Author: Jeremy DibblePublisher: Field Day Publications
ISBN: 0946755477
Category : Composers
Languages : en
Pages : 248
Book Description
Michele Esposito
Author: Jeremy DibblePublisher: Field Day Publications
ISBN: 0946755477
Category : Composers
Languages : en
Pages : 248
Book Description
Music Preferred
Author: Lorraine Byrne BodleyPublisher: Hollitzer Wissenschaftsverlag
ISBN: 399012403X
Category : Music
Languages : en
Pages : 920
Book Description
The contributions to this Festschrift, honouring the distinguished Irish musicologist Harry White on his sixtieth birthday, have wide repercussions and span a broad timeframe. But for all its variety, this volume is built around two axes: on the one hand, attention is focussed on the history of music and literature in Ireland and the British Isles, and on the other, topics of the German and Austrian musical past. In both cases it reflects the particular interest of a scholar, whose playful, sometimes unconventional way of approaching his subject is so refreshing and time and again leads to innovative, surprising insights. It also reflects a scholar, who – for all the broadening of his perspectives that has taken place over the years – has always adhered to the strands of his scholarly preoccupations that have become dear to him: the music of the 'Austro-Italian Baroque', and Irish musical culture first and foremost. An international cast of authors announces the sustaining influence of Harry White's wide-ranging research. Professor Dr Thomas Hochradner Chair of the Department of Musicology University of Music and Dramatic Arts Mozarteum Salzburg
Two Centuries of British Symphonism
Author: Jürgen SchaarwächterPublisher: Georg Olms Verlag
ISBN: 3487152282
Category : Music
Languages : en
Pages : 619
Book Description
Die britische Sinfonik ist erst in jüngster Zeit ins allgemeine Interesse gerückt. Ein Überblick über die sinfonische Entwicklung im Vereinigten Königreich seit den Anfängen im 18. Jahrhundert bis ins 20. Jahrhundert blieb aber bis heute ein Desideratum. Der hier vorgelegte Überblick zeigt, wie sich die Identität einer britischen Sinfonik über mehr als hundert Jahre entwickelte, geprägt durch Einflüsse vom europäischen Kontinent und von dem Bedürfnis, eigene Wege zu finden. Gegen Ende des 19. Jahrhunderts nahm das sinfonische Schaffen in Großbritannien stark zu, brachte jedoch erst mit Edward Elgar einen prominenten Vertreter von internationalem Rang hervor. Ein besonderer Schwerpunkt dieser Publikation liegt auf jenen Werken, die zu einem gewissen Grade von anderen überschattet wurden, unveröffentlicht oder unaufgeführt blieben. Das Ergebnis ist das Bild einer vielgestaltigen sinfonischen Landschaft Großbritanniens, das die ästhetischen Perspektiven der einzelnen Komponisten wie auch ihre soziokulturellen Kontexte erhellt. Ein umfangreiches Verzeichnis aller bekannten Werke und eine ausführliche Bibliographie laden zu weiterer Erkundung des Sujets ein. Only in relatively recent times has any real attention been given to British symphonies. So a comprehensive survey, showing what exists and how the situation in the United Kingdom developed, from the beginnings in the 18th century until well into the 20th century, is long overdue. The preliminary survey presented here shows how a British symphonic identity gradually took shape over more than a century, through influences from abroad and, at home, enterprising attempts to find new ways of expression. By the end of the 19th century, British symphonists had produced an impressive body of work, yet only with the appearance of Elgar’s two symphonies in the following decade did this flourishing school find a champion of international renown. In this publication, light is shone on those works that have to some extent been overshadowed, as well as on those that have remained unpublished or unperformed. The result is a multi-faceted panorama of British symphonism, offering many insights into the composers’ thinking and their socio-cultural contexts. A comprehensive catalogue of all known works and an extensive bibliography invite readers to delve further into the subject.
The Musical Times and Singing-class Circular
Author: Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 1032
Book Description
Catalogue of Title Entries of Books and Other Articles Entered in the Office of the Register of Copyrights, Library of Congress, at Washington, D.C.
Author: Library of Congress. Copyright OfficePublisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1620
Book Description
Musical Times and Singing Class Circular
Author: Accounts and Papers of the House of Commons
Author: Great Britain. Parliament. House of CommonsPublisher:
ISBN:
Category :
Languages : en
Pages : 614
Book Description
Parliamentary Papers
Author: Great Britain. Parliament. House of CommonsPublisher:
ISBN:
Category : Bills, Legislative
Languages : en
Pages : 942
Book Description
The Well-Tempered Festschrift
Author: Harry WhitePublisher: Hollitzer Wissenschaftsverlag
ISBN: 3990127810
Category : Music
Languages : en
Pages : 181
Book Description
"The Well-Tempered Festschrift" is a reading of "Music Preferred: Essays in Musicology, Cultural History and Analysis in Honour of Harry White", edited by Lorraine Byrne Bodley and published by Hollitzer Verlag in 2018. "The Well-Tempered Festschrift" reflects on each of the essays in "Music Preferred" in turn, and it also accounts for the circumstances in which Harry White met the contributors to "Music Preferred" throughout the course of his working life. "The Well-Tempered Festschrift" is thus a musicological memoir as well as a detailed review of the contents of "Music Preferred", dedicated to the friends whose work is pictured within. It responds to the liber amicorum of "Music Preferred" with an answering echo that may well be unique in the annals of scholarly Festschriften.
Latin Learning in Medieval Ireland
Author: Mario EspositoPublisher: Taylor & Francis
ISBN: 1040233988
Category : History
Languages : en
Pages : 297
Book Description
The field of Hiberno-Latin literature, a term coined to describe the Latin literature written in Ireland, or by Irishmen abroad, between 400 and 1500, was first defined by the late Mario Esposito. His work, too, revealed its vast extent and range, so enabling a significantly better understanding of the importance of Irish scholarship in the cultural history of the Western Middle Ages. This volume concentrates on Hiberno-Latin authors, and on texts composed in Ireland; a second collection of Esposito’s articles contains studies on Irish learning and texts written on the Continent. The great strength of his research is that it is founded on unparalleled knowledge of the manuscripts - many of which, indeed, no longer survive. The articles, now provided with extensive indexes to facilitate their consultation, therefore form the essential basis and guide for any further enquiry into the authors dealt with or their works.