Author: Corey McCall
Publisher: Lexington Books
ISBN: 1498536751
Category : Philosophy
Languages : en
Pages : 254
Book Description
For more than a century readers have found Herman Melville’s writing rich with philosophical ideas, yet there has been relatively little written about what, exactly, is philosophically significant about his work and why philosophers are so attracted to Melville in particular. This volume addresses this silence through a series of essays that: (1) examine various philosophical contexts for Melville’s work, (2) take seriously Melville’s writings as philosophy, and (3) consider how modern philosophers have used Melville and the implications of appropriating Melville for contemporary thought. Melville among the Philosophers is ultimately an intervention across literary studies and philosophy that carves new paths into the work of one of America’s most celebrated authors, a man who continues to enchant and challenge readers well into the twenty-first century.
Melville among the Philosophers
Author: Corey McCall
Publisher: Lexington Books
ISBN: 1498536751
Category : Philosophy
Languages : en
Pages : 254
Book Description
For more than a century readers have found Herman Melville’s writing rich with philosophical ideas, yet there has been relatively little written about what, exactly, is philosophically significant about his work and why philosophers are so attracted to Melville in particular. This volume addresses this silence through a series of essays that: (1) examine various philosophical contexts for Melville’s work, (2) take seriously Melville’s writings as philosophy, and (3) consider how modern philosophers have used Melville and the implications of appropriating Melville for contemporary thought. Melville among the Philosophers is ultimately an intervention across literary studies and philosophy that carves new paths into the work of one of America’s most celebrated authors, a man who continues to enchant and challenge readers well into the twenty-first century.
Publisher: Lexington Books
ISBN: 1498536751
Category : Philosophy
Languages : en
Pages : 254
Book Description
For more than a century readers have found Herman Melville’s writing rich with philosophical ideas, yet there has been relatively little written about what, exactly, is philosophically significant about his work and why philosophers are so attracted to Melville in particular. This volume addresses this silence through a series of essays that: (1) examine various philosophical contexts for Melville’s work, (2) take seriously Melville’s writings as philosophy, and (3) consider how modern philosophers have used Melville and the implications of appropriating Melville for contemporary thought. Melville among the Philosophers is ultimately an intervention across literary studies and philosophy that carves new paths into the work of one of America’s most celebrated authors, a man who continues to enchant and challenge readers well into the twenty-first century.
Melville and Aesthetics
Author: G. Sanborn
Publisher: Springer
ISBN: 0230120040
Category : Fiction
Languages : en
Pages : 505
Book Description
In an original and provocative series of readings that range across Melville's career, the contributors consider not only the sources and implications of Melville's aesthetics, but the relationship between aesthetic criticism, historical analysis, and contemporary theory.
Publisher: Springer
ISBN: 0230120040
Category : Fiction
Languages : en
Pages : 505
Book Description
In an original and provocative series of readings that range across Melville's career, the contributors consider not only the sources and implications of Melville's aesthetics, but the relationship between aesthetic criticism, historical analysis, and contemporary theory.
Writing Art History
Author: Margaret Iversen
Publisher: University of Chicago Press
ISBN: 0226388263
Category : Art
Languages : en
Pages : 256
Book Description
Since art history is having a major identity crisis as it struggles to adapt to contemporary global and mass media culture, this book intervenes in the struggle by laying bare the troublesome assumptions and presumptions at the field's foundations in a series of essays.
Publisher: University of Chicago Press
ISBN: 0226388263
Category : Art
Languages : en
Pages : 256
Book Description
Since art history is having a major identity crisis as it struggles to adapt to contemporary global and mass media culture, this book intervenes in the struggle by laying bare the troublesome assumptions and presumptions at the field's foundations in a series of essays.
Melville's Art of Democracy
Author: Nancy Fredricks
Publisher: University of Georgia Press
ISBN: 9780820316826
Category : Biography & Autobiography
Languages : en
Pages : 174
Book Description
This challenging and timely study demonstrates that the problems Melville faced as a writer - the relationship between politics and aesthetics and the representation of the marginalized without appropriation - are similar to issues faced in the academy today.
