Author: John Hollander
Publisher: Yale University Press
ISBN: 9780300049046
Category : Poetry
Languages : en
Pages : 280
Book Description
Demonstrating a poet's imaginative ear and a critic's range of concern, John Hollander here writes about the "melodious guile" of poetry, explaining how poems frame parables about themselves. Hollander considers works by Spenser, Milton, Wordsworth, chiefly, plus a range of other poets including Chaucer, Keats, Rossetti, Tennyson, Frost, Stevens, and Auden. He also presents certain poems of his own, showing how they anticipate and exemplify the observations contained in this volume.
Melodious Guile
Author: John Hollander
Publisher: Yale University Press
ISBN: 9780300049046
Category : Poetry
Languages : en
Pages : 280
Book Description
Demonstrating a poet's imaginative ear and a critic's range of concern, John Hollander here writes about the "melodious guile" of poetry, explaining how poems frame parables about themselves. Hollander considers works by Spenser, Milton, Wordsworth, chiefly, plus a range of other poets including Chaucer, Keats, Rossetti, Tennyson, Frost, Stevens, and Auden. He also presents certain poems of his own, showing how they anticipate and exemplify the observations contained in this volume.
Publisher: Yale University Press
ISBN: 9780300049046
Category : Poetry
Languages : en
Pages : 280
Book Description
Demonstrating a poet's imaginative ear and a critic's range of concern, John Hollander here writes about the "melodious guile" of poetry, explaining how poems frame parables about themselves. Hollander considers works by Spenser, Milton, Wordsworth, chiefly, plus a range of other poets including Chaucer, Keats, Rossetti, Tennyson, Frost, Stevens, and Auden. He also presents certain poems of his own, showing how they anticipate and exemplify the observations contained in this volume.
A Concordance to the Poems of W.B. Yeats
Author: Stephen Maxfield Parrish
Publisher: Cornell University Press
ISBN: 1501742892
Category : Poetry
Languages : en
Pages : 1014
Book Description
Now it is possible for the first time to trace in a systematic way the language patterns of one of the greatest poets who have written in English, W. B. Yeats. Like A Concordance to the Poems of Matthew Arnold, the first of the Cornell Concordances that are under the general editorship of Professor Parrish, this volume was produced on an IBM 704 electronic data-processing machine. Computer technique has so advanced that the Yeats concordance includes punctuation and gives cross references for the second parts of hyphenated words. The frequency of every word in Yeats's poems is given, and an appendix lists all indexed words in order of frequency. The body of this book consists of an index of all significant words in Yeats, each word listed in the line or lines in which it occurs. The concordance is based on the variorum text of Yeats, edited by Alspach and Allt, and includes all variants that occur in printed versions of Yeats's poems.
Publisher: Cornell University Press
ISBN: 1501742892
Category : Poetry
Languages : en
Pages : 1014
Book Description
Now it is possible for the first time to trace in a systematic way the language patterns of one of the greatest poets who have written in English, W. B. Yeats. Like A Concordance to the Poems of Matthew Arnold, the first of the Cornell Concordances that are under the general editorship of Professor Parrish, this volume was produced on an IBM 704 electronic data-processing machine. Computer technique has so advanced that the Yeats concordance includes punctuation and gives cross references for the second parts of hyphenated words. The frequency of every word in Yeats's poems is given, and an appendix lists all indexed words in order of frequency. The body of this book consists of an index of all significant words in Yeats, each word listed in the line or lines in which it occurs. The concordance is based on the variorum text of Yeats, edited by Alspach and Allt, and includes all variants that occur in printed versions of Yeats's poems.
