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Author: Robin Sandra Grey Publisher: Duquesne ISBN: Category : Literary Criticism Languages : en Pages : 248
Book Description
Two decades ago, Herman Melville's marked and annotated copy of John Milton's poetry first came to light. This was the most substantial and tangible evidence of the deep connections between the two authors since Henry R. Pommer's speculative study on Milton and Melville was published a half century ago.Featuring a foreword by John Bryant, this study brings together both Melville and Milton scholars in the same text, and makes available the important artistic connections between these two great authors.Also shared for the first time in this study are Melville's copious annotations to Milton's works, including numerous erased annotations that have only been partially recovered, a significant number of marginal markings and underlinings, all of which together offer us a chance to see one great author's provocative and idiosyncratic response to another.In addition to these annotations, the essays presented here suggest that Milton and his poetry fascinated Melville, provoking him at times to artistic competition in depicting the sublime, providing at other times a measure of companionship as they both explored religious heresies and civil wars in their respective ages. Melville enjoys Milton's combativeness toward institutions, civil and religious, as well as Milton's exposure of the grimness of civil war. But Melville, at times, appears annoyed with Milton's attempts to uphold the absurdities of religious doctrine -- to lend credibility and artistic authority to an otherwise questionable theology. Milton's assurances of faith are beyond Melville's ken, and his theodicy, Paradise Lost, a glorious failure.For Milton scholars, this study demonstrates Milton's very vital artistic and theological "afterlife" in America. For Melville scholars, this book shows Melville in American culture and history; his influence on studies in textuality and performivity and in theology and literary genre.
Author: Robin Sandra Grey Publisher: Duquesne ISBN: Category : Literary Criticism Languages : en Pages : 248
Book Description
Two decades ago, Herman Melville's marked and annotated copy of John Milton's poetry first came to light. This was the most substantial and tangible evidence of the deep connections between the two authors since Henry R. Pommer's speculative study on Milton and Melville was published a half century ago.Featuring a foreword by John Bryant, this study brings together both Melville and Milton scholars in the same text, and makes available the important artistic connections between these two great authors.Also shared for the first time in this study are Melville's copious annotations to Milton's works, including numerous erased annotations that have only been partially recovered, a significant number of marginal markings and underlinings, all of which together offer us a chance to see one great author's provocative and idiosyncratic response to another.In addition to these annotations, the essays presented here suggest that Milton and his poetry fascinated Melville, provoking him at times to artistic competition in depicting the sublime, providing at other times a measure of companionship as they both explored religious heresies and civil wars in their respective ages. Melville enjoys Milton's combativeness toward institutions, civil and religious, as well as Milton's exposure of the grimness of civil war. But Melville, at times, appears annoyed with Milton's attempts to uphold the absurdities of religious doctrine -- to lend credibility and artistic authority to an otherwise questionable theology. Milton's assurances of faith are beyond Melville's ken, and his theodicy, Paradise Lost, a glorious failure.For Milton scholars, this study demonstrates Milton's very vital artistic and theological "afterlife" in America. For Melville scholars, this book shows Melville in American culture and history; his influence on studies in textuality and performivity and in theology and literary genre.
Author: Hershel Parker Publisher: Northwestern University Press ISBN: 0810124645 Category : Literary Criticism Languages : en Pages : 250
Book Description
"Revealed here is an unknown Melville, the autodidact who made himself a poet and who brilliantly constructed a personal aesthetic credo. Dispelling baseless claims that Melville had a quarrel with fiction after Moby-Dick (or Pierre) and that he did not, in 1860, complete a book he called Poems, Parker offers new evidence of the full trajectory of Melville's career in all its glory and frustration."--BOOK JACKET.
Author: Hershel Parker Publisher: Northwestern University Press ISBN: 0810127091 Category : Biography & Autobiography Languages : en Pages : 609
Book Description
Melville Biography: An Inside Narrative is Hershel Parker’s history of the writing of Melville biographies, enriched by his intimate working relationships with great Melvilleans, dead and living. The first part is a mesmerizing autobiographical account of what went into creating his award-winning two-volume life of Herman Melville. Next, Parker traces six decades the persistent war New Critics have waged against biographical scholarship on Melville. American literary critics, he finds, impose New Critical theories of organic unity on Melville’s disrupted career even while truncating his body of work and minimizing his aesthetic interests. Parker celebrates the "divine amateurs" who use new technology to discover dazzling Melville stories and also lauds the writers of literature blogs as potential redeemers of academic and mainstream media reviewing. In the third part, Parker invites readers into his biographical workshop and challenges them with ambitious research assignments. Throughout this bold book, Parker seeks to reinvigorate the all-but-lost art of scholarly literary criticism and biography.
