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Author: Cristina Contilli Publisher: Lulu.com ISBN: 1471097773 Category : Biography & Autobiography Languages : it Pages : 215
Book Description
La storia d'amore tra lo scrittore Ludovico Di Breme e l'attrice Carlotta Marchionni presenta tutte le caratteristiche dell'amore "romantico" passione, contrasti, lontananza e, in conclusione, morte di uno dei due innamorati, ancora relativamente giovane, a causa della tisi. Ludovico Di Breme era stato ordinato sacerdote nel 1806, ma aveva un cuore "amante" che gli rendeva difficile rispettare gli obblighi della sua condizione. La fonte principale per ricostruire la storia d'amore tra lo scrittore torinese Ludovico Di Breme e l'attrice Carlotta Marchionni, sono le lettere di Silvio Pellico, amico di Ludovico, ma anche di Carlotta, che il Pellico ammira per la sua capacità di dare un anima ed uno spessore ai personaggi che interpreta sul palcoscenico
Author: Cristina Contilli Publisher: Lulu.com ISBN: 1471097773 Category : Biography & Autobiography Languages : it Pages : 215
Book Description
La storia d'amore tra lo scrittore Ludovico Di Breme e l'attrice Carlotta Marchionni presenta tutte le caratteristiche dell'amore "romantico" passione, contrasti, lontananza e, in conclusione, morte di uno dei due innamorati, ancora relativamente giovane, a causa della tisi. Ludovico Di Breme era stato ordinato sacerdote nel 1806, ma aveva un cuore "amante" che gli rendeva difficile rispettare gli obblighi della sua condizione. La fonte principale per ricostruire la storia d'amore tra lo scrittore torinese Ludovico Di Breme e l'attrice Carlotta Marchionni, sono le lettere di Silvio Pellico, amico di Ludovico, ma anche di Carlotta, che il Pellico ammira per la sua capacità di dare un anima ed uno spessore ai personaggi che interpreta sul palcoscenico
Author: Cristina Contilli Publisher: Lulu.com ISBN: 1471684989 Category : Fiction Languages : en Pages : 201
Book Description
La storia d'amore tra lo scrittore Ludovico Di Breme e l'attrice Carlotta Marchionni presenta tutte le caratteristiche dell'amore "romantico": passione, contrasti, lontananza e, in conclusione, morte di uno dei due innamorati, ancora relativamente giovane, a causa della tisi. Ludovico Di Breme era stato ordinato sacerdote nel 1806, ma aveva un cuore "amante" che gli rendeva difficile rispettare gli obblighi della sua condizione. La fonte principale per ricostruire la storia d'amore tra lo scrittore torinese Ludovico Di Breme e l'attrice Carlotta Marchionni, sono le lettere di Silvio Pellico, amico di Ludovico, ma anche di Carlotta, che il Pellico ammira per la sua capacità di dare un anima ed uno spessore ai personaggi che interpreta sul palcoscenico.EDIZIONE CON LE ILLUSTRAZIONI A COLORI.
Author: Tine Van Osselaer Publisher: Numen Book ISBN: 9789004439191 Category : History Languages : en Pages : 470
Book Description
"In the nineteenth century a new type of mystic emerged in Catholic Europe. While cases of stigmatisation had been reported since the thirteenth century, this era witnessed the development of the 'stigmatic': young women who attracted widespread interest thanks to the appearance of physical stigmata. To understand the popularity of these stigmatics we need to regard them as the 'saints' and religious 'celebrities' of their time. With their 'miraculous' bodies, they fit contemporary popular ideas (if not necessarily those of the Church) of what sanctity was. As knowledge about them spread via modern media and their fame became marketable, they developed into religious 'celebrities'"--
Author: Roberto M. Dainotto Publisher: Duke University Press ISBN: 0822389622 Category : Literary Criticism Languages : en Pages : 283
Book Description
Europe (in Theory) is an innovative analysis of eighteenth- and nineteenth-century ideas about Europe that continue to inform thinking about culture, politics, and identity today. Drawing on insights from subaltern and postcolonial studies, Roberto M. Dainotto deconstructs imperialism not from the so-called periphery but from within Europe itself. He proposes a genealogy of Eurocentrism that accounts for the way modern theories of Europe have marginalized the continent’s own southern region, portraying countries including Greece, Italy, Spain, and Portugal as irrational, corrupt, and clan-based in comparison to the rational, civic-minded nations of northern Europe. Dainotto argues that beginning with Montesquieu’s The Spirit of Laws (1748), Europe not only defined itself against an “Oriental” other but also against elements within its own borders: its South. He locates the roots of Eurocentrism in this disavowal; internalizing the other made it possible to understand and explain Europe without reference to anything beyond its boundaries. Dainotto synthesizes a vast array of literary, philosophical, and historical works by authors from different parts of Europe. He scrutinizes theories that came to dominate thinking about the continent, including Montesquieu’s invention of Europe’s north-south divide, Hegel’s “two Europes,” and Madame de Staël’s idea of opposing European literatures: a modern one from the North, and a pre-modern one from the South. At the same time, Dainotto brings to light counter-narratives written from Europe’s margins, such as the Spanish Jesuit Juan Andrés’s suggestion that the origins of modern European culture were eastern rather than northern and the Italian Orientalist Michele Amari’s assertion that the South was the cradle of a social democracy brought to Europe via Islam.