Power, Plain English, and the Rise of Modern Poetry
Author: David Rosen
Publisher: Yale University Press
ISBN: 0300129483
Category : Literary Criticism
Languages : en
Pages : 224
Book Description
DIVIn this engaging book David Rosen offers a radically new account of Modern poetry and revises our understanding of its relation to Romanticism. British poets from Wordsworth to Auden attempted to present themselves simultaneously as persons of power and as moral voices in their communities. The modern lyric derives its characteristic complexities—psychological, ethical, formal—from the extraordinary difficulty of this effort. The low register of our language—a register of short, concrete, native words arranged in simple syntax—is deeply implicated in this story. Rosen shows how the peculiar reputation of “plain English” for truthfulness is employed by Modern poets to conceal the rift between their (probably irreconcilable) ambitions for themselves. With a deep appreciation for poetic accomplishment and a wonderful iconoclasm, Rosen sheds new light on the innovative as well as the self-deceptive aspects of Modern poetry. This book alters our understanding of the history of poetry in the English language./div
Publisher: Yale University Press
ISBN: 0300129483
Category : Literary Criticism
Languages : en
Pages : 224
Book Description
DIVIn this engaging book David Rosen offers a radically new account of Modern poetry and revises our understanding of its relation to Romanticism. British poets from Wordsworth to Auden attempted to present themselves simultaneously as persons of power and as moral voices in their communities. The modern lyric derives its characteristic complexities—psychological, ethical, formal—from the extraordinary difficulty of this effort. The low register of our language—a register of short, concrete, native words arranged in simple syntax—is deeply implicated in this story. Rosen shows how the peculiar reputation of “plain English” for truthfulness is employed by Modern poets to conceal the rift between their (probably irreconcilable) ambitions for themselves. With a deep appreciation for poetic accomplishment and a wonderful iconoclasm, Rosen sheds new light on the innovative as well as the self-deceptive aspects of Modern poetry. This book alters our understanding of the history of poetry in the English language./div
The Routledge Encyclopedia of Jewish Writers of the Twentieth Century
Author: Sorrel Kerbel
Publisher: Routledge
ISBN: 1135456062
Category : History
Languages : en
Pages : 1716
Book Description
Now available in paperback for the first time, Jewish Writers of the Twentieth Century is both a comprehensive reference resource and a springboard for further study. This volume: examines canonical Jewish writers, less well-known authors of Yiddish and Hebrew, and emerging Israeli writers includes entries on figures as diverse as Marcel Proust, Franz Kafka, Tristan Tzara, Eugene Ionesco, Harold Pinter, Tom Stoppard, Arthur Miller, Saul Bellow, Nadine Gordimer, and Woody Allen contains introductory essays on Jewish-American writing, Holocaust literature and memoirs, Yiddish writing, and Anglo-Jewish literature provides a chronology of twentieth-century Jewish writers. Compiled by expert contributors, this book contains over 330 entries on individual authors, each consisting of a biography, a list of selected publications, a scholarly essay on their work and suggestions for further reading.
Publisher: Routledge
ISBN: 1135456062
Category : History
Languages : en
Pages : 1716
Book Description
Now available in paperback for the first time, Jewish Writers of the Twentieth Century is both a comprehensive reference resource and a springboard for further study. This volume: examines canonical Jewish writers, less well-known authors of Yiddish and Hebrew, and emerging Israeli writers includes entries on figures as diverse as Marcel Proust, Franz Kafka, Tristan Tzara, Eugene Ionesco, Harold Pinter, Tom Stoppard, Arthur Miller, Saul Bellow, Nadine Gordimer, and Woody Allen contains introductory essays on Jewish-American writing, Holocaust literature and memoirs, Yiddish writing, and Anglo-Jewish literature provides a chronology of twentieth-century Jewish writers. Compiled by expert contributors, this book contains over 330 entries on individual authors, each consisting of a biography, a list of selected publications, a scholarly essay on their work and suggestions for further reading.
