Author: Maggie Kilgour
Publisher: Oxford University Press
ISBN: 0199589437
Category : History
Languages : en
Pages : 398
Book Description
Contributing to our understanding of Ovid, Milton, and more broadly the transmission and transformation of classical traditions, this book examines the ways in which Milton drew on Ovid's oeuvre, and argues that Ovid's revision of the past gave Renaissance writers a model for their own transformation of classical works.
Milton and the Metamorphosis of Ovid
Author: Maggie Kilgour
Publisher: Oxford University Press
ISBN: 0199589437
Category : History
Languages : en
Pages : 398
Book Description
Contributing to our understanding of Ovid, Milton, and more broadly the transmission and transformation of classical traditions, this book examines the ways in which Milton drew on Ovid's oeuvre, and argues that Ovid's revision of the past gave Renaissance writers a model for their own transformation of classical works.
Publisher: Oxford University Press
ISBN: 0199589437
Category : History
Languages : en
Pages : 398
Book Description
Contributing to our understanding of Ovid, Milton, and more broadly the transmission and transformation of classical traditions, this book examines the ways in which Milton drew on Ovid's oeuvre, and argues that Ovid's revision of the past gave Renaissance writers a model for their own transformation of classical works.
Metamorphoses: Books I-VIII
Some Newly Discovered Stanzas Written by John Milton on Engraved Scenes Illustrating Ovid's Metamorphoses
Author: John Milton
Publisher: R. West
ISBN: 9780849204814
Category : Fables, Latin
Languages : en
Pages : 191
Book Description
Publisher: R. West
ISBN: 9780849204814
Category : Fables, Latin
Languages : en
Pages : 191
Book Description
Ovid's Metamorphoses and Milton's Paradise Lost
Milton and Ovid
Simile and Identity in Ovid's Metamorphoses
Author: Marie Louise von Glinski
Publisher: Cambridge University Press
ISBN: 1139504207
Category : Literary Collections
Languages : en
Pages :
Book Description
Nulli sua forma manebat. The world of Ovid's Metamorphoses is marked by constant flux in which nothing keeps its original form. This book argues that Ovid uses the epic simile to capture states of unresolved identity - in the transition between human, animal and divine identity, as well as in the poem's textual ambivalence between genres and the negotiation of fiction and reality. In conjuring up a likeness, the mental image of the simile enters a dialectic of appearances in a visually complex and treacherous universe. Original and subtle close readings of episodes in the poem, from Narcissus to Adonis, from Diana's blush to the freeform dreams in the House of Sleep, trace the simile's potential for exploiting indeterminacy and immateriality. In its protean permutations the simile touches on the most profound issues of the poem - the nature of humanity and divinity and the essence of poetic creation.
Publisher: Cambridge University Press
ISBN: 1139504207
Category : Literary Collections
Languages : en
Pages :
Book Description
Nulli sua forma manebat. The world of Ovid's Metamorphoses is marked by constant flux in which nothing keeps its original form. This book argues that Ovid uses the epic simile to capture states of unresolved identity - in the transition between human, animal and divine identity, as well as in the poem's textual ambivalence between genres and the negotiation of fiction and reality. In conjuring up a likeness, the mental image of the simile enters a dialectic of appearances in a visually complex and treacherous universe. Original and subtle close readings of episodes in the poem, from Narcissus to Adonis, from Diana's blush to the freeform dreams in the House of Sleep, trace the simile's potential for exploiting indeterminacy and immateriality. In its protean permutations the simile touches on the most profound issues of the poem - the nature of humanity and divinity and the essence of poetic creation.