Author: Claire Farago Publisher: BRILL ISBN: 900435378X Category : Art Languages : en Pages : 1371
Book Description
This first complete English translation, including over 250 full-color images, is a longitudinal cultural history of how art came to be institutionalized in the history of western representational practices.
Author: Salvatore Settis Publisher: Rizzoli Publications ISBN: 8892820877 Category : Art Languages : en Pages : 0
Book Description
A sublime volume about one of the most important collections of ancient marble sculptures in the world, an astonishing private trove largely hidden to scholars and the public until now. Last published in a nineteenth-century catalog, the distinguished Torlonia Collection of more than 600 priceless Greek and Roman works--marbles and bronzes, reliefs and sarcophagi, depictions of gods, and portraits of emperors--is one of the most important assemblages of classical sculptures still in private hands anywhere in the world. This eagerly awaited volume presents a selection of nearly 100 sculptures, which have been chosen for their quality and historic significance and which will be featured in an unprecedented exhibition designed by David Chipperfield and held in the Villa Caffarelli, near the Musei Capitolini in Rome, before touring globally. The legendary aura surrounding this, Rome's last princely collection, is due not only to its extraordinary scope and the high quality of the works, but also to the fact that the collection has not been available to the public for decades. This revelatory book features multiple essays by leading experts on the history of the collection and scholarly entries for the works detailing important discoveries made through archaeological research as well as the cleaning and conservation of the sculptures.
Author: Scott Pfitzinger Publisher: Rowman & Littlefield ISBN: 1442272252 Category : Music Languages : en Pages : 629
Book Description
Throughout the western classical tradition, composers have influenced and been influenced by their students and teachers. Many musicians frequently add to their personal acclaim by naming their teachers and the lineage through which they were taught. Until now, the relationships between composers have remained uncataloged and understudied, but with enough research, it is possible to document entire schools of composition. Composer Genealogies: A Compendium of Composers, Their Teachers, and Their Students is the first volume to gather the genealogies of more than seventeen thousand classical composers in a single volume. Functioning as its own fully cross-referenced index, this volume lists composers and their dates, followed by their teachers and notable students. A short introduction presents the parameters by which composers were selected and provides a survey of the literature available for further study. Gathering records and information from reference books, university websites, obituaries, articles, composers’ websites, and even direct contact with some composers, Pfitzinger creates a valuable resource for music researchers, composers, and performers.
Author: Museum of Fine Arts, Houston Publisher: Philadelphia Museum (PA) ISBN: Category : Art Languages : en Pages : 632
Book Description
"Caught between the Theatricality of the Baroque and the acute sensibility of Romanticism, art in Rome in the eighteenth century has long been a neglected area of study." "The grand scale and spectacular diversity of the period are comprehensively captured for the first time in this definitive history of the period, produced to accompany a major U.S. exhibition organized by the Philadelphia Museum of Art and The Museum of Fine Arts, Houston, and documenting the work of over 150 artists. With over 450 illustrations, and texts by an outstanding array of experts from around the world, Art in Rome in the Eighteenth Century provides a massively authoritative survey of a fascinating era."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Dan H. Marek Publisher: Rowman & Littlefield ISBN: 1442235896 Category : Music Languages : en Pages : 259
Book Description
Everyone is familiar with the words diva or prima donna, which have come to mean a (usually) outrageous operatic soprano, but there was a time when the star of the show was more often a contralto, or a soprano singing in today's mezzo-soprano range. This performer was referred to as an alto. In the 17th and 18th centuries, the male and female leading roles were likely to be sung by emasculated males, the alto castrati, although there were many great female altos during this period as well. The music for these fantastic artists, written by such composers as Porpora, Vinci, Hasse, and even Handel, has been largely forgotten. At the beginning of the 19th century, as the castrati died out, their roles were often assumed by female altos referred to as musici. New repertoire continued to be written for them by Rossini and others, but gradually, this musical tradition and technique was lost. Now, however, because of the talent and industry of such gifted artists as Marilyn Horne, Cecilia Bartoli, and Joyce DiDonato, and the sudden ease with which the performance of these forgotten works can be obtained, there is a resurgence of interest in the performance and preservation of this lost art. Alto: The Voice of Bel Canto examines the careers of nearly 320 great alto singers, including the great castrati, from the dawn of opera in 1597 to the present. The music of the composers who wrote for the alto voice is discussed along with musical examples and suggestions for listening. The exploration of the greatest altos’ careers and techniques offers inspiration for aspiring young singers as well as absorbing reading for the music lover who wants to know more about the fascinating world of opera.
Author: Cristina Contilli
Author: Cristina Contilli
Author: Cristina Contilli
Author: Tine Van Osselaer
Author: Roberto M. Dainotto
Author: Claire Farago
Author: Salvatore Settis
Author: 
Author: Scott Pfitzinger
Author: Museum of Fine Arts, Houston
Author: Dan H. Marek