Speak Silence
Author: Mark L. Greenberg
Publisher: Wayne State University Press
ISBN: 9780814319857
Category : English language
Languages : en
Pages : 224
Book Description
Published in 1783, Poetical Sketches was William Blake's first volume of poetry, and his only published work to appear in letterpress. This "little book" has been relegated by some critics to the periphery of the Blake canon. Yet the book's uniqueness and authorship have drawn scholars to it, resulting in often illuminating criticism. Speak Silence continues in this line and represents the first and only collection of essays devoted solely to exploring Poetical Sketches. Mark Greenberg's critical introduction traces the historical tendency both to denigrate and to praise the Sketches. The other chapters in this collection, written by distinguished scholars Susan J. Wolfson, Stuart Peterfreund, Thomas A. Vogler, Vincent DeLuca, Nelson Hilton, and Robert F. Gleckner analyze traditional elements of poetry as they appear in the Sketches. This analysis reveals how fully Blake, as a young poet, absorbed these elements and how deftly he manipulated and transvalued them in his early, ambitious, and revolutionary experiments with language, voice, and rhetorical form. This volume also focuses on the Sketches' politics, originality, and complex connections with Blake's poetic precursors and with other cultural institutions. What is most compelling about Speak Silence is the way in which the chapters are in dialogue with one another. The collection resembles a conversation between its notable contributors, inviting readers to witness the developmental process of particular ideas about Blake's early art - and its relation to his later work - as they solidify, are transformed, or dissolve.
Publisher: Wayne State University Press
ISBN: 9780814319857
Category : English language
Languages : en
Pages : 224
Book Description
Published in 1783, Poetical Sketches was William Blake's first volume of poetry, and his only published work to appear in letterpress. This "little book" has been relegated by some critics to the periphery of the Blake canon. Yet the book's uniqueness and authorship have drawn scholars to it, resulting in often illuminating criticism. Speak Silence continues in this line and represents the first and only collection of essays devoted solely to exploring Poetical Sketches. Mark Greenberg's critical introduction traces the historical tendency both to denigrate and to praise the Sketches. The other chapters in this collection, written by distinguished scholars Susan J. Wolfson, Stuart Peterfreund, Thomas A. Vogler, Vincent DeLuca, Nelson Hilton, and Robert F. Gleckner analyze traditional elements of poetry as they appear in the Sketches. This analysis reveals how fully Blake, as a young poet, absorbed these elements and how deftly he manipulated and transvalued them in his early, ambitious, and revolutionary experiments with language, voice, and rhetorical form. This volume also focuses on the Sketches' politics, originality, and complex connections with Blake's poetic precursors and with other cultural institutions. What is most compelling about Speak Silence is the way in which the chapters are in dialogue with one another. The collection resembles a conversation between its notable contributors, inviting readers to witness the developmental process of particular ideas about Blake's early art - and its relation to his later work - as they solidify, are transformed, or dissolve.
