Author: John CiardiPublisher: MacMillan Publishing Company
ISBN:
Category : Poetry
Languages : en
Pages : 350
Book Description
Covers major mid-20th-century poets such as Randall, Jarrell, Robert Lavell and Richard Wilbur.
Mid-century American Poets
Author: John CiardiPublisher: MacMillan Publishing Company
ISBN:
Category : Poetry
Languages : en
Pages : 350
Book Description
Covers major mid-20th-century poets such as Randall, Jarrell, Robert Lavell and Richard Wilbur.
Mid-century American Poets
Author: John CiardiMid-century American Poets
Author: John CiardiPublisher: MacMillan Publishing Company
ISBN:
Category : Poetry
Languages : en
Pages : 344
Book Description
Covers major mid-20th-century poets such as Randall, Jarrell, Robert Lavell and Richard Wilbur.
The Penguin Anthology of Twentieth-century American Poetry
Author: Rita DovePublisher: Penguin Group
ISBN: 0143106430
Category : American poetry
Languages : en
Pages : 656
Book Description
An anthology of twentieth-century American poetry, featuring Wallace Stevens, T.S. Eliot, Elizabeth Bishop, Robert Hayden, Gwendolyn Brooks, Derek Walcott, Adrienne Rich, John Ashbery, Anne Sexton, and many others.
Mastery's End
Author: Jeffrey GrayPublisher: University of Georgia Press
ISBN: 9780820326634
Category : Literary Criticism
Languages : en
Pages : 312
Book Description
Focusing on lyric poetry, Mastery's End looks at important, yet neglected, issues of subjectivity in post-World War II travel literature. Jeffrey Gray departs from related studies in two regards: nearly all recent scholarly books on the literature of travel have dealt with pre-twentieth-century periods, and all are concerned with narrative genres. Gray questions whether the postcolonial theoretical model of travel as mastery, hegemony, and exploitation still applies. In its place he suggests a model of vulnerability, incoherence, and disorientation to reflect the modern destabilizing nature of travel, a process that began with the unprecedented movement of people during and after World War II and has not abated since. What the contemporary discourse concerning displacement, border crossing, and identity needs, says Gray, is a study of that literary genre with the least investment in closure and the least fidelity to ethnic and national continuities. His concern is not only with the psychological challenges to identity but also with travel as a mode of understanding and composition. Following a summary of American critical perspectives on travel from Emerson to the present, Gray discusses how travel, by nature, defamiliarizes and induces heightened awareness. Such phenomena, Gray says, correspond to the tenets of modern poetics: traversing territories, immersing the self in new object worlds, reconstituting the known as unknown. He then devotes a chapter each to four of the past half-century's most celebrated English-speaking, western poets: Elizabeth Bishop, Robert Lowell, John Ashbery, and Derek Walcott. Finally, two multi-poet chapters examine the travel poetry of Allen Ginsberg, Gary Snyder, and Robert Creeley, Lyn Hejinian, Nathaniel Mackey and others.
The Unheeded Voices
Author: Hugh Don ThamesThe Mentor Book of Major American Poets
Author: VariousPublisher: National Geographic Books
ISBN: 0451627911
Category : Poetry
Languages : en
Pages : 0
Book Description
The voice of the nation rings out loud and clear in this unique anthology of great American poetry. Editors Oscar Williams and Edwin Honig concentrate on the work of 20 major American poets. They include sizable selections from the poetry of: • Wallace Stevens • Ralph Waldo Emerson • William Carlos Williams • Henry Wadsworth • Ezra Pound • Walt Whitman • Edgar Allen Poe • Emily Dickinson • Edna St. Vincent Millay • Stephen Crane • e. e. cummings • Robert Frost • Hart Crane • W. H. Auden • And more...
