Metodi e moduli di matematica. Limiti e continuità-Geometria. Per le Scuole superiori PDF Download

Author: Raffaele Bruno
Publisher:
ISBN: 9788824718066
Category : Juvenile Nonfiction
Languages : it
Pages : 368

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Author: Raffaele Bruno
Publisher:
ISBN: 9788824713160
Category : Juvenile Nonfiction
Languages : it
Pages : 224

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Author: Raffaele Bruno
Publisher:
ISBN: 9788824713368
Category : Juvenile Nonfiction
Languages : it
Pages : 976

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Author: Raffaele Bruno
Publisher:
ISBN: 9788824718080
Category : Juvenile Nonfiction
Languages : it
Pages : 624

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Author: Raffaele Bruno
Publisher:
ISBN: 9788824715324
Category : Juvenile Nonfiction
Languages : it
Pages : 936

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Author: Ilaria Serra
Publisher: Fairleigh Dickinson Univ Press
ISBN: 0838641989
Category : History
Languages : en
Pages : 315

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Using original sources--such as newspaper articles, silent movies, letters, autobiographies, and interviews--Ilaria Serra depicts a large tapestry of images that accompanied mass Italian migration to the U.S. at the turn of the twentieth century. She chooses to translate the Italian concept of immaginario with the Latin imago that felicitously blends the double English translation of the word as "imagery" and "imaginary." Imago is a complex knot of collective representations of the immigrant subject, a mental production that finds concrete expression; impalpable, yet real. The "imagined immigrant" walks alongside the real one in flesh and rags.

Author: Alison Clark-Wilson
Publisher: Springer Science & Business Media
ISBN: 9400746385
Category : Education
Languages : en
Pages : 419

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This volume addresses the key issue of the initial education and lifelong professional learning of teachers of mathematics to enable them to realize the affordances of educational technology for mathematics. With invited contributions from leading scholars in the field, this volume contains a blend of research articles and descriptive texts. In the opening chapter John Mason invites the reader to engage in a number of mathematics tasks that highlight important features of technology-mediated mathematical activity. This is followed by three main sections: An overview of current practices in teachers’ use of digital technologies in the classroom and explorations of the possibilities for developing more effective practices drawing on a range of research perspectives (including grounded theory, enactivism and Valsiner’s zone theory). A set of chapters that share many common constructs (such as instrumental orchestration, instrumental distance and double instrumental genesis) and research settings that have emerged from the French research community, but have also been taken up by other colleagues. Meta-level considerations of research in the domain by contrasting different approaches and proposing connecting or uniting elements

Author: Henry Sanoff
Publisher: Van Nostrand Reinhold Company
ISBN:
Category : School buildings
Languages : en
Pages : 234

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Shaping the learning environment to support educational objectives is a central theme of this collection of unusual school building projects. The projects exemplify the participatory design process, where it is recognized that the student, the teacher, the parent, the administrator, and the architect are all vital to the process of educational change. A wide range of school types are included, from children's centers to university settings, public and private, wherever formal learning occurs. Many of the case studies were built or in construction, while others not built are included for their innovative techniques of user involvement. Thoroughly illustrated (bandw). Annotation copyright by Book News, Inc., Portland, OR

Author: H. Kennedy
Publisher: Springer Science & Business Media
ISBN: 9400989849
Category : History
Languages : en
Pages : 238

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All students of mathematics know of Peano's postulates for the natural numbers and his famous space-filling curve, yet their knowledge often stops there. Part of the reason is that there has not until now been a full-scale study of his life and works. This must surely be surprising, when one realizes the length of his academic career (over 50 years) and the extent of his publica tions (over 200) in a wide variety of fields, many of which had immediate and long-term effects on the development of modern mathematics. A study of his life seems long overdue. It appeared to me that the most likely person to write a biography of Peano would be his devoted disciple Ugo Cassina, with whom I studied at the University of Milan in 1957-58. I wrote to Professor Cassina on 29 October, 1963, inquiring if he planned to write the biography, and I offered him my assistance, since I hoped to return to Italy for a year. He replied on 28 November, 1963, suggesting that we collaborate, meaning by this that I would write the biography, in English, using his material and advice. I gladly agreed to this suggestion, but work on the project had hardly begun when Professor Cassina died unexpectedly on 5 October, 1964. I then decided to continue the project on my own. I spent the academic year 1966-67 in Turin; completion of the book took ten years.

Author: Gérard Genette
Publisher: Cornell University Press
ISBN: 9780801482724
Category : Art
Languages : en
Pages : 292

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What art is--its very nature--is the subject of this book by one of the most distinguished continental theorists writing today. Informed by the aesthetics of Nelson Goodman and referring to a wide range of cultures, contexts, and media, The Work of Art seeks to discover, explain, and define how art exists and how it works. To this end, Gérard Genette explores the distinction between a work of art's immanence--its physical presence--and transcendence--the experience it induces. That experience may go far beyond the object itself.Genette situates art within the broad realm of human practices, extending from the fine arts of music, painting, sculpture, and literature to humbler but no less fertile fields such as haute couture and the culinary arts. His discussion touches on a rich array of examples and is bolstered by an extensive knowledge of the technology involved in producing and disseminating a work of art, regardless of whether that dissemination is by performance, reproduction, printing, or recording. Moving beyond examples, Genette proposes schemata for thinking about the different manifestations of a work of art. He also addresses the question of the artwork's duration and mutability.