The Princeton Handbook of Poetic Terms
Author: Roland Greene
Publisher: Princeton University Press
ISBN: 0691170436
Category : Literary Criticism
Languages : en
Pages : 454
Book Description
An essential handbook for literary studies The Princeton Handbook of Poetic Terms—drawn from the latest edition of the acclaimed Princeton Encyclopedia of Poetry and Poetics—provides an authoritative guide to the most important terms in the study of poetry and literature. Featuring 226 fully revised and updated entries, including 100 that are new to this edition, the book offers clear and insightful definitions and discussions of critical concepts, genres, forms, movements, and poetic elements, followed by invaluable, up-to-date bibliographies that guide users to further reading and research. Because the entries are carefully selected and adapted from the Princeton Encyclopedia, the Handbook has unrivalled breadth and depth for a book of its kind, in a convenient, portable size. Fully indexed for the first time and complete with an introduction by the editors, this is an essential volume for all literature students, teachers, and researchers, as well as other readers and writers. Drawn from the latest edition of the acclaimed Princeton Encyclopedia of Poetry and Poetics Provides 226 fully updated and authoritative entries, including 100 new to this edition, written by an international team of leading scholars Features entries on critical concepts (canon, mimesis, prosody, syntax); genres, forms, and movements (ballad, blank verse, confessional poetry, ode); and terms (apostrophe, hypotaxis and parataxis, meter, tone) Includes an introduction, bibliographies, cross-references, and a full index
Publisher: Princeton University Press
ISBN: 0691170436
Category : Literary Criticism
Languages : en
Pages : 454
Book Description
An essential handbook for literary studies The Princeton Handbook of Poetic Terms—drawn from the latest edition of the acclaimed Princeton Encyclopedia of Poetry and Poetics—provides an authoritative guide to the most important terms in the study of poetry and literature. Featuring 226 fully revised and updated entries, including 100 that are new to this edition, the book offers clear and insightful definitions and discussions of critical concepts, genres, forms, movements, and poetic elements, followed by invaluable, up-to-date bibliographies that guide users to further reading and research. Because the entries are carefully selected and adapted from the Princeton Encyclopedia, the Handbook has unrivalled breadth and depth for a book of its kind, in a convenient, portable size. Fully indexed for the first time and complete with an introduction by the editors, this is an essential volume for all literature students, teachers, and researchers, as well as other readers and writers. Drawn from the latest edition of the acclaimed Princeton Encyclopedia of Poetry and Poetics Provides 226 fully updated and authoritative entries, including 100 new to this edition, written by an international team of leading scholars Features entries on critical concepts (canon, mimesis, prosody, syntax); genres, forms, and movements (ballad, blank verse, confessional poetry, ode); and terms (apostrophe, hypotaxis and parataxis, meter, tone) Includes an introduction, bibliographies, cross-references, and a full index
Tumult of Images
Author: International Association for the Study of Anglo-Irish Literature. International Congress
Publisher: Rodopi
ISBN: 9789051837797
Category : Literary Criticism
Languages : en
Pages : 262
Book Description
By showing that the meaning of the word politicscan be interpreted in various ways, the scope of the articles in Tumult of Images: Essays on W.B. Yeats and Politicsis extensive. Rather than explicitly analysing W.B. Yeats's political views and opinions about social order, several of the authors demonstrate how these ideas have determined the textual strategy behind Yeats's works. Thus we find, for instance, how Yeats's politics of myth subsume the myth of politics, or how his play The Player Queenis an expression of sexual and textual politics. Other essays revaluate Yeats's role in Ireland's Literary Renaissance or argue that his recruitment of Homer throughout his work was politically motivated. The volume also offers an ero-political reading of Yeats's ballads next to an analysis of the strategy behind that apocalyptic idea of gyring history. Tumult of Imagesalso deals with the politics of reception of Yeats's works by showing how the Irish poet has influenced South African poetry of the period of Apartheid, or by presenting the various ways in which the Japanese and the Dutch have become acquainted with the work of Yeats. The title of this volume thus reflects not only the many-sidedness of the discussions offered here but also their common contribution to an analysis of a fascinating aspect of Yeats's life and work.
Publisher: Rodopi
ISBN: 9789051837797
Category : Literary Criticism
Languages : en
Pages : 262
Book Description
By showing that the meaning of the word politicscan be interpreted in various ways, the scope of the articles in Tumult of Images: Essays on W.B. Yeats and Politicsis extensive. Rather than explicitly analysing W.B. Yeats's political views and opinions about social order, several of the authors demonstrate how these ideas have determined the textual strategy behind Yeats's works. Thus we find, for instance, how Yeats's politics of myth subsume the myth of politics, or how his play The Player Queenis an expression of sexual and textual politics. Other essays revaluate Yeats's role in Ireland's Literary Renaissance or argue that his recruitment of Homer throughout his work was politically motivated. The volume also offers an ero-political reading of Yeats's ballads next to an analysis of the strategy behind that apocalyptic idea of gyring history. Tumult of Imagesalso deals with the politics of reception of Yeats's works by showing how the Irish poet has influenced South African poetry of the period of Apartheid, or by presenting the various ways in which the Japanese and the Dutch have become acquainted with the work of Yeats. The title of this volume thus reflects not only the many-sidedness of the discussions offered here but also their common contribution to an analysis of a fascinating aspect of Yeats's life and work.
