Author: Richard F. Grossman Publisher: CRC Press ISBN: 1482273756 Category : Technology & Engineering Languages : en Pages : 533
Book Description
"Outlines the benefits of using additives-individually or in combination-to modify the properties and processability of pure polymers, and discusses easy-to-understand theory and practical applications for immediate economic and performance improvements."
Author: Nicole Braida Publisher: transcript Verlag ISBN: 3839460395 Category : Social Science Languages : en Pages : 261
Book Description
How to study a media object on the web that is at the same time a documentary, a reportage, and a game which combines both fiction and non-fiction elements? Nicole Braida digs into the discursive and material structures and infrastructures of serious games, text-adventures, newsgames, interactive maps, and data visualizations, in which refugees and migrants become the subject of humanitarian discourse. Although the goal is to arouse empathy towards migrants, these »interactive practices« distinguish who is vulnerable and who is not. It supports the idea of a »migratory crisis«, which, the author argues, is actually the symptom of a deeper crisis of the humanitarian system itself.
Author: Joshua Yumibe Publisher: Rutgers University Press ISBN: 0813552982 Category : Performing Arts Languages : en Pages : 215
Book Description
Color was used in film well before The Wizard of Oz. Thomas Edison, for example, projected two-colored films at his first public screening in New York City on April 23, 1896. These first colors of early cinema were not photographic; they were applied manually through a variety of laborious processes—most commonly by the hand-coloring and stenciling of prints frame by frame, and the tinting and toning of films in vats of chemical dyes. The results were remarkably beautiful. Moving Color is the first book-length study of the beginnings of color cinema. Looking backward, Joshua Yumibe traces the legacy of color history from the beginning of the nineteenth century to the cinema of the early twentieth century. Looking forward, he explores the implications of this genealogy on experimental and contemporary digital cinemas in which many colors have become, once again, vividly unhinged from photographic reality. Throughout this history, Moving Color revolves around questions pertaining to the sensuousness of color: how color moves us in the cinema—visually, emotionally, and physically.
Author: Richard F. Grossman
Author: Nicole Braida
Author: Gladys Kleinwort Bowles
Author: Gladys Kleinwort Bowles
Author: Gladys Kleinwort Bowles
Author: Gladys Kleinwort Bowles
Author: Gladys Kleinwort Bowles
Author: Gladys Kleinwort Bowles
Author: Joshua Yumibe
Author: Gladys Kleinwort Bowles