Author: Wyn Kelley Publisher: John Wiley & Sons ISBN: 1119668506 Category : Literary Criticism Languages : en Pages : 596
Book Description
Discover a fascinating new set of perspectives on the life and work of Herman Melville A New Companion to Herman Melville delivers an insightful examination of Melville for the twenty-first century. Building on the success of the first Blackwell Companion to Herman Melville, and offering a variety of tools for reading, writing, and teaching Melville and other authors, this New Companion offers critical, technological, and aesthetic practices that can be employed to read Melville in exciting and revelatory ways. Editors Wyn Kelley and Christopher Ohge create a framework that reflects a pluralistic model for humanities teaching and research. In doing so, the contributing authors highlight the ways in which Melville himself was concerned with the utility of tools within fluid circuits of meaning, and how those ideas are embodied, enacted, and mediated. In addition to considering critical theories of race, gender, sexuality, religion, transatlantic and hemispheric studies, digital humanities, book history, neurodiversity, and new biography and reception studies, this book offers: A thorough introduction to the life of Melville, as well as the twentieth- and twenty-first-century revivals of his work Comprehensive explorations of Melville’s works, including Moby-Dick, Pierre, Piazza Tales, and Israel Potter, as well as his poems and poetic masterpiece Clarel Practical discussions of material books, print culture, and digital technologies as applied to Melville In-depth examinations of Melville's treatment of the natural world Two symposium sections with concise reflections on art and adaptation, and on teaching and public engagement A New Companion to Herman Melville provides essential reading for scholars and students ranging from undergraduate and graduate students to more advanced scholars and specialists in the field.
Author: Edgar A. Dryden Publisher: Stanford University Press ISBN: 9780804749060 Category : Literary Criticism Languages : en Pages : 256
Book Description
Monumental Melville emphasizes the significance of the literary to Melville and the need for close reading in understanding his work. By revealing and celebrating the form that makes Melville's poetry unique—and a logical development from the fiction—Monumental Melville makes a vital contribution to the new scholarly recognition of its value and importance.
Author: Robert Milder Publisher: Oxford University Press ISBN: 019971326X Category : Literary Criticism Languages : en Pages : 311
Book Description
Exiled Royalties is a literary/biographical study of the course of Melville's career from his experience in Polynesia through his retirement from the New York Custom House and his composition of three late volumes of poetry and Billy Budd, Sailor. Conceived separately but narratively and thematically intertwined, the ten essays in the book are rooted in a belief that "Melville's work," as Charles Olson said, "must be left in his own 'life,'" which for Milder means primarily his spiritual, psychological, and vocational life. Four of the ten essays deal with Melville's life and work after his novelistic career ended with the The Confidence-Man in 1857. The range of issues addressed in the essays includes Melville's attitudes toward society, history, and politics, from broad ideas about democracy and the course of Western civilization to responses to particular events like the Astor Place Riots and the Civil War; his feeling about sexuality and, throughout the book, about religion; his relationship to past and present writers, especially to the phases of Euro-American Romanticism, post-Romanticism, and nascent Modernism; his relationship to his wife, Lizzie, to Hawthorne, and to his father, all of whom figured in the crisis that made for Pierre. The title essay, "Exiled Royalties," takes its origin from Ishmael's account of "the larger, darker, deeper part of Ahab"--Melville's mythic projection of a "larger, darker, deeper part" of himself. How to live nobly in spiritual exile--to be godlike in the perceptible absence of God--was a lifelong preoccupation for Melville, who, in lieu of positive belief, transposed the drama of his spiritual life to literature. The ways in which this impulse expressed itself through Melville's forty-five year career, interweaving itself with his personal life and the life of the nation and shaping both the matter and manner of his work, is the unifying subject of Exiled Royalties.
Author: William E. Engel Publisher: Routledge ISBN: 1317146867 Category : Literary Criticism Languages : en Pages : 204
Book Description
Bringing to bear his expertise in the early modern emblem tradition, William E. Engel traces a series of self-reflective organizational schemes associated with baroque artifice in the work of Herman Melville and Edgar Allan Poe. While other scholars have remarked on the influence of seventeenth-century literature on Melville and Poe, this is the first book to explore how their close readings of early modern texts influenced their decisions about compositional practice, especially as it relates to public performance and the exigencies of publication. Engel's discussion of the narrative structure and emblematic aspects of Melville's Piazza Tales and Poe's "The Raven" serve as case studies that demonstrate the authors' debt to the past. Focusing principally on the overlapping rhetorical and iconic assumptions of the Art of Memory and its relation to chiasmus, Engel avoids engaging in a simple account of what these authors read and incorporated into their own writings. Instead, through an examination of their predisposition toward an earlier model of pattern recognition, he offers fresh insight into the writers' understandings of mourning and loss, their use of allegory, and what they gained from their use of pseudonyms.
