Milton's literary legacy die. Kristin A. Brothers University. Charles W. Durham is professor emeritus of English at Middle Tennessee State University, and is president of the Milton Society of America.
Publisher: Susquehanna University Press
ISBN: 9781575910864
Category : Literary Criticism
Languages : en
Pages : 278
Book Description
In The Reason of Church Government, a thirty-three-year-old John Milton writes of his hope that by labour and intent study... joyn'd with the strong propensity of nature, I might perhaps leave something so written to aftertimes, as they should not willingly let it die. Even the young Milton, committed as he was to achieving a place in the annals of poetic history, might have been surprised by the strenuous efforts in aftertimes to keep his legacy alive. The fifteen essays that comprise this collection focus, from varied perspectives, on Paradise Lost, Paradise Regained, and A Mask, poems that have attracted sustained critical attention. Several consider shorter poems, such as the Nativity Ode, The Passion, Upon the Circumcision, and Sonnet 14. Some pursue issues of sources, authorship, and audience, while still others probe extant biographical records or reflect on the author as biographical subject. Diverse though they are in subject matter, approaches, and emphases, all demonstrate how Milton scholarship in the twenty-first century continues to be committed to not willingly let ting] Milton's literary legacy die. Kristin A. Brothers University. Charles W. Durham is professor emeritus of English at Middle Tennessee State University, and is president of the Milton Society of America.
Paradise Lost
Artists' Estates
Author: Magda Salvesen
Publisher: Rutgers University Press
ISBN: 9780813536040
Category : Art
Languages : en
Pages : 412
Book Description
Artists' Estates offers a fascinating journey into the complex and competitive art world through the distinctive lens of those who deal with the paintings, prints, and sculpture that artists leave behind after their deaths. Bringing together interviews conducted by Magda Salvesen, the widow of the second-generation Abstract Expressionist painter Jon Schueler, this unique book provides a window into the goals and desires, the conflicts and frustrations, and the emotional and financial strains that confront widows, companions, sons, and daughters as the heirs to artists' estates. The judiciously arranged and edited interviews also address the benefits and liabilities of foundations and trusts through the insights of lawyers, gallery dealers, and foundation directors. Readers will explore well-known estates, including those of Roy Lichtenstein, Mark Rothko, Adolph Gottlieb, Milton Avery, Romare Bearden, and David Smith, as well as the equally intriguing legacies of lesser-known artists whose work came to the fore in the forties and fifties. Together, the passionate testimonies of families and lovers, the measured voices of art professionals, and the more than eighty photographs offer an indispensable entre into the private and public worlds of art.
Publisher: Rutgers University Press
ISBN: 9780813536040
Category : Art
Languages : en
Pages : 412
Book Description
Artists' Estates offers a fascinating journey into the complex and competitive art world through the distinctive lens of those who deal with the paintings, prints, and sculpture that artists leave behind after their deaths. Bringing together interviews conducted by Magda Salvesen, the widow of the second-generation Abstract Expressionist painter Jon Schueler, this unique book provides a window into the goals and desires, the conflicts and frustrations, and the emotional and financial strains that confront widows, companions, sons, and daughters as the heirs to artists' estates. The judiciously arranged and edited interviews also address the benefits and liabilities of foundations and trusts through the insights of lawyers, gallery dealers, and foundation directors. Readers will explore well-known estates, including those of Roy Lichtenstein, Mark Rothko, Adolph Gottlieb, Milton Avery, Romare Bearden, and David Smith, as well as the equally intriguing legacies of lesser-known artists whose work came to the fore in the forties and fifties. Together, the passionate testimonies of families and lovers, the measured voices of art professionals, and the more than eighty photographs offer an indispensable entre into the private and public worlds of art.
Preaching the Gospel of Black Revolt
Author: Reginald A. Wilburn
Publisher: Penn State Press
ISBN: 0820705977
Category : Literary Criticism
Languages : en
Pages : 407
Book Description
In this comparative and hybrid study, Reginald A. Wilburn offers the first scholarly work to theorize African American authors’ rebellious appropriations of Milton and his canon. Wilburn engages African Americans’ transatlantic negotiations with perhaps the preeminent freedom writer in the English tradition. Preaching the Gospel of Black Revolt contends that early African American authors appropriated and remastered Milton by completing and complicating England’s epic poet of liberty with the intertextual originality of repetitive difference. Wilburn focuses on a diverse array of early African American authors, such as Phillis Wheatley, Frances Ellen Watkins Harper, Frederick Douglass, and Anna Julia Cooper. He examines the presence of Milton in their works as a reflection of early African Americans’ rhetorical affiliations with the poet’s satanic epic for messianic purposes of freedom and racial uplift. Wilburn explains that early African American authors were attracted to Milton because of his preeminent status in literary tradition, strong Christian convictions, and poetic mastery of the English language. This tripartite ministry makes Milton an especially indispensible intertext for authors whose writings and oratory were sometimes presumed beneath the dignity of criticism. Through close readings of canonical and obscure texts, Wilburn explores how various authors rebelled against such assessments of black intellect by altering Milton’s meanings, themes, and figures beyond orthodox interpretations and imbuing them with hermeneutic shades of interpretive and cultural difference. However they remastered Milton, these artists respected his oeuvre as a sacred yet secular talking book of revolt, freedom, and cultural liberation. Preaching the Gospel of Black Revolt particularly draws upon recent satanic criticism in Milton studies, placing it in dialogue with methodologies germane to African American literary studies. By exposing the subversive workings of an intertextual Middle Passage in black literacy, Wilburn invites scholars from diverse areas of specialization to traverse within and beyond the cultural veils of racial interpretation and along the color line in literary studies.
