Memorias cronológicas sobre el teatro en España (1785) PDF Download

Author: José Antonio de Armona y Murga
Publisher:
ISBN:
Category : Statesmen
Languages : es
Pages : 350

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Author: Jose Antonio de Armona y Murga
Publisher:
ISBN:
Category :
Languages : es
Pages : 341

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Author: José Antonio de Armona y Murga
Publisher: Boydell & Brewer Ltd
ISBN: 9781855660458
Category : Drama
Languages : es
Pages : 374

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Una nueva edición de la primera historia sistemática del teatro en España. Esta nueva edición de las Memorias cronológicas de José Antonio de Armona ofrece por primera vez un análisis pormenorizado de las fuentes documentales empleadas por el autor, que constituyen su aportación más fundamentlos estudios teatrales. La obra de Armona es la primera historia sistemática del teatro en España, desde el final de la Edad Media hasta su propia época. Aunque incluye una visión general de la literatura dramática del Siglo de Oro, se centra principalmente en los aspectos institucionales del teatro. En su calidad de Corregidor de Madrid, le correspondía a Armona el cargo de Juez Protector, máxima autoridad de la administración de los teatros públicos y los actores, y la mayor parte de sus Memorias se dedica a este tema. Habiendo reflexionado sobre su experiencia como Protector y los problemas planteados por conflictos jurisdiccionales en este ámbito, Armona examinó sus orígenes y evolución mediante extensas investigaciones en los archivos municipales de Madrid, reuniendo y recopilando una nutrida colección de documentos que aclaran múltiples aspectos de la historia teatral. Por tanto, sus Memorias están estrechamente relacionadas con la documentación municipal publicada en tomos anteriores de las Fuentes para la Historia del Teatro en España, y deben situarse en este contexto. En español xiv+352 pp., 8 ilus.b/n Fuentes para la Historia del Teatro en España, XIV CHARLES DAVIS es Honorary Research Fellow de Queen Mary, Universidad de Londres.

Author: Philip B. Thomason
Publisher: Routledge
ISBN: 1317970047
Category : History
Languages : en
Pages : 228

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Previously published as a special issue of The Bulletin of Spanish Studies, The Eighteenth-Century Theatre in Spain is the second in a series of research bibliographies on the Theatre in Spain. Representing ten years of searches and compilation by its specialist authors, this volume draws together data on more than 1,500 books, articles and documents concerned with Spanish eighteenth-century theatre. Studies of plays and playwrights are included as well as material dealing with theatres, actors and stagecraft. Wherever possible, items listed have been personally examined, and their library location in Britain, Spain or USA is provided. Scholars with interests in drama will find in this single-volume work of reference a wealth of reliable information concerning this specialist field.

Author: Charles Dill
Publisher: Routledge
ISBN: 1351555731
Category : History
Languages : en
Pages : 530

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Opera in the first half of the eighteenth century saw the rise of the memorable composer and the memorable work. Recent research on this period has been especially fruitful, showing renewed interest in how opera operated within its local cultures, what audience members felt was at stake in opera performances, who the people-composers and performers-were who made opera possible. The essays for this volume capture the principal themes of current research: the "idea" of opera, opera criticism, the people of opera, and the emerging technologies of opera.

Author: Ann L Mackenzie
Publisher: Routledge
ISBN: 1317982819
Category : History
Languages : en
Pages : 313

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Published in memory of Ivy L. McClelland, a pioneer-scholar of Spain’s eighteenth century, this volume of original essays contains, besides an Introduction to her career and internationally influential writings, three previously unpublished essays by McClelland and nine studies by other scholars, all of which are focused on elucidating the Enlightenment and its characteristic manifestations in the Hispanic world. Among the Enlightenment writers and artists, works and genres, themes and issues discussed, are: Nicolás Moratín and epic poetry, Lillo’s The London Merchant and English and French influences on eighteenth-century Spanish drama, José Marchena and literary historiography, oppositions and misunderstandings within Spanish society as reflected in El sí de las niñas, Goya and the visual arts, Quintana’s Pelayo and historical tragedy, Enlightenment discourse, the Periodical Press, theatre as propaganda, the ideology and politics of Empire, the roots of revolt in late viceregal Quito, women’s experience of Enlightenment in Spain, social and cultural difference in colonial Peru, ideological debate and uncertainty during the Age of Reason, eighteenth-century Spain on the nineteenth-century stage, and public opinion in Spain on the eve of the French, and European, Revolution. First published as a Special Issue of the Bulletin of Spanish Studies (LXXXVI [November–December 2009], Nos 7–8), this book will be of value and stimulus to all scholars concerned to investigate and interpret the culture, theatre, ideology, society and politics of the Enlightenment in Spain, Europe and Spanish America.

Author: José Antonio de Armona
Publisher:
ISBN:
Category :
Languages : es
Pages :

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Author: Elisabeth Le Guin
Publisher: Univ of California Press
ISBN: 0520276302
Category : Music
Languages : en
Pages : 406

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The tonadilla, a type of satiric musical skit popular on the public stages of Madrid during the late Enlightenment, has played a significant role in the history of music in Spain. This book, the first major study of the tonadilla in English, examines the musical, theatrical, and social worlds that the tonadilla brought together and traces the lasting influence this genre has had on the historiography of Spanish music. The tonadillas' careful constructions of musical populism provide a window onto the tensions among Enlightenment modernity, folkloric nationalism, and the politics of representation; their diverse, engaging, and cosmopolitan music is an invitation to reexamine tired old ideas of musical "Spanishness." Perhaps most radically of all, their satirical stance urges us to embrace the labile, paratextual nature of comic performance as central to the construction of history.

Author: Elisabeth Le Guin
Publisher: Univ of California Press
ISBN: 0520240170
Category : Biography & Autobiography
Languages : en
Pages : 375

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Annotation A study of how the physical processes of learning to play a piece of music can enrich and inform the mental process of studying and analyzing the music, using the cello music of Luigi Boccherini as a case study.

Author:
Publisher:
ISBN:
Category : Civilization, Modern
Languages : en
Pages : 480

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