Author: P.-G. DumoulinPublisher:
ISBN:
Category :
Languages : fr
Pages : 68
Book Description
Méthode pratique pour enseigner l'orthographe en quelques mois... par P.-G. Dumoulin,...
Author: P.-G. DumoulinMéthode pratique pour enseigner ou pour apprendre l'orthographe en peu de temps... par P.-G. Dumoulin,...
Author: P.-G. DumoulinA History of Turin
Author: Anthony L. CardozaPublisher:
ISBN: 9788806181246
Category : History
Languages : it
Pages : 281
Book Description
Queenship in Europe 1660-1815
Author: Clarissa Campbell OrrPublisher: Cambridge University Press
ISBN: 9780521814225
Category : Biography & Autobiography
Languages : en
Pages : 456
Book Description
Publisher Description
Graphic History
Author: Philip BenedictPublisher: Librairie Droz
ISBN: 9782600004404
Category : Art
Languages : en
Pages : 454
Book Description
The suite of forty prints published in Geneva in 1570 depicting the wars, massacres and troubles of the French Wars of Religion may have been the first picture history made in woodcuts or etchings that promised a geenral public a true view of great events of the recent past. This richly illustrated study reconstructs the gradual elaboration of this experimental work, situating it within the previously untold story of the use of the graphic arts to report the news in the fist centuries of European printmaking. Successive chapters explore the pictorial traditions that inspired the printmakers, examine how they gathered their information, assess the reliability of the scenes, and analyze the historical vision informing the series. Part 2 reproduces the full suite with commentary in double page fold-outs. Through the study of a single print series, lost chapters in the history of jorunalism, of the graphic arts, and of Protestant historical consciousness re-emerge.
The Judgment of Palaemon
Author: Philip FordPublisher: BRILL
ISBN: 9004245391
Category : History
Languages : en
Pages : 287
Book Description
In Virgil's third Eclogue, Palaemon concludes the poetry competition between Menalcas and Damoetas by saying that he cannot choose between them, a judgment that is emblematic of the contest between Neo-Latin and vernacular poetry in Renaissance France. Both forms of poetry draw on similar roots, both are equally accomplished, and the contest between them is largely amicable. The Judgment of Palaement illustrates the almost symbiotic relationship between Renaissance Latin and French poetry, while exploring poets' motivation for choosing one language over another, the different challenges each form of writing involved, and the extent of the collaboration between different language communities. It focuses on some of the major writers of the period, as well as less known ones, and on genres specific to humanist poetry. It shows that composing in Latin was often considered more natural than writing in the vernacular, at a time when many Frenchmen's mother tongue was a non-standard French dialect or distinct language. Book jacket.
Byzantium After Byzantium
Author: Nicolae IorgaPublisher: Center For Romanian Studies
ISBN: 9781592111367
Category : Byzantine Empire
Languages : en
Pages : 256
Book Description
Originally published in French in 1935, the author's formula Byzantium after Byzantium defines several centuries of world history. Iorga points out the great contributions of Byzantine civilization to the Western world, especially during the Renaissance. He demonstrates that Byzantium survived through its people and local autonomies, as well as through its exiles--clerics, scholars, merchants, and political officials. One of the most important expressions of this was found in the Romanian principalities where Greeks from the Phanar district of Istanbul played a major role in Romanian political life, defining an entire period of Romanian history--the Phanariot Period. They continued the Byzantine ideas, aspirations, education, and way of life. All of this allows us to speak of a Byzantium after Byzantium.
At the Crossroads of Art and Religion
Author: Hetty ZockPublisher:
ISBN: 9789042921733
Category : Aesthetics
Languages : en
Pages : 0
Book Description
Since the 'turn to the subject' in modernity, aesthetic experiences have become crucial in the creation of meaning. This explains why art and religion are becoming increasingly intermingled in late modern Western culture. The search for meaning is no longer confined to traditional religious settings and it is especially in art that people are looking for moral and spiritual significance. Religion is being aestheticised while art is being spiritualised. This volume contains studies on the interface between art and religion. Scholars from art studies, theology, philosophy and psychology of religion address the following questions: What psychological and religious functions does art fulfil? What are the similarities and differences between aesthetic and religious experiences? How does the aestheticising of religion affect theological thinking? How does the spiritualising of art affect artistic practices and theory? Case studies are taken from literature, visual art, film and opera, both from 'high' and popular culture. Among others, there are chapters on J.M. Coetzee's novel Waiting for the Barbarians, Richard Wagner's operas, the Harry Potter books and the concept of beauty from a theological perspective. The contributors all highlight the crucial role of human imaginative capabilities and the capacity of art to open up wider horizons of meaning.
On the God of Socrates
Author: ApuleiusPublisher:
ISBN: 9781521058114
Category :
Languages : en
Pages : 34
Book Description
"On the God of Socrates" is a work on the existence and nature of demons, the intermediaries between gods and humans. This treatise was roughly attacked by Augustine of Hippo. It contains a passage comparing gods and kings which is the first recorded occurrence of the proverb "familiarity breeds contempt".Apuleius (/ˌ�pjᵿˈliːəs/; also called Lucius Apuleius Madaurensis and in Berber: Afulay c. 124 - c. 170 AD) was a Latin-language prose writer, platonist philosopher and rhetorian. He was a Numidian who lived under the Roman Empire and was from Madauros (now M'Daourouch, Algeria). He studied Platonism in Athens, travelled to Italy, Asia Minor, and Egypt and was an initiate in several cults or mysteries. The most famous incident in his life was when he was accused of using magic to gain the attentions (and fortune) of a wealthy widow. He declaimed and then distributed a witty tour de force in his own defense before the proconsul and a court of magistrates convened in Sabratha, near ancient Tripoli, Libya. This is known as the Apologia.His most famous work is his bawdy picaresque novel, the Metamorphoses, otherwise known as The Golden Ass. It is the only Latin novel that has survived in its entirety. It relates the ludicrous adventures of one Lucius, who experiments with magic and is accidentally turned into a donkey.
Talismans and Trojan Horses
Author: Christopher A. FaraonePublisher: Oxford University Press, USA
ISBN:
Category : History
Languages : en
Pages : 216
Book Description
Greek legends and historical accounts contain many references to special statues or images designed to preserve the safety or livelihood of a city, a business or a house. These images, which fall into two often overlapping categories (talismans and apotropaia), were erected according to special rituals and took on a variety of intriguing forms, including lions, locusts, and bound effigies of destructive deities like Ares. Looking closely at a wide variety of Greek texts and artifacts, Faraone provides a detailed description and survey of these images and then uses this information to provide new interpretations of early Greek myths about Pandora, the Trojan Horse, and the "living statues" created by Hephaestus. At each step he sets the Greek evidence in a wider eastern-Mediterranean context, with detailed discussions of Near Eastern and Egyptian practices that bear close resemblance to the Greek rituals. The study closes with a re-evaluation of the traditional scholarly approach to religious art as purely representational, suggesting that some images instead of simply illustrating the power of a god, were actually created to restrain and control the power of inimical supernatural forces such as plague-gods and ghosts. Focusing renewed attention on these often misinterpreted talismans and apotropaia, Talismans and Trojan Horses will be illuminating for scholars and students of classics, art and archaeology, religion, the Ancient Near East, the Bible, and mythology.