Author: Wyn Kelley Publisher: John Wiley & Sons ISBN: 1119045274 Category : Literary Criticism Languages : en Pages : 631
Book Description
In a series of 35 original essays, this companion demonstrates the relevance of Melville’s works in the twenty-first century. Presents 35 original essays by scholars from around the world, representing a range of different approaches to Melville Considers Melville in a global context, and looks at the impact of global economies and technologies on the way people read Melville Takes account of the latest and most sophisticated scholarship, including postcolonial and feminist perspectives Locates Melville in his cultural milieu, revising our views of his politics on race, gender and democracy Reveals Melville as a more contemporary writer than his critics have sometimes assumed
Author: Brian Yothers Publisher: Northwestern University Press ISBN: 081013179X Category : Literary Criticism Languages : en Pages : 257
Book Description
Yothers’ Sacred Uncertainty examines Melville’s engagement with religious difference, both within American culture and around the world. It is impossible to understand Melville’s wider engagement with religious and cultural questions, however, without understanding the fundamental tension between self and society, self and others that underlies his work, and that is manifested in particular in the way in which he interacts with other writers. There is almost certainly no more concrete or reliable way to get at Melville’s affirmations of and arguments with these interlocutors than in the markings and annotations that appear in his copies of many of their works, so Yothers examines Melville’s marginalia for clues to Melville’s thinking about self, other, and difference. Sacred Uncertainty provides a much needed exploration of Melville’s encounter with and reflection upon religious difference.
Author: Herman Melville Publisher: Northwestern University Press ISBN: 0810111128 Category : Literary Criticism Languages : en Pages : 961
Book Description
Although he surprised the world in 1866 with his first published book of poetry, Battle-Pieces and Aspects of the War, Herman Melville had long been steeped in poetry. This new offering in the authoritative Northwestern-Newberry series, The Writings of Herman Melville, with a historical note by Hershel Parker, is testament to Melville the poet. Penultimate in the publication of the series, Published Poems follows the release of Melville’s verse epic, Clarel (1876), and with it, contains the entirety of the poems published during Melville’s lifetime: Battle-Pieces, as well as John Marr and Other Sailors, with Some Sea-Pieces (1888), and Timoleon Etc. (1891). Battle-Pieces and Aspects of the War has long been recognized as a great contribution to the poetry of the Civil War, comparable only to Whitman’s Drum-Taps. Its idiosyncrasies, many of them grounded in British poetry, kept it from immediate popularity, but it was not the production of a novice. Melville had made himself over into a poet in the late 1850s and had tried to publish a previous collection of poetry—now lost—in 1860. John Marr and Other Sailors is a retrospective nautical book. Its portraits of sailors were influenced by Melville’s own experience of aging as well as by his long acquaintance with wasted mariners at the Sailors’ Snug Harbor on Staten Island, where his brother was governor. The book modulates into "Sea-Pieces," including the grisly "Maldive Shark" and "To Ned," a powerful reflection on how Melville’s personal adventures with the Typee islanders in 1842 had accrued rich historical significance over the decades. Thematically less unified, Timoleon Etc. contains poems with many European and exotic settings from ancient to modern times. The most famous are "After the Pleasure Party" and "The Age of the Antonines." Published in the last year of Melville’s life, some of the poems were first written many years earlier; for example, Melville copied "The Age of the Antonines" out for his brother-in-law in 1877, describing it as something found in a bundle of old papers. One whole section seems to have been almost entirely salvaged from the unpublished 1860 volume of poetry. As with the other volumes in the Northwestern-Newberry series, the aim of this edition of Published Poems is to present a text as close to the author’s intention as surviving evidence permits. To that end, the editorial appendix includes a historical note by Hershel Parker, the dean of Melville scholars, which gives a compelling, in-depth account of how one of America’s greatest writers grew into the vocation of a poet; an essay by G. Thomas Tanselle on the printing and publishing history of the works in Published Poems; a textual record that identifies the copy-texts for the present edition and explains the editorial policy; and substantial scholarly notes on individual poems.
Author: Robin Sandra Grey
Author: Robin Sandra Grey
Author: Hershel Parker
Author: Hershel Parker
Author: Wyn Kelley
Author: Edgar A. Dryden
Author: Robert Milder
Author: William E. Engel
Author: Wyn Kelley
Author: Brian Yothers
Author: Herman Melville