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Author: Evelyn S. Welch Publisher: Yale University Press ISBN: 9780300063516 Category : Art Languages : en Pages : 380
Book Description
Milan was one of the largest and most important cities in Renaissance Italy. Controlled by the Visconti and Sforza dynasties from 1277 until 1500, its rulers were generous patrons of the arts, responsible for commissioning major monuments throughout the city and for supporting artists such as Giovanni di Balduccio, Filarete, Bramante and Leonardo da Vinci. But the city was much more than its dukes. Milan had a distinct civic identity, one that was expressed, above all, through its neighbourhood, religious and charitable associations. This book moves beyond standard interpretations of ducal patronage to explore the often overlooked city itself, showing how the allegiances of the town hall and the parish related to those of the servants and aristocrats who frequented the Visconti and Sforza court. In this original and stimulating interdisciplinary study, Evelyn Welch illustrates the ways in which the myths of Visconti and Sforza supremacy were created. Newly discovered material for major projects such as the cathedral, hospital and castle of Milan permits a greater understanding of the political, economic and architectural forces that shaped these extraordinary buildings. The book also explores the wider social networks of the artists themselves. Leonardo da Vinci, for example, is de-mythologised: far from being an isolated, highly prized court artist, he spent his almost eighteen years in the city working within the wider Milanese community of painters, sculptors, goldsmiths and embroiderers. The broad perspective of the book ensures that any future study of the Renaissance will have to re-evaluate the place of Milan in Italian cultural history.
Author: Evelyn S. Welch Publisher: Yale University Press ISBN: 9780300063516 Category : Art Languages : en Pages : 380
Book Description
Milan was one of the largest and most important cities in Renaissance Italy. Controlled by the Visconti and Sforza dynasties from 1277 until 1500, its rulers were generous patrons of the arts, responsible for commissioning major monuments throughout the city and for supporting artists such as Giovanni di Balduccio, Filarete, Bramante and Leonardo da Vinci. But the city was much more than its dukes. Milan had a distinct civic identity, one that was expressed, above all, through its neighbourhood, religious and charitable associations. This book moves beyond standard interpretations of ducal patronage to explore the often overlooked city itself, showing how the allegiances of the town hall and the parish related to those of the servants and aristocrats who frequented the Visconti and Sforza court. In this original and stimulating interdisciplinary study, Evelyn Welch illustrates the ways in which the myths of Visconti and Sforza supremacy were created. Newly discovered material for major projects such as the cathedral, hospital and castle of Milan permits a greater understanding of the political, economic and architectural forces that shaped these extraordinary buildings. The book also explores the wider social networks of the artists themselves. Leonardo da Vinci, for example, is de-mythologised: far from being an isolated, highly prized court artist, he spent his almost eighteen years in the city working within the wider Milanese community of painters, sculptors, goldsmiths and embroiderers. The broad perspective of the book ensures that any future study of the Renaissance will have to re-evaluate the place of Milan in Italian cultural history.
Author: Angelo Lo Conte Publisher: Routledge ISBN: 100029241X Category : Art Languages : en Pages : 292
Book Description
The book investigates the lives and careers of the Procaccini brothers: Camillo (1561–1629), Carlo Antonio (1571–1631) and Giulio Cesare (1574–1625), the most important family of painters working in northern Italy at the start of the seventeenth century. The Procaccinis' work is here analysed by interconnecting their individual stories and understanding their success as the combination of mutual artistic choices, a high level of specialization and precise business organization. The book looks at this family of painters as entrepreneurs, emphasizing their conscious response to the requests of public and private patrons, as well as their ability to balance instances of originality and imitation in an era characterized by a wide range of artistic opportunities, including religious commissions, national and international patronage and multifaceted markets. This book will be of interest to scholars studying art history, early modern studies, the art market, Italian studies and Italian history.
Author: Jill Pederson Publisher: Harvey Miller ISBN: 9781912554423 Category : Art, Italian Languages : en Pages : 376
Book Description
This book is the first study to provide a comprehensive historical and theoretical account of the Academia Leonardi Vinci. Pederson brings together literary sources to offer a new interpretation of the academy not as one singular entity, but as a collection of academic modalities in Renaissance Milan. Eventually these various modalities converged around their namesake Leonardo da Vinci, as well as the architect Donato Bramante. This group drew together not only humanists, as in other early Italian academies, but also practitioners of a range of disciplines that ultimately gave way to a new kind of group. This collective of creative personages generated forms of expression that explored the liminal spaces between art, geometry, architecture, and the natural world, which in turn stimulated conversation and debate. This activity made it different from other early Italian academies, and in this way it offered something entirely new.
