Author: Bill C. Malone
Publisher: University Press of Kentucky
ISBN: 0813149150
Category : Music
Languages : en
Pages : 257
Book Description
The South—an inspiration for songwriters, a source of styles, and the birthplace of many of the nation's greatest musicians—plays a defining role in American musical history. It is impossible to think of American music of the past century without such southern-derived forms as ragtime, jazz, blues, country, bluegrass, gospel, rhythm and blues, Cajun, zydeco, Tejano, rock'n'roll, and even rap. Musicians and listeners around the world have made these vibrant styles their own. Southern Music/American Music is the first book to investigate the facets of American music from the South and the many popular forms that emerged from it. In this substantially revised and updated edition, Bill C. Malone and David Stricklin bring this classic work into the twenty-first century, including new material on recent phenomena such as the huge success of the soundtrack to O Brother, Where Art Thou? and the renewed popularity of Southern music, as well as important new artists Lucinda Williams, Alejandro Escovedo, and the Dixie Chicks, among others. Extensive bibliographic notes and a new suggested listening guide complete this essential study.
Southern Music/American Music
Author: Bill C. Malone
Publisher: University Press of Kentucky
ISBN: 0813149150
Category : Music
Languages : en
Pages : 257
Book Description
The South—an inspiration for songwriters, a source of styles, and the birthplace of many of the nation's greatest musicians—plays a defining role in American musical history. It is impossible to think of American music of the past century without such southern-derived forms as ragtime, jazz, blues, country, bluegrass, gospel, rhythm and blues, Cajun, zydeco, Tejano, rock'n'roll, and even rap. Musicians and listeners around the world have made these vibrant styles their own. Southern Music/American Music is the first book to investigate the facets of American music from the South and the many popular forms that emerged from it. In this substantially revised and updated edition, Bill C. Malone and David Stricklin bring this classic work into the twenty-first century, including new material on recent phenomena such as the huge success of the soundtrack to O Brother, Where Art Thou? and the renewed popularity of Southern music, as well as important new artists Lucinda Williams, Alejandro Escovedo, and the Dixie Chicks, among others. Extensive bibliographic notes and a new suggested listening guide complete this essential study.
Publisher: University Press of Kentucky
ISBN: 0813149150
Category : Music
Languages : en
Pages : 257
Book Description
The South—an inspiration for songwriters, a source of styles, and the birthplace of many of the nation's greatest musicians—plays a defining role in American musical history. It is impossible to think of American music of the past century without such southern-derived forms as ragtime, jazz, blues, country, bluegrass, gospel, rhythm and blues, Cajun, zydeco, Tejano, rock'n'roll, and even rap. Musicians and listeners around the world have made these vibrant styles their own. Southern Music/American Music is the first book to investigate the facets of American music from the South and the many popular forms that emerged from it. In this substantially revised and updated edition, Bill C. Malone and David Stricklin bring this classic work into the twenty-first century, including new material on recent phenomena such as the huge success of the soundtrack to O Brother, Where Art Thou? and the renewed popularity of Southern music, as well as important new artists Lucinda Williams, Alejandro Escovedo, and the Dixie Chicks, among others. Extensive bibliographic notes and a new suggested listening guide complete this essential study.
The Concise Garland Encyclopedia of World Music: The Middle East, South Asia, East Asia, Southeast Asia
Author: Ellen Koskoff
Publisher: Routledge
ISBN: 0415994047
Category : Music
Languages : en
Pages : 652
Book Description
The critical importance of past for the present--of music histories in local and global forms--asserts itself. The history of world music, as each chapter makes clear, is one of critical moments and paradigm shifts.
Publisher: Routledge
ISBN: 0415994047
Category : Music
Languages : en
Pages : 652
Book Description
The critical importance of past for the present--of music histories in local and global forms--asserts itself. The history of world music, as each chapter makes clear, is one of critical moments and paradigm shifts.