Publisher: University of Georgia Press
ISBN: 9780820316826
Category : Biography & Autobiography
Languages : en
Pages : 174
Book Description
This challenging and timely study demonstrates that the problems Melville faced as a writer - the relationship between politics and aesthetics and the representation of the marginalized without appropriation - are similar to issues faced in the academy today.
Herman Melville
Author: Katie McGettigan
Publisher: University of New Hampshire Press
ISBN: 1512601381
Category : Literary Criticism
Languages : en
Pages : 298
Book Description
In this imaginative book, Katie McGettigan argues that Melville's novels and poetry demonstrate a sustained engagement with the physical, social, and economic materiality of industrial and commercial forms of print. Further, she shows that this "aesthetics of the material text," central both to Melville's stylistic signature and to his innovations in form, allows Melville to explore the production of selfhood, test the limits of narrative authenticity, and question the nature of artistic originality. Combining archival research in print and publishing history with close reading, McGettigan situates Melville's works alongside advertising materials, magazine articles, trade manuals, and British and American commentary on the literary industry to demonstrate how Melville's literary practice relies on and aestheticizes the specific conditions of literary production in which he worked. For Melville, the book is a physical object produced by particular technological processes, as well as an entity that manifests social and economic values. His characters carry books, write on them, and even sleep on them; they also imagine, observe, and participate in the buying and selling of books. Melville employs the book's print, paper, and binding - and its market circulations - to construct literary figures, to shape textual form, and to create irony and ambiguity. Exploring the printed book in Melville's writings brings neglected sections of his poetry and prose to the fore and invites new readings of familiar passages and images. These readings encourage a reassessment of Melville's career as shaped by his creative engagements with print, rather than his failures in the literary marketplace. McGettigan demonstrates that a sustained and deliberate imaginative dialogue with the material text is at the core of Melville's expressive practice and that, for Melville, the printed book served as a site for imagining the problems and possibilities of modernity.
Publisher: University of New Hampshire Press
ISBN: 1512601381
Category : Literary Criticism
Languages : en
Pages : 298
Book Description
In this imaginative book, Katie McGettigan argues that Melville's novels and poetry demonstrate a sustained engagement with the physical, social, and economic materiality of industrial and commercial forms of print. Further, she shows that this "aesthetics of the material text," central both to Melville's stylistic signature and to his innovations in form, allows Melville to explore the production of selfhood, test the limits of narrative authenticity, and question the nature of artistic originality. Combining archival research in print and publishing history with close reading, McGettigan situates Melville's works alongside advertising materials, magazine articles, trade manuals, and British and American commentary on the literary industry to demonstrate how Melville's literary practice relies on and aestheticizes the specific conditions of literary production in which he worked. For Melville, the book is a physical object produced by particular technological processes, as well as an entity that manifests social and economic values. His characters carry books, write on them, and even sleep on them; they also imagine, observe, and participate in the buying and selling of books. Melville employs the book's print, paper, and binding - and its market circulations - to construct literary figures, to shape textual form, and to create irony and ambiguity. Exploring the printed book in Melville's writings brings neglected sections of his poetry and prose to the fore and invites new readings of familiar passages and images. These readings encourage a reassessment of Melville's career as shaped by his creative engagements with print, rather than his failures in the literary marketplace. McGettigan demonstrates that a sustained and deliberate imaginative dialogue with the material text is at the core of Melville's expressive practice and that, for Melville, the printed book served as a site for imagining the problems and possibilities of modernity.
Melville, Beauty, and American Literary Studies
Author: Cody Marrs
Publisher: Oxford University Press
ISBN: 0192871722
Category : Aesthetics in literature
Languages : en
Pages : 167
Book Description
In this fascinating book, Cody Marrs retraces Melville's engagement with beauty and provides a revisionary account of Melville's philosophy, aesthetics, and literary career.
