Author: George Peele
Publisher:
ISBN:
Category : English wit and humor
Languages : en
Pages : 96
Book Description
Merrie Conceited Jests of George Peele ...
Author: George Peele
Publisher:
ISBN:
Category : English wit and humor
Languages : en
Pages : 96
Book Description
Publisher:
ISBN:
Category : English wit and humor
Languages : en
Pages : 96
Book Description
Merry Conceited Jests of George Peele
Author: George Peele
Publisher:
ISBN:
Category : Dramatists, English
Languages : en
Pages : 72
Book Description
Publisher:
ISBN:
Category : Dramatists, English
Languages : en
Pages : 72
Book Description
Merrie Conceited Jests of George Peele, Gentleman, Sometimes Student in Oxford, Wherein is Showed the Course of His Life, how He Lived ...
Merrie Conceited Jests, of George Peele Gentleman, Sometimes Student in Oxford
Shakespeare Jest-books: Merie tales of Skelton. Jests of Scogin. Sackfull of newes. Tarleton's jests. Merrie conceited jests of George Peele. Jacke of Dover
Author: William Carew Hazlitt
Publisher:
ISBN:
Category : Chapbooks
Languages : en
Pages : 390
Book Description
Publisher:
ISBN:
Category : Chapbooks
Languages : en
Pages : 390
Book Description
Shakespeare Jest-books: Merie tales of Skelton. Jests of Scogin. Sackfull of newes. Tarlton's jests. Merrie conceited jests of George Peele, Jacke of Dover
Author: William Carew Hazlitt
Publisher:
ISBN:
Category : Chapbooks
Languages : en
Pages : 392
Book Description
Publisher:
ISBN:
Category : Chapbooks
Languages : en
Pages : 392
Book Description
Shakespeare Jest-books
Author: William Carew Hazlitt
Publisher:
ISBN:
Category :
Languages : en
Pages : 392
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 392
Book Description
The Dramatic and Poetical Works of Robert Greene and George Peele
Author: Robert Greene
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 644
Book Description
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 644
Book Description
The London Magazine
Censorship & Cultural Regulation in the Modern Age
Author:
Publisher: BRILL
ISBN: 9401200955
Category : History
Languages : en
Pages : 237
Book Description
‘Censorship’ has become a fashionable topic, not only because of newly available archival material from Eastern Europe and the former Soviet Union, but also because the ‘new censorship’ (inspired by the works of Foucault and Bourdieu) has widened the very concept of censorhip beyond its conventional boundaries. This volume uses these new materials and perspectives to address the relationship of censorship to cultural selection processes (such as canon formation), economic forces, social exclusion, professional marginalization, silencing through specialized discourses, communicative norms, and other forms of control and regulation. Two articles in this collection investigate these issue theoretically. The remaining eight contributions address the issues by investigating censorial practice across time and space by looking at the closure of Paul’s playhouse in 1606; the legacy of 19th century American regulations and representation of women teachers; the relationship between official and samizdat publishing in Communist Poland; the ban on Gegenwartsfilme (films about contemporary society) in East Germany in 1965/66; the censorship of modernist music in Weimar and Nazi Germany; the GDR’s censorship of jazz and avantgarde music in the early 1950s; Aesopian strategies of textual resistance in the pop music of apartheid South Africa and in the stories of Mario Benedetti.
Publisher: BRILL
ISBN: 9401200955
Category : History
Languages : en
Pages : 237
Book Description
‘Censorship’ has become a fashionable topic, not only because of newly available archival material from Eastern Europe and the former Soviet Union, but also because the ‘new censorship’ (inspired by the works of Foucault and Bourdieu) has widened the very concept of censorhip beyond its conventional boundaries. This volume uses these new materials and perspectives to address the relationship of censorship to cultural selection processes (such as canon formation), economic forces, social exclusion, professional marginalization, silencing through specialized discourses, communicative norms, and other forms of control and regulation. Two articles in this collection investigate these issue theoretically. The remaining eight contributions address the issues by investigating censorial practice across time and space by looking at the closure of Paul’s playhouse in 1606; the legacy of 19th century American regulations and representation of women teachers; the relationship between official and samizdat publishing in Communist Poland; the ban on Gegenwartsfilme (films about contemporary society) in East Germany in 1965/66; the censorship of modernist music in Weimar and Nazi Germany; the GDR’s censorship of jazz and avantgarde music in the early 1950s; Aesopian strategies of textual resistance in the pop music of apartheid South Africa and in the stories of Mario Benedetti.