Milton, Mannerism and Baroque PDF Download

Author: Roy Daniells
Publisher:
ISBN:
Category :
Languages : en
Pages : 252

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Author: Murray Roston
Publisher: Springer
ISBN: 1349049824
Category : Literary Criticism
Languages : en
Pages : 213

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Author: William Bridges Hunter
Publisher: Bucknell University Press
ISBN: 9780838718384
Category : Literary Criticism
Languages : en
Pages : 216

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Book Description
This nine volume set presents in easily accessible format the extensive information now available about John Milton. It has grown to be a study of English civilization of Milton's time and a history of literary and political matters since then.

Author: Angelica Duran
Publisher: John Wiley & Sons
ISBN: 1405178507
Category : Literary Criticism
Languages : en
Pages : 288

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Book Description
With brevity, depth, and accessibility, this book helps readers to appreciate the works of John Milton, and to understand the great influence they have had on literature and other disciplines. Presents new and authoritative essays by internationally respected Milton scholars Explains how and why Milton’s works established their central place in the English literary canon Structured chronologically around Milton’s major works Also includes a select bibliography and a chronology detailing Milton’s life and works alongside relevant world events Ideal as a first critical work on Milton

Author: Erin Henriksen
Publisher: BRILL
ISBN: 9004183663
Category : Literary Criticism
Languages : en
Pages : 224

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Scholarship on Milton's view of God the Father and the Son has focused on the author's theological beliefs. For Milton, these are equally artistic questions, and to address them this study considers the precedents in Christian art that provide models for portraying the divine within a reformed context. Milton's revision of the passion tradition in his short poems of 1645 and his later epic poems substitutes a living, obedient and subservient Son in place of late medieval representations of the crucifixion. His alternative passion unfolds through a poetic vocabulary of fragmentation, omission, and restoration, drawing on iconoclasm as an artistic strategy. This study addresses the long-standing question about Milton's avoidance of the crucifixion and contributes to the broader study of his reformed poetics.

Author: Arthur S. P. Woodhouse
Publisher: Columbia University Press
ISBN: 9780231088824
Category : Poetry
Languages : en
Pages : 434

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Author: Lisa Beaven
Publisher: Medieval Institute Publications
ISBN: 1580442722
Category : Art
Languages : en
Pages : 327

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Emotion and the Seduction of the Senses, Baroque to Neo-Baroque examines the relationship between the cultural productions of the baroque in the seventeenth century and the neo-baroque in our contemporary world. The volume illuminates how, rather than providing rationally ordered visual realms, both the baroque and the neo-baroque construct complex performative spaces whose spectacle seeks to embrace, immerse, and seduce the senses and solicit the emotions of the beholder.

Author: Luiz Fernando Ferreira Sá
Publisher: Cambridge Scholars Publishing
ISBN: 1527512983
Category : Literary Criticism
Languages : en
Pages : 173

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Book Description
In this study of John Milton’s “L’Allegro”, “Il Penseroso”, and “Lycidas”, the perspective of an interpreting sign serves as the basis for analysis of the poems’ allusions to the Orpheus myth. The idea of an interpretant proposed by Charles Sanders Peirce and the semiotic relations theorized by Jorgen Dines Johansen work as a lens that enables the reader to see the extent to which Milton recreated the Orpheus myth and used its recreating powers in his poems. Since the three poems have different and opposing voices, the Orpheus myth is the trigger behind the change of voices, as well as the modeling frame that underlies the transitions from an innocent to an enlightened viewpoint. Furthermore, readers in general and critics of all persuasions will have the chance to appreciate the presence of the Orpheus myth in Milton’s work as the fragmented configuration of consciousness in the process of defining two orders of existence: the human and the divine.

Author: Balachandra Rajan
Publisher: Routledge
ISBN: 042963918X
Category : Literary Criticism
Languages : en
Pages : 251

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Book Description
First published in 1970. Few books on Milton have dealt with his poetry as a whole. The present study, a discussion of Milton’s major poetry, seeks to examine each of the poems on its own distinctive grounds and also to delineate the pattern of continuity which the poems enter into and sustain. The author shows how each poem creates its own strategy of insight and demonstrates that together they explore and define a centre of recognition more fully than is possible with any single work. The book makes full use of the results of Milton scholarship and will provide a basis for a fresh appreciation of the complexity and unity of Milton’s achievement.

Author: Hugh Grady
Publisher: Cambridge University Press
ISBN: 1108171176
Category : Literary Criticism
Languages : en
Pages : 237

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Book Description
John Donne has been one of the most controversial poets in the history of English literature, his complexity and intellectualism provoking both praise and censure. In this major re-assessment of Donne's poetry, Hugh Grady argues that his work can be newly appreciated in our own era through Walter Benjamin's theory of baroque allegory. Providing close readings of The Anniversaries, The Songs and Sonnets, and selected other lyrics, this study reveals Donne as being immersed in the aesthetic of fragmentation that define both the baroque and the postmodernist aesthetics of today. Synthesizing cultural criticism and formalist analysis, Grady illuminates Donne afresh as a great poet for our own historical moment.