Publisher: Oxford University Press
ISBN: 0192871722
Category : Aesthetics in literature
Languages : en
Pages : 167
Book Description
In this fascinating book, Cody Marrs retraces Melville's engagement with beauty and provides a revisionary account of Melville's philosophy, aesthetics, and literary career.
Melville’s Philosophies
Author: Branka Arsic
Publisher: Bloomsbury Publishing USA
ISBN: 1501321021
Category : Literary Criticism
Languages : en
Pages : 640
Book Description
Melville's Philosophies departs from a long tradition of critical assessments of Melville that dismissed his philosophical capacities as ingenious but muddled. Its contributors do not apply philosophy to Melville in order to detect just how much of it he knew or understood. To the contrary, they try to hear the philosophical arguments themselves-often very strange and quite radical-that Melville never stopped articulating and reformulating. What emerges is a Melville who is materialistically oriented in a radical way, a Melville who thinks about life forms not just in the context of contemporary sciences but also ontologically. Melville's Philosophies recovers a Melville who is a thinker of great caliber, which means obliquely but dramatically reversing the way the critical tradition has characterized his ideas. Finally, as a result of the readings collected here, Melville emerges as a very relevant thinker for contemporary philosophical concerns, such as the materialist turn, climate change, and post-humanism.
Publisher: Bloomsbury Publishing USA
ISBN: 1501321021
Category : Literary Criticism
Languages : en
Pages : 640
Book Description
Melville's Philosophies departs from a long tradition of critical assessments of Melville that dismissed his philosophical capacities as ingenious but muddled. Its contributors do not apply philosophy to Melville in order to detect just how much of it he knew or understood. To the contrary, they try to hear the philosophical arguments themselves-often very strange and quite radical-that Melville never stopped articulating and reformulating. What emerges is a Melville who is materialistically oriented in a radical way, a Melville who thinks about life forms not just in the context of contemporary sciences but also ontologically. Melville's Philosophies recovers a Melville who is a thinker of great caliber, which means obliquely but dramatically reversing the way the critical tradition has characterized his ideas. Finally, as a result of the readings collected here, Melville emerges as a very relevant thinker for contemporary philosophical concerns, such as the materialist turn, climate change, and post-humanism.
That Cunning Alphabet
Author: Richard S. Moore
Publisher: BRILL
ISBN: 9004490892
Category : Literary Criticism
Languages : en
Pages : 235
Book Description
Publisher: BRILL
ISBN: 9004490892
Category : Literary Criticism
Languages : en
Pages : 235
Book Description
Melville and the Visual Arts
Author: Douglas Robillard
Publisher: Kent State University Press
ISBN: 9780873385756
Category : Art
Languages : en
Pages : 244
Book Description
Melville's allusions to works of art embellish his poems and novels. In this study, his use of the art analogy as a literary technique is traced, along with the influence of his predecessors and comtemporaries and how his sense of form was instructed by design in works of art.
Publisher: Kent State University Press
ISBN: 9780873385756
Category : Art
Languages : en
Pages : 244
Book Description
Melville's allusions to works of art embellish his poems and novels. In this study, his use of the art analogy as a literary technique is traced, along with the influence of his predecessors and comtemporaries and how his sense of form was instructed by design in works of art.
African Culture and Melville's Art
Author: Sterling Stuckey
Publisher: OUP USA
ISBN: 0195372700
Category : History
Languages : en
Pages : 167
Book Description
Presenting a groundbreaking reappraisal of these two powerful pieces of fiction, Sterling Stuckey reveals how African customs and rituals heavily influenced one of America's greatest novelists.
Publisher: OUP USA
ISBN: 0195372700
Category : History
Languages : en
Pages : 167
Book Description
Presenting a groundbreaking reappraisal of these two powerful pieces of fiction, Sterling Stuckey reveals how African customs and rituals heavily influenced one of America's greatest novelists.