The State of the Language
Author: Christopher Ricks
Publisher: Univ of California Press
ISBN: 0520378601
Category : Literary Criticism
Languages : en
Pages : 551
Book Description
"Sprawling, uncoordinated, uneven, noisy, and appealing," wrote one reviewer of the first edition of this book, published on 1 January 1980. "The language is in rude health," wrote another. Exactly a decade later, here is the book anew, with the same editors but with fifty fresh contributors writing essays and poems that engage our language today. Imaginative attention is bestowed on the changes of recent years, changes not only in the language but in how language is understood. In the forefront are the relations between British English, American English, and those other Englishes with which they compete or cooperate. The nervous negotiations of gender and feminism. The darkness of AIDS. The bright flicker of the computer. The old smolderings of "standard English" and correctness. The "bad language" that has lately done so well in our society. How all this has been politicized—or is it rather that its inevitably political nature has only now been recognized? Here these and many other facets of the language catch the various light. What has changed is understood in relation to what has not changed, and what has been gained in relation to what has been lost. There is sweep as well as detail, telescope as well as microscope, in this contemplation of the world of our language as it enters the world of the 1990s. The State of the Language has been prepared in cooperation with the English-Speaking Union of San Francisco. Some titles of essays in the book: Whose English? by Sidney Greenbaum Look, Ma, I'm Talking by Sandra Gilbert Fighting Talk by Marina Warner No Opera Please—We're British by Michael Bawtree Changing What We Sing by Margaret Doody On Not Being Milton: Nigger Talk in England Today by David Dabydeen Talking Black by Henry Louis Gates, Jr. Subway Graffiti by Walter J. Ong Doublespeak by William Lutz It's a Myth, Innit? Politeness and the English Tag Question by John Algeo This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1980.
Publisher: Univ of California Press
ISBN: 0520378601
Category : Literary Criticism
Languages : en
Pages : 551
Book Description
"Sprawling, uncoordinated, uneven, noisy, and appealing," wrote one reviewer of the first edition of this book, published on 1 January 1980. "The language is in rude health," wrote another. Exactly a decade later, here is the book anew, with the same editors but with fifty fresh contributors writing essays and poems that engage our language today. Imaginative attention is bestowed on the changes of recent years, changes not only in the language but in how language is understood. In the forefront are the relations between British English, American English, and those other Englishes with which they compete or cooperate. The nervous negotiations of gender and feminism. The darkness of AIDS. The bright flicker of the computer. The old smolderings of "standard English" and correctness. The "bad language" that has lately done so well in our society. How all this has been politicized—or is it rather that its inevitably political nature has only now been recognized? Here these and many other facets of the language catch the various light. What has changed is understood in relation to what has not changed, and what has been gained in relation to what has been lost. There is sweep as well as detail, telescope as well as microscope, in this contemplation of the world of our language as it enters the world of the 1990s. The State of the Language has been prepared in cooperation with the English-Speaking Union of San Francisco. Some titles of essays in the book: Whose English? by Sidney Greenbaum Look, Ma, I'm Talking by Sandra Gilbert Fighting Talk by Marina Warner No Opera Please—We're British by Michael Bawtree Changing What We Sing by Margaret Doody On Not Being Milton: Nigger Talk in England Today by David Dabydeen Talking Black by Henry Louis Gates, Jr. Subway Graffiti by Walter J. Ong Doublespeak by William Lutz It's a Myth, Innit? Politeness and the English Tag Question by John Algeo This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1980.