Publisher: Penn State Press
ISBN: 0820705977
Category : Literary Criticism
Languages : en
Pages : 407
Book Description
In this comparative and hybrid study, Reginald A. Wilburn offers the first scholarly work to theorize African American authors’ rebellious appropriations of Milton and his canon. Wilburn engages African Americans’ transatlantic negotiations with perhaps the preeminent freedom writer in the English tradition. Preaching the Gospel of Black Revolt contends that early African American authors appropriated and remastered Milton by completing and complicating England’s epic poet of liberty with the intertextual originality of repetitive difference. Wilburn focuses on a diverse array of early African American authors, such as Phillis Wheatley, Frances Ellen Watkins Harper, Frederick Douglass, and Anna Julia Cooper. He examines the presence of Milton in their works as a reflection of early African Americans’ rhetorical affiliations with the poet’s satanic epic for messianic purposes of freedom and racial uplift. Wilburn explains that early African American authors were attracted to Milton because of his preeminent status in literary tradition, strong Christian convictions, and poetic mastery of the English language. This tripartite ministry makes Milton an especially indispensible intertext for authors whose writings and oratory were sometimes presumed beneath the dignity of criticism. Through close readings of canonical and obscure texts, Wilburn explores how various authors rebelled against such assessments of black intellect by altering Milton’s meanings, themes, and figures beyond orthodox interpretations and imbuing them with hermeneutic shades of interpretive and cultural difference. However they remastered Milton, these artists respected his oeuvre as a sacred yet secular talking book of revolt, freedom, and cultural liberation. Preaching the Gospel of Black Revolt particularly draws upon recent satanic criticism in Milton studies, placing it in dialogue with methodologies germane to African American literary studies. By exposing the subversive workings of an intertextual Middle Passage in black literacy, Wilburn invites scholars from diverse areas of specialization to traverse within and beyond the cultural veils of racial interpretation and along the color line in literary studies.
How to Think Like a Great Graphic Designer
Author: Debbie Millman
Publisher: Skyhorse Publishing Inc.
ISBN: 1581154968
Category : Art
Languages : en
Pages : 249
Book Description
Take a peek inside the heads of some of the world’s greatest living graphic designers. How do they think, how do they connect to others, what special skills do they have? In honest and revealing interviews, nineteen designers, including Stefan Sagmeister, Michael Beirut, David Carson, and Milton Glaser, share their approaches, processes, opinions, and thoughts about their work with noted brand designer Debbie Millman. The internet radio talk host of Design Matters, Millman persuades the greatest graphic designers of our time to speak frankly and openly about their work. How to Think Like a Great GraphicDesigners offers a rare opportunity to observe and understand the giants of the industry. Designers interviewed include: —Milton Glaser —Stefan Sagmeister —David Carson —Paula Scher —Abbott Miler —Lucille Tenazas —Paul Sahre —Emily Oberman and Bonnie Siegler —Chip Kidd —James Victore —Carin Goldberg —Michael Bierut —Seymour Chwast —Jessica Helfand and William Drenttel —Steff Geissbuhler —John Maeda Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.
Publisher: Skyhorse Publishing Inc.
ISBN: 1581154968
Category : Art
Languages : en
Pages : 249
Book Description
Take a peek inside the heads of some of the world’s greatest living graphic designers. How do they think, how do they connect to others, what special skills do they have? In honest and revealing interviews, nineteen designers, including Stefan Sagmeister, Michael Beirut, David Carson, and Milton Glaser, share their approaches, processes, opinions, and thoughts about their work with noted brand designer Debbie Millman. The internet radio talk host of Design Matters, Millman persuades the greatest graphic designers of our time to speak frankly and openly about their work. How to Think Like a Great GraphicDesigners offers a rare opportunity to observe and understand the giants of the industry. Designers interviewed include: —Milton Glaser —Stefan Sagmeister —David Carson —Paula Scher —Abbott Miler —Lucille Tenazas —Paul Sahre —Emily Oberman and Bonnie Siegler —Chip Kidd —James Victore —Carin Goldberg —Michael Bierut —Seymour Chwast —Jessica Helfand and William Drenttel —Steff Geissbuhler —John Maeda Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.