Milton and Ovid
Author: Richard J. DuRocher
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 256
Book Description
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 256
Book Description
Metamorphosis
Author: Alison Keith
Publisher: Centre for Reformation and Renaissance Studies
ISBN: 9780772720351
Category : Literary Criticism
Languages : en
Pages : 358
Book Description
Publisher: Centre for Reformation and Renaissance Studies
ISBN: 9780772720351
Category : Literary Criticism
Languages : en
Pages : 358
Book Description
Metamorphoses
Author: Ovid
Publisher: Indiana University Press
ISBN: 0253034493
Category : Literary Criticism
Languages : en
Pages : 534
Book Description
Now available for the first time in an annotated edition, Rolfe Humphriess legendary translation captures the spirit of Ovid's swift and conversational language, bringing the wit and sophistication of the Roman poet to modern readers. These are some of the most famous Roman myths as youve never read them before--sensuous, dangerously witty, audacious.
Publisher: Indiana University Press
ISBN: 0253034493
Category : Literary Criticism
Languages : en
Pages : 534
Book Description
Now available for the first time in an annotated edition, Rolfe Humphriess legendary translation captures the spirit of Ovid's swift and conversational language, bringing the wit and sophistication of the Roman poet to modern readers. These are some of the most famous Roman myths as youve never read them before--sensuous, dangerously witty, audacious.
Milton in the Long Restoration
Author: Blair Hoxby
Publisher: Oxford University Press
ISBN: 0191082392
Category : Literary Criticism
Languages : en
Pages : 656
Book Description
Milton criticism often treats the poet as if he were the last of the Renaissance poets or a visionary prophet who remained misunderstood until he was read by the Romantics. At the same time, literary histories of the period often invoke a Long Eighteenth Century that reaches its climax with the French Revolution or the Reform Bill of 1832. What gets overlooked in such accounts is the rich story of Milton's relationship to his contemporaries and early eighteenth-century heirs. The essays in this collection demonstrate that some of Milton's earliest readers were more perceptive than Romantic and twentieth-century interpreters. The translations, editions, and commentaries produced by early eighteenth century men of letters emerge as the seedbed of modern criticism and the term 'neoclassical' is itself unmasked as an inadequate characterization of the literary criticism and poetry of the period—a period that could brilliantly define a Miltonic sublime, even as it supported and described all the varieties of parody and domestication found in the mock epic and the novel. These essays, which are written by a team of leading Miltonists and scholars of the Restoration and eighteenth century, cover a range of topics—from Milton's early editors and translators to his first theatrical producers; from Miltonic similes in Pope's Iliad to Miltonic echoes in Austen's Pride and Prejudice; from marriage, to slavery, to republicanism, to the heresy of Arianism. What they share in common is a conviction that the early eighteenth century understood Milton and that the Long Restoration cannot be understood without him.
Publisher: Oxford University Press
ISBN: 0191082392
Category : Literary Criticism
Languages : en
Pages : 656
Book Description
Milton criticism often treats the poet as if he were the last of the Renaissance poets or a visionary prophet who remained misunderstood until he was read by the Romantics. At the same time, literary histories of the period often invoke a Long Eighteenth Century that reaches its climax with the French Revolution or the Reform Bill of 1832. What gets overlooked in such accounts is the rich story of Milton's relationship to his contemporaries and early eighteenth-century heirs. The essays in this collection demonstrate that some of Milton's earliest readers were more perceptive than Romantic and twentieth-century interpreters. The translations, editions, and commentaries produced by early eighteenth century men of letters emerge as the seedbed of modern criticism and the term 'neoclassical' is itself unmasked as an inadequate characterization of the literary criticism and poetry of the period—a period that could brilliantly define a Miltonic sublime, even as it supported and described all the varieties of parody and domestication found in the mock epic and the novel. These essays, which are written by a team of leading Miltonists and scholars of the Restoration and eighteenth century, cover a range of topics—from Milton's early editors and translators to his first theatrical producers; from Miltonic similes in Pope's Iliad to Miltonic echoes in Austen's Pride and Prejudice; from marriage, to slavery, to republicanism, to the heresy of Arianism. What they share in common is a conviction that the early eighteenth century understood Milton and that the Long Restoration cannot be understood without him.