PDF/Textbook Metropolitan Seminars In Art Full Download

The Tomb of Rekh-mi-Rēʹ at Thebes

Author: Norman de Garis Davies
Publisher:
ISBN:
Category : Social Science
Languages : en
Pages : 386

Book Description

Metropolitan Seminars in Art. Portfolio 1-12; 8

Author: John 1907-1985 Canaday
Publisher: Hassell Street Press
ISBN: 9781013364112
Category :
Languages : en
Pages : 38

Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Temple of Hibis in El Khargeh Oasis

Author:
Publisher:
ISBN:
Category : El Khargeh
Languages : en
Pages : 340

Book Description

Metropolitan Seminars in Art

Author: John Canaday
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 0

Book Description

Metropolitan Seminars in Art, Portfolio

Author: John Edwin Canaday
Publisher:
ISBN: 9781258433956
Category :
Languages : en
Pages : 56

Book Description

Art Wars

Author: Rachel N. Klein
Publisher: University of Pennsylvania Press
ISBN: 0812251946
Category : History
Languages : en
Pages : 296

Book Description
A study of three controversies that illuminate the changing cultural role of art exhibition in the nineteenth century From the antebellum era through the Gilded Age, New York City's leading art institutions were lightning rods for conflict. In the decades before the Civil War, art promoters believed that aesthetic taste could foster national unity and assuage urban conflicts; by the 1880s such hopes had faded, and the taste for art assumed more personal connotations associated with consumption and domestic decoration. Art Wars chronicles three protracted public battles that marked this transformation. The first battle began in 1849 and resulted in the downfall of the American Art-Union, the most popular and influential art institution in North America at mid-century. The second erupted in 1880 over the Metropolitan Museum's massive collection of Cypriot antiquities, which had been plundered and sold to its trustees by the man who became the museum's first paid director. The third escalated in the mid-1880s and forced the Metropolitan Museum to open its doors on Sunday—the only day when working people were able to attend. In chronicling these disputes, Rachel N. Klein considers cultural fissures that ran much deeper than the specific complaints that landed protagonists in court. New York's major nineteenth-century art institutions came under intense scrutiny not only because Americans invested them with moral and civic consequences but also because they were part and parcel of explosive processes associated with the rise of industrial capitalism. Elite New Yorkers spearheaded the creation of the Art-Union and the Metropolitan, but those institutions became enmeshed in popular struggles related to slavery, immigration, race, industrial production, and the rights of working people. Art Wars examines popular engagement with New York's art institutions and illuminates the changing cultural role of art exhibition over the course of the nineteenth century.