Comedies of Plautus: Amphitruo, Amphitryon. Miles Gloriosus. Captivi PDF Download

Author: Titus Maccius Plautus
Publisher:
ISBN:
Category : Latin drama
Languages : en
Pages : 428

View

Book Description

Author: Plautus
Publisher: Hackett Publishing
ISBN: 9780872203624
Category : Drama
Languages : en
Pages : 436

View

Book Description
"This is a book worthy of high praise... All versions are exceedingly witty and versatile, in verse that ripples from one's lips, pulling all the punches of Plautus, the knockabout king of farce, and proving that the more polished Terence can be just as funny. Accuracy to the original has been thoroughly respected, but look at the humour in rendering Diphilius' play called Synapothnescontes as Three's a Shroud... Students in schools and colleges will benefit from short introductions to each play, to Roman stage conventions, to different types of Greek and Roman comedy, and there is a note on staging, with a diagram illustrating a typical Roman stage and further diagrams of the basic set for each play. The translators have paid more attention to stage directions than is usually given in translations, because they aim to show how these plays worked.

Author: Titus Maccius Plautus
Publisher:
ISBN:
Category :
Languages : la
Pages : 366

View

Book Description

Author: Titus Maccius Plautus
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 602

View

Book Description
The comedies of Plautus, who brilliantly adapted Greek plays for Roman audiences c. 205-184 BCE, are the earliest Latin works to survive complete and cornerstones of the European theatrical tradition from Shakespeare and Molière to modern times. Twenty-one of his plays are extant.

Author: Titus Maccius Plautus
Publisher:
ISBN:
Category :
Languages : en
Pages : 366

View

Book Description

Author: Titus Maccius Plautus
Publisher:
ISBN:
Category : Greece
Languages : en
Pages : 580

View

Book Description

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 294

View

Book Description

Author: Dorota Dutsch
Publisher: John Wiley & Sons
ISBN: 1118958004
Category : Literary Criticism
Languages : en
Pages : 546

View

Book Description
An important addition to contemporary scholarship on Plautus and Plautine comedy, provides new essays and fresh insights from leading scholars A Companion to Plautus is a collection of original essays on the celebrated Old Latin period playwright. A brilliant comic poet, Plautus moved beyond writing Latin versions of Greek plays to create a uniquely Roman cultural experience worthy of contemporary scholarship. Contributions by a team of international scholars explore the theatrical background of Roman comedy, the theory and practice of Plautus’ dramatic composition, the relation of Plautus’ works to Roman social history, and his influence on later dramatists through the centuries. Responding to renewed modern interest in Plautine studies, the Companion reassesses Plautus’ works—plays that are meant to be viewed and experienced—to reveal new meaning and contemporary relevance. Chapters organized thematically offer multiple perspectives on individual plays and enable readers to gain a deeper understanding of Plautus’ reflection of, and influence on Roman society. Topics include metatheater and improvisation in Plautus, the textual tradition of Plautus, trends in Plautus Translation, and modern reception in theater and movies. Exploring the place of Plautus and Plautine comedy in the Western comic tradition, the Companion: Addresses the most recent trends in the study of Roman comedy Features discussions on religion, imperialism, slavery, war, class, gender, and sexuality in Plautus’ work Highlights recent scholarship on representation of socially vulnerable characters Discusses Plautus’ work in relation to Roman stages, actors, audience, and culture Examines the plot construction, characterization, and comic techniques in Plautus’ scripts Part of the acclaimed Blackwell Companions to the Ancient World series, A Companion to Plautus is an important resource for scholars, instructors, and students of both ancient and modern drama, comparative literature, classics, and history, particularly Roman history.

Author: David W. Chapman
Publisher: Hendrickson Publishers
ISBN: 1683072669
Category : Religion
Languages : en
Pages : 896

View

Book Description
"The authors of this volume set themselves one task, to trace the extra-biblical primary texts that are relevant for understanding Jesus' trial and crucifixion. With that goal in mind, the book is built on three major themes: (1) Jesus' trial / interrogation before the Sanhedrin, (2) Jesus' trial before Pontius Pilatus, and (3) crucifixion as a method of execution in antiquity. In chronologically sequential order (where possible), the authors select and arrange an overwhelming amount of extra-biblical primary texts -- 462 to be exact -- underneath these three categories (75, 46, and 341 texts respectively)."--Brian J. Wright in Religious Studies Review

Author: Elizabeth Sandis
Publisher: Oxford University Press
ISBN: 0192857134
Category : College and school drama, English
Languages : en
Pages : 281

View

Book Description
This is the first history of Oxford and Cambridge drama during the Tudor and Stuart period. It guides the reader through the theatrical worlds of England's universities in the sixteenth and seventeenth centuries. Early Modern Drama at the Universities opens up an exciting and challenging body of evidence and offers the reader a choice of three inroads into the corpus: institutions, intertexts, and individuals. How to get noticed at university? How to get into university in the first place, or a job afterwards? Sandis pinpoints the skills that were required for success and the role of playwriting and performance in the development of those skills. We follow Oxford and Cambridge students along their educational journey--from schoolboys to scholars to graduates in the workplace. For the first time, we see the extent to which institutional culture made the drama what it was: pedagogically-inspired, homosocial, and self-reflexive. It was primarily on a college level that students lived, worked, and proved themselves to the community. Therefore, this study argues, to understand university drama as a whole we must recreate it from the building blocks of individual college histories. The hundreds of plays that we have inherited from Oxford and Cambridge are steeped in Classical culture; many are written in Latin. Manuscript, not print, was the accepted medium for keeping records of student plays, and these handwritten copies were unique and personal. It is time to recognize these plays in the context of early modern English drama, to uncover the culture of drama at the universities where many leading playwrights of the age were trained.