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Author: Gevork Hartoonian Publisher: Cambridge Scholars Publishing ISBN: 1443865958 Category : Architecture Languages : en Pages : 227
Book Description
Starting with the question concerning the discursive formation of architectural history, the chapters compiled in this book attempt to re-read the historiography of early modern architecture from the point of view of the theoretical work produced since the post-war era. Central to the objectives of the argument are the ways in which, firstly, architectural history differs from the traditions of art history, and, secondly, that the historical narrative works its autonomy through theoretical representation, the discursive flow of which is interrupted by the historian’s urge to support arguments with references to buildings, texts, drawings, and historical events. The historians discussed in this volume are those regularly addressed by most critics revisiting modern architectural history. Individual chapters are dedicated to N. Pevsner, H. R. Hitchcock, and S. Giedion, an economy of selection that is formative for a critical understanding of the canon established by these historians. Themes such as periodization, autonomy, and time are discussed, and the coda of the final chapter expands on the scope of “critical historiography” popularised by Kenneth Frampton and Manfredo Tafuri.
Author: Gevork Hartoonian Publisher: Cambridge Scholars Publishing ISBN: 1443865958 Category : Architecture Languages : en Pages : 227
Book Description
Starting with the question concerning the discursive formation of architectural history, the chapters compiled in this book attempt to re-read the historiography of early modern architecture from the point of view of the theoretical work produced since the post-war era. Central to the objectives of the argument are the ways in which, firstly, architectural history differs from the traditions of art history, and, secondly, that the historical narrative works its autonomy through theoretical representation, the discursive flow of which is interrupted by the historian’s urge to support arguments with references to buildings, texts, drawings, and historical events. The historians discussed in this volume are those regularly addressed by most critics revisiting modern architectural history. Individual chapters are dedicated to N. Pevsner, H. R. Hitchcock, and S. Giedion, an economy of selection that is formative for a critical understanding of the canon established by these historians. Themes such as periodization, autonomy, and time are discussed, and the coda of the final chapter expands on the scope of “critical historiography” popularised by Kenneth Frampton and Manfredo Tafuri.
Author: Gevork Hartoonian Publisher: Cambridge Scholars Publishing ISBN: 9781443825610 Category : Architectural criticism Languages : en Pages : 0
Book Description
Starting with the question concerning the discursive formation of architectural history, the chapters compiled in this book attempt to re-read the historiography of early modern architecture from the point of view of the theoretical work produced since the post-war era. Central to the objectives of the argument are the ways in which, firstly, architectural history differs from the traditions of art history, and, secondly, that the historical narrative works its autonomy through theoretical representation, the discursive flow of which is interrupted by the historianâ (TM)s urge to support arguments with references to buildings, texts, drawings, and historical events. The historians discussed in this volume are those regularly addressed by most critics revisiting modern architectural history. Individual chapters are dedicated to N. Pevsner, H. R. Hitchcock, and S. Giedion, an economy of selection that is formative for a critical understanding of the canon established by these historians. Themes such as periodization, autonomy, and time are discussed, and the coda of the final chapter expands on the scope of â oecritical historiographyâ popularised by Kenneth Frampton and Manfredo Tafuri.
Author: Greg Eghigian Publisher: Taylor & Francis ISBN: 1351784390 Category : History Languages : en Pages : 405
Book Description
This volume explores the history and historiography of madness from the ancient and medieval worlds to the present day. Covering Africa, Asia and South America as well as Europe and North America, chapters discuss broad topics such as the representation of madness in literature and the visual arts, the material culture of madness, madness within life histories and the increased globalization of knowledge and treatment practices. Chronologically and geographically wide-ranging and providing a fascinating overview of the current state of the field, this is essential reading for all students of the history of madness, mental health, psychiatry and medicine.
Author: Gevork Hartoonian Publisher: Routledge ISBN: 1351981390 Category : Architecture Languages : en Pages : 336
Book Description
Time, History and Architecture presents a series of essays on critical historiography, each addressing a different topic, to elucidate the importance of two influential figures Walter Benjamin and Gottfried Semper for architectural history. In a work exploring themes such as time, autonomy and periodization, author Gevork Hartoonian unpacks the formation of architectural history; the problem of autonomy in criticism and the historiographic narrative. Considering the scope of criticism informing the contemporaneity of architecture, the book explores the concept of nonsimultaneity, and introduces retrospective criticism the agent of critical historiography. An engaging thematic dialogue for academics and upper-level graduate students interested in architectural history and theory, this book aims to deconstruct the certainties of historicism and to raise new questions and interpretations from established critical canons.
Author: Gevork Hartoonian Publisher: Taylor & Francis ISBN: 1000907457 Category : Architecture Languages : en Pages : 280
Book Description
This edited collection explores the visibility of modernization in architecture produced in different capitalist regions across the world and provides readers with a historico-theoretical and historico-geographical discussion. Focusing on a particular building type, an influential architect’s work, as well as relevant texts and documents, each chapter addresses the many facets of "delay" which are central to the problematization of capitalism’s progressive dissemination of technological and aesthetic regimes of modernism. This collection underlines the centrality of temporality for a critical understanding of colonialism, modernism, and capitalism. The book is primarily concerned with the historical timeline, the tangential point when a nation enters modernization processes. In exploring modernism in diverse regions such as East Asia, Pacific, Eastern Europe, and Iran, each chapter addresses the historiographic and architectonic unfolding of modernization beyond the western hemisphere. The exploration of these diverse case-studies will be of interest to students of architecture and researchers working on the collision of temporalities and the subject's critical importance for different country’s built-environments.