The Collected Works in Verse and Prose of William Butler Yeats, Vol. 1 (of 8) / Poems Lyrical and Narrative
Author: William Butler Yeats
Publisher: Aegitas
ISBN: 0369405994
Category : Poetry
Languages : en
Pages : 236
Book Description
The Collected Works in Verse and Prose of William Butler Yeats, Vol. 1 (of 8) Poems Lyrical and Narrative. William Butler Yeats was an Irish poet and one of the foremost figures of 20th-century literature. A pillar of the Irish literary establishment, he helped to found the Abbey Theatre, and in his later years served two terms as a Senator of the Irish Free State.
Publisher: Aegitas
ISBN: 0369405994
Category : Poetry
Languages : en
Pages : 236
Book Description
The Collected Works in Verse and Prose of William Butler Yeats, Vol. 1 (of 8) Poems Lyrical and Narrative. William Butler Yeats was an Irish poet and one of the foremost figures of 20th-century literature. A pillar of the Irish literary establishment, he helped to found the Abbey Theatre, and in his later years served two terms as a Senator of the Irish Free State.
Elizabeth Bishop at Work
Author: Eleanor Cook
Publisher: Harvard University Press
ISBN: 0674973143
Category : Literary Criticism
Languages : en
Pages : 321
Book Description
In her lifetime Elizabeth Bishop was appreciated as a writer’s writer (John Ashbery once called her “the writer’s writer’s writer”). But since her death in 1979 her reputation has grown, and today she is recognized as a major twentieth-century poet. Critics and biographers now habitually praise Bishop’s mastery of her art, but all too often they have little to say about how her poetry does its sublime work—in the ear and in the mind’s eye. Elizabeth Bishop at Work examines Bishop’s art in detail—her diction, syntax, rhythm, and meter, her acute sense of place, and her attention to the natural world. It is also a study of the poet working at something, challenging herself to try new things and to push boundaries. Eleanor Cook traces Bishop’s growing confidence and sense of freedom, from her first collection, North & South, to Questions of Travel, in which she fully realized her poetic powers, to Geography III and the breathtaking late poems, which—in individual ways—gather in and extend the poet’s earlier work. Cook shows how Bishop shapes each collection, putting to rest the notion that her published volumes are miscellanies. Elizabeth Bishop at Work is intended for readers and writers as well as teachers. In showing exactly how Bishop’s poems work, Cook suggests how we ourselves might become more attentive readers and better writers. Bishop has been compared to Vermeer, and as with his paintings, so with her poems. They create small worlds where every detail matters.
Publisher: Harvard University Press
ISBN: 0674973143
Category : Literary Criticism
Languages : en
Pages : 321
Book Description
In her lifetime Elizabeth Bishop was appreciated as a writer’s writer (John Ashbery once called her “the writer’s writer’s writer”). But since her death in 1979 her reputation has grown, and today she is recognized as a major twentieth-century poet. Critics and biographers now habitually praise Bishop’s mastery of her art, but all too often they have little to say about how her poetry does its sublime work—in the ear and in the mind’s eye. Elizabeth Bishop at Work examines Bishop’s art in detail—her diction, syntax, rhythm, and meter, her acute sense of place, and her attention to the natural world. It is also a study of the poet working at something, challenging herself to try new things and to push boundaries. Eleanor Cook traces Bishop’s growing confidence and sense of freedom, from her first collection, North & South, to Questions of Travel, in which she fully realized her poetic powers, to Geography III and the breathtaking late poems, which—in individual ways—gather in and extend the poet’s earlier work. Cook shows how Bishop shapes each collection, putting to rest the notion that her published volumes are miscellanies. Elizabeth Bishop at Work is intended for readers and writers as well as teachers. In showing exactly how Bishop’s poems work, Cook suggests how we ourselves might become more attentive readers and better writers. Bishop has been compared to Vermeer, and as with his paintings, so with her poems. They create small worlds where every detail matters.