Southern Melodies
Author: Fannie Edwards Hamilton
Publisher:
ISBN:
Category : Florida
Languages : en
Pages : 120
Book Description
Publisher:
ISBN:
Category : Florida
Languages : en
Pages : 120
Book Description
Old Southern Songs of the Period of the Confederacy
The Old Plantation Melodies
Author: Stephen Collins Foster
Publisher: Legare Street Press
ISBN: 9781019862681
Category :
Languages : en
Pages : 0
Book Description
This collection of popular songs from the antebellum South includes some of the most beloved and iconic tunes of that era. Foster and Kittredge provide fascinating historical context for each song, as well as detailed musical arrangements that will delight readers and performers alike. This book is an essential addition to any music lover's collection. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Publisher: Legare Street Press
ISBN: 9781019862681
Category :
Languages : en
Pages : 0
Book Description
This collection of popular songs from the antebellum South includes some of the most beloved and iconic tunes of that era. Foster and Kittredge provide fascinating historical context for each song, as well as detailed musical arrangements that will delight readers and performers alike. This book is an essential addition to any music lover's collection. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Echoes from Dixie
Author: Mrs. J. Griff Edwards
Publisher:
ISBN:
Category : Folk songs, English
Languages : en
Pages : 92
Book Description
Publisher:
ISBN:
Category : Folk songs, English
Languages : en
Pages : 92
Book Description
War Songs and Poems of the Southern Confederacy, 1861-1865
Author: Henry Marvin Wharton
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 520
Book Description
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 520
Book Description
Songs of the South
Author: Jennie Thornley Clarke
Publisher: Philadelphia, J. B. Lippincott Company
ISBN:
Category : American literature Southern States
Languages : en
Pages : 396
Book Description
Publisher: Philadelphia, J. B. Lippincott Company
ISBN:
Category : American literature Southern States
Languages : en
Pages : 396
Book Description
Segregating Sound
Author: Karl Hagstrom Miller
Publisher: Duke University Press
ISBN: 0822392704
Category : Music
Languages : en
Pages : 386
Book Description
In Segregating Sound, Karl Hagstrom Miller argues that the categories that we have inherited to think and talk about southern music bear little relation to the ways that southerners long played and heard music. Focusing on the late nineteenth century and the early twentieth, Miller chronicles how southern music—a fluid complex of sounds and styles in practice—was reduced to a series of distinct genres linked to particular racial and ethnic identities. The blues were African American. Rural white southerners played country music. By the 1920s, these depictions were touted in folk song collections and the catalogs of “race” and “hillbilly” records produced by the phonograph industry. Such links among race, region, and music were new. Black and white artists alike had played not only blues, ballads, ragtime, and string band music, but also nationally popular sentimental ballads, minstrel songs, Tin Pan Alley tunes, and Broadway hits. In a cultural history filled with musicians, listeners, scholars, and business people, Miller describes how folklore studies and the music industry helped to create a “musical color line,” a cultural parallel to the physical color line that came to define the Jim Crow South. Segregated sound emerged slowly through the interactions of southern and northern musicians, record companies that sought to penetrate new markets across the South and the globe, and academic folklorists who attempted to tap southern music for evidence about the history of human civilization. Contending that people’s musical worlds were defined less by who they were than by the music that they heard, Miller challenges assumptions about the relation of race, music, and the market.
Publisher: Duke University Press
ISBN: 0822392704
Category : Music
Languages : en
Pages : 386
Book Description
In Segregating Sound, Karl Hagstrom Miller argues that the categories that we have inherited to think and talk about southern music bear little relation to the ways that southerners long played and heard music. Focusing on the late nineteenth century and the early twentieth, Miller chronicles how southern music—a fluid complex of sounds and styles in practice—was reduced to a series of distinct genres linked to particular racial and ethnic identities. The blues were African American. Rural white southerners played country music. By the 1920s, these depictions were touted in folk song collections and the catalogs of “race” and “hillbilly” records produced by the phonograph industry. Such links among race, region, and music were new. Black and white artists alike had played not only blues, ballads, ragtime, and string band music, but also nationally popular sentimental ballads, minstrel songs, Tin Pan Alley tunes, and Broadway hits. In a cultural history filled with musicians, listeners, scholars, and business people, Miller describes how folklore studies and the music industry helped to create a “musical color line,” a cultural parallel to the physical color line that came to define the Jim Crow South. Segregated sound emerged slowly through the interactions of southern and northern musicians, record companies that sought to penetrate new markets across the South and the globe, and academic folklorists who attempted to tap southern music for evidence about the history of human civilization. Contending that people’s musical worlds were defined less by who they were than by the music that they heard, Miller challenges assumptions about the relation of race, music, and the market.
Songs on the Vanilla Trail
Author: Jean-Christophe Hoarau
Publisher: Secret Mountain
ISBN: 9782925108702
Category :
Languages : en
Pages : 80
Book Description
An enchanting collection of 25 traditional songs pays homage to the rich cultural heritage and multilingual communities of East and Southern Africa. The resulting highly mixed musical styles that are unique to each region demonstrate how they welcomed new horizons through contact with others. A wide array of styles--skipping rope songs from Mozambique, lullabies from South Africa, counting songs from Réunion, traditional dance tunes from Madagascar--are all performed exquisitely by men, women, and children in more than a dozen languages and dialects. Vibrant compelling artwork and homegrown instruments, such as the tube zither, the kayamb, the bobre, the segakordeon and ravanne drums round off this wonderful celebration of history, language, and culture. Lyrics appear transcribed in their original language and translated to English followed by extensive notes describing the cultural background of each song and a map of East and Southern Africa. This picture book is accompanied by a CD featuring 25 recorded songs along with unique code for the digital download of the audio.
Publisher: Secret Mountain
ISBN: 9782925108702
Category :
Languages : en
Pages : 80
Book Description
An enchanting collection of 25 traditional songs pays homage to the rich cultural heritage and multilingual communities of East and Southern Africa. The resulting highly mixed musical styles that are unique to each region demonstrate how they welcomed new horizons through contact with others. A wide array of styles--skipping rope songs from Mozambique, lullabies from South Africa, counting songs from Réunion, traditional dance tunes from Madagascar--are all performed exquisitely by men, women, and children in more than a dozen languages and dialects. Vibrant compelling artwork and homegrown instruments, such as the tube zither, the kayamb, the bobre, the segakordeon and ravanne drums round off this wonderful celebration of history, language, and culture. Lyrics appear transcribed in their original language and translated to English followed by extensive notes describing the cultural background of each song and a map of East and Southern Africa. This picture book is accompanied by a CD featuring 25 recorded songs along with unique code for the digital download of the audio.