Author: Gevork Hartoonian Publisher: Routledge ISBN: 1317127447 Category : Architecture Languages : en Pages : 302
Book Description
Judging from the debates taking place in both education and practice, it appears that architecture is deeply in crisis. New design and production techniques, together with the globalization of capital and even skilled-labour, have reduced architecture to a commodified object, its aesthetic qualities tapping into the current pervasive desire for the spectacular. These developments have changed the architect’s role in the design and production processes of architecture. Moreover, critical architectural theories, including those of Breton, Heidegger and Benjamin, which explored the concepts of technology, modernism, labour and capital and how technology informed the cultural, along with later theories from the 1960s, which focused more on the architect’s theorization of his/her own design strategies, seem increasingly irrelevant. In an age of digital reproduction and commodification, these theoretical approaches need to be reassessed. Bringing together essays and interviews from leading scholars such as Kenneth Frampton, Peggy Deamer, Bernard Tschumi, Donald Kunze and Marco Biraghi, this volume investigates and critically addresses various dimensions of the present crisis of architecture. It poses questions such as: Is architecture a conservative cultural product servicing a given producer/consumer system? Should architecture’s affiliative ties with capitalism be subjected to a measure of criticism that can be expanded to the entirety of the cultural realm? Is architecture’s infusion into the cultural the reason for the visibility of architecture today? What room does the city leave for architecture beyond the present delirium of spectacle? Should the thematic of various New Left criticisms of capitalism be taken as the premise of architectural criticism? Or alternatively, putting the notion of criticality aside is it enough to confine criticism to the production of insightful and pleasurable texts?
Author: Joy Knoblauch Publisher: University of Pittsburgh Press ISBN: 0822987031 Category : Architecture Languages : en Pages : 427
Book Description
Inspired by the rise of environmental psychology and increasing support for behavioral research after the Second World War, new initiatives at the federal, state, and local levels looked to influence the human psyche through form, or elicit desired behaviors with environmental incentives, implementing what Joy Knoblauch calls “psychological functionalism.” Recruited by federal construction and research programs for institutional reform and expansion—which included hospitals, mental health centers, prisons, and public housing—architects theorized new ways to control behavior and make it more functional by exercising soft power, or power through persuasion, with their designs. In the 1960s –1970s era of anti-institutional sentiment, they hoped to offer an enlightened, palatable, more humane solution to larger social problems related to health, mental health, justice, and security of the population by applying psychological expertise to institutional design. In turn, Knoblauch argues, architects gained new roles as researchers, organizers, and writers while theories of confinement, territory, and surveillance proliferated. The Architecture of Good Behavior explores psychological functionalism as a political tool and the architectural projects funded by a postwar nation in its efforts to govern, exert control over, and ultimately pacify its patients, prisoners, and residents.
Author: Nadir Lahiji Publisher: Routledge ISBN: 1317020685 Category : Architecture Languages : en Pages : 349
Book Description
Thirty years have passed since eminent cultural and literary critic Fredric Jameson wrote his classic work, The Political Unconscious: Narrative as a Socially Symbolic Act, in which he insisted that 'there is nothing that is not social and historical - indeed, that everything is "in the last analysis" political'. Bringing together a team of leading scholars including Slavoj Zizek, Joan Ockman, Jane Rendell, and Kojin Karatani, this book critically examines the important contribution made by Jameson to the radical critique of architecture over this period, highlighting its continued importance to contemporary architecture discourse. Jameson's notion of the 'political unconscious' represents one of the most powerful notions in the link between aesthetics and politics in contemporary discourse. Taking this, along with other key concepts from Jameson, as the basis for its chapters, this anthology asks questions such as: Is architecture a place to stage 'class struggle'?, How can architecture act against the conditions that 'affirmatively' produce it? What does 'the critical', and 'the negative', mean in the discourse of architecture? and, How do we prevent architecture from participating in the reproduction of the cultural logic of late capitalism? This book breaks new ground in architectural criticism and offers insights into the interrelationships between politics, culture, space, and architecture and, in doing so, it acts as a counter-balast to the current trend in architectural research where a general aestheticization dominates the discourse.
Author: John Stewart Publisher: McFarland ISBN: 1476644438 Category : Architecture Languages : en Pages : 271
Book Description
This is the first full biography from childhood of the eminent British Architect Sir Herbert Baker. Written with the full cooperation of his family and with access to his archive and private papers, it gives an account of his remarkable life as the leading architect to the British Empire. From London, through the commemoration of the empire's war dead in France, via South Africa and Australia to India, he celebrated the might of an empire that once ruled a quarter of the world. He was an intimate friend of many of most fascinating men of his age, including Cecil Rhodes, Lawrence of Arabia, John Buchan, Jan Smuts and, of course, his fellow architect Sir Edwin Lutyens. After a Victorian architectural apprenticeship in London and on to becoming the most prolific architect of his age in South Africa, he built the new imperial capital of New Delhi in India with Lutyens, before returning to London. These built or rebuilt such landmark buildings as the Bank of England, South Africa House, India House, Rhodes House, and the stands for Lords Cricket Ground, as well as numerous churches and private houses.
Author: Gevork Hartoonian
Author: Gevork Hartoonian
Author: Gevork Hartoonian
Author: Greg Eghigian
Author: Gevork Hartoonian
Author: Gevork Hartoonian
Author: Gevork Hartoonian
Author: Joy Knoblauch
Author: Carla Yanni
Author: Nadir Lahiji
Author: John Stewart