Author: Luke Syson Publisher: National Gallery London ISBN: Category : Art Languages : en Pages : 330
Book Description
A new examination of Leonardo's career that illuminates his time as court painter to the Duke of Milan, an experience that fundamentally changed his outlook and his legacy
Author: Charles M. Rosenberg Publisher: Cambridge University Press ISBN: 0521792487 Category : Art Languages : en Pages : 477
Book Description
The Court Cities of Northern Italy examines painting, sculpture, decorative arts, and architecture produced within the fourteenth, fifteenth, and sixteenth centuries.
Author: Moleskine Publisher: Moleskine Books ISBN: 9788867327591 Category : Design Languages : en Pages : 0
Book Description
I AM THE CITYCities have always been important protagonists in our history, but now, more than ever, they are taking the leading role in our developing culture. The intensified urbanization and increasing importance of cities like London, Paris, New York and Mexico, which are becoming through their assets and appeal more prominent than the nations they belong to, is evident to us all.In this series, the most prominent cities in the world are given a chance to reassert their unique personalities and show us their individuality via a pictorial tour and compelling anecdotes. They can show off their exceptional monuments, both historical and contemporary, their particular ambience and flavor, their visual and cultural singularity - the things that mark them out in the face of the encroaching tide of homogeneity.The series brings not only revelation and discovery to new visitors, but also rediscovery and renewed enthusiasm to the cities? inhabitants, too easily blinded by their frenetic lifestyles to the extraordinary monuments, visual panoramas and street life they live amongst. "It?s a pleasure to meet you, city!"
Author: Dario Cestaro Publisher: Marsilio ISBN: 9788831721219 Category : Juvenile Nonfiction Languages : en Pages : 12
Book Description
Magnificent Milan is the first pop-up book on Milan, a 3D guide for children and adults with evocative images and texts that stimulate curiosity. After the success of the volumes on Venice and Florence, with thousands of copies sold all over the world, another pop-up book devoted to a great Italian city.
Author: GRACIELA. ITURBIDE Publisher: Fondation Cartier Pour l'Art Contemporain, Paris ISBN: 9782869251618 Category : Languages : en Pages : 304
Book Description
A sumptuous survey of Mexico's foremost photographer Through more than 200 photographs, this luxurious volume presents Mexican photographer Graciela Iturbide's most iconic works alongside an important selection of previously unpublished photographs and a series of color photographs specially commissioned by the Fondation Cartier. Working mainly in black and white, Iturbide has explored the cohabitation between ancestral traditions and Catholic rites in Mexico, humanity's relationship with death and the roles of women in society. In recent years, her photographs have emptied themselves of human presence, revealing the enigmatic life of objects and nature. In addition to her stark images of her homeland, this book also includes images from her series in India, the United States and elsewhere. Heliotropo 37, named for the photographer's address in Mexico City, also contains an interview with the photographer by French essayist Fabienne Bradu, an original short story by Guatemalan writer Eduardo Halfon and a photo-portrait of Iturbide's studio by Mexican photographer Pablo López Luz. One of the most influential photographers active in Latin America today, Mexican photographer Graciela Iturbide (born 1942) began studying photography in the 1970s with legendary photographer Manuel Álvarez Bravo. Seeking "to explore and articulate the ways in which a vocable such as 'Mexico' is meaningful only when understood as an intricate combination of histories and practices," as she puts it, Iturbide has created a nuanced and sensitive documentary record of contemporary Mexico. She lives and works in Mexico City.
Author: Evelyn S. Welch
Author: Evelyn S. Welch
Author: Angelo Lo Conte
Author: Jill Pederson
Author: Luke Syson
Author: Charles M. Rosenberg
Author: Moleskine
Author: Pamela M. Jones
Author: Dario Cestaro
Author: GRACIELA. ITURBIDE
Author: Giorgio Carradori