CliffsNotes on American Poets of the 20th Century
Author: Mary Ellen SnodgrassPublisher: Houghton Mifflin Harcourt
ISBN: 0544179501
Category : Literary Criticism
Languages : en
Pages : 158
Book Description
This literary companion carries you into the lives and poetic lines of 41 of America's most admired poets from the last century. From popular favorites such as Robert Frost and Carl Sandburg to the more esoteric T. S. Eliot and Ezra Pound, this handbook also introduces you to living poets, such as Rita Dove, who are still inscribing their places in literary history. The book opens with an approach to analyzing poetry, and each author-specific chapter includes sections devoted to Chief Works, Discussion and Research Topics, and a Selected Bibliography. Complete list of authors covered in this comprehensive guide: Edgar Lee Masters, Edward Arlington Robinson, Robert Frost, Amy Lowell, Carl Sandburg, Wallace Stevens, William Carlos Williams, Ezra Pound, Hilda Doolittle (H. D.), Robinson Jeffers, Marianne Moore, T. S. Eliot, John Crowe Ransom, Edna St. Vincent Millay, Jean Toomer, Louise Bogan, Hart Crane, Allen Tare, Sterling Brown, Langston Hughes, Countée Cullen, Elizabeth Bishop, John Berryman, Randall Jarrell, Gwendolyn Brooks, Robert Lowell, Richard Wilbur, James Dickey, Denise Levertov, A.R. Ammons, Allen Ginsberg, W. S. Merwin, James Wright, Anne Sexton, Adrienne Rich, Sylvia Plath, Amiri Baraka, Wendy Rose, Joy Harjo, Rita Dove, Cathy Song
Modern American Poetry
Author: Joseph CoulsonPublisher:
ISBN: 9781880323885
Category : American poetry
Languages : en
Pages : 0
Book Description
An anthology of poems by American poets from the mid-nineteenth century to the present day. Includes brief biographies of the poets and guidelines for reading and discussing poetry.
Sincerity's Shadow
Author: Deborah FORBESPublisher: Harvard University Press
ISBN: 0674037103
Category : Poetry
Languages : en
Pages : 257
Book Description
In a work of surprising range and authority, Deborah Forbes refocuses critical discussion of both Romantic and modern poetry. Sincerity's Shadow is a versatile conceptual toolkit for reading poetry. Ever since Wordsworth redefined poetry as "the spontaneous overflow of powerful feelings," poets in English have sought to represent a "sincere" self-consciousness through their work. Forbes's generative insight is that this project can only succeed by staging its own failures. Self-representation never achieves final sincerity, but rather produces an array of "sincerity effects" that give form to poetry's exploration of self. In essays comparing poets as seemingly different in context and temperament as Wordsworth and Adrienne Rich, Lord Byron and Anne Sexton, John Keats and Elizabeth Bishop, Forbes reveals unexpected convergences of poetic strategy. A lively and convincing dialectic is sustained through detailed readings of individual poems. By preserving the possible claims of sincerity longer than postmodern criticism has tended to, while understanding sincerity in the strictest sense possible, Forbes establishes a new vantage on the purposes of poetry. Table of Contents: Introduction 1. The Personal Universal Sincerity as Integrity in the Poetry of Wordsworth and Rich 2. Before and After Sincerity as Form in the Poetry of Wordsworth, Lowell, Rich, and Plath 3. Sincerity and the Staged Confession The Monologues of Browning, Eliot, Berryman, and Plath 4. The Drama of Breakdown and the Breakdown of Drama The Charismatic Poetry of Byron and Sexton 5. Agnostic Sincerity The Poet as Observer in the Work of Keats, Bishop, and Merrill Conclusion Notes Index From the Conclusion "In spite of modern experiments in communal authorship, writing poetry remains one of the most individual of acts, and yet, because it provides the ground upon which the paradoxes of self-consciousness can move most freely, one of the acts most skeptical about the authority of any individual claim to self-understanding. . . . In undertaking its experiments, poetry may separate itself from certain contexts (economic, political, historical), but is itself as local and concrete as these contexts, an experience as well as a meditation on our experiences. In its particularity, its flexibility, its sensual and sonic complexity, its consideration of the extra-rational experiences of pleasure and desire, and above all in the ways in which it speaks with both more and less authority, more and less presence than an actual human voice, poetry offers us the experience of the unknown at the core of proposed self-knowledge. This is lyric poetry's enduring -- though not sole -- claim on us."