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Author: Graham Tippett Publisher: Independently Published ISBN: 9781519020277 Category : Languages : en Pages : 31
Book Description
Have you ever seen those guitarists that sound like they know exactly what they're doing when they're improvising? They just seem to hit all the right notes while their playing sounds crisp and melodic, as if they'd planned it all out beforehand, or were born with a God-given sense of melody. I'd always wondered how on earth they were able to come up with such melodic and flowing lines, thinking that they must simply be gifted, or have done some serious woodshedding. Then, during one unforgettable class at music college the door was opened to a method for playing and thinking as melodically and as effortlessly as they did, and this is what I want to share with you in this eBook. This book provides a scale-pattern free perspective on improvising, and can be used by guitarists of any level from beginners who have begun to explore scales, right up to intermediate and advanced players who are perhaps looking to become more melodic, go beyond scale patterns, or have far more control over what they play when improvising. The book is based on a 10-day program of studying and practicing the material for approximately 2 hours a day. As everyone works at a different pace, you may be able to accomplish more in one day than is scheduled in the eBook; this is fine as long as you have internalized the information before moving on. If you've been playing for just a year or two, then you may find you need to spend a couple of days for each 'Day' in the eBook; this is fine too as the point is to understand and internalize the material, not rush to the end. All in all, this 10-day 'retreat' will do wonders for your ability to play what you want when you take a solo, and to demystify the process of improvisation on the guitar. Includes backing tracks.
Author: Graham Tippett Publisher: Independently Published ISBN: 9781519020277 Category : Languages : en Pages : 31
Book Description
Have you ever seen those guitarists that sound like they know exactly what they're doing when they're improvising? They just seem to hit all the right notes while their playing sounds crisp and melodic, as if they'd planned it all out beforehand, or were born with a God-given sense of melody. I'd always wondered how on earth they were able to come up with such melodic and flowing lines, thinking that they must simply be gifted, or have done some serious woodshedding. Then, during one unforgettable class at music college the door was opened to a method for playing and thinking as melodically and as effortlessly as they did, and this is what I want to share with you in this eBook. This book provides a scale-pattern free perspective on improvising, and can be used by guitarists of any level from beginners who have begun to explore scales, right up to intermediate and advanced players who are perhaps looking to become more melodic, go beyond scale patterns, or have far more control over what they play when improvising. The book is based on a 10-day program of studying and practicing the material for approximately 2 hours a day. As everyone works at a different pace, you may be able to accomplish more in one day than is scheduled in the eBook; this is fine as long as you have internalized the information before moving on. If you've been playing for just a year or two, then you may find you need to spend a couple of days for each 'Day' in the eBook; this is fine too as the point is to understand and internalize the material, not rush to the end. All in all, this 10-day 'retreat' will do wonders for your ability to play what you want when you take a solo, and to demystify the process of improvisation on the guitar. Includes backing tracks.
Author: Graham Tippett Publisher: Graham Tippett ISBN: Category : Music Languages : en Pages : 31
Book Description
Have you ever seen those guitarists that sound like they know exactly what they’re doing when they’re improvising? They just seem to hit all the right notes while their playing sounds crisp and melodic, as if they’d planned it all out beforehand, or were born with a God-given sense of melody. I’d always wondered how on earth they were able to come up with such melodic and flowing lines, thinking that they must simply be gifted, or have done some serious woodshedding. Then, during one unforgettable class at music college the door was opened to a method for playing and thinking as melodically and as effortlessly as they did, and this is what I want to share with you in this eBook.
Author: Graham Tippett Publisher: Graham Tippett ISBN: Category : Music Languages : en Pages : 24
Book Description
3NPS (three-note-per-string) scales, as used by legions of guitarists but popularized mainly by Joe Satriani, are one of the most efficient ways to navigate the fretboard and get your scales down IF you follow the guidelines in this book. As the name suggests, a 3NPS scale is any scale that contains three notes on each string, and as you'll see in this eBook, this makes for a very consistent way to map out scales on the guitar fretboard. What we’ve done here is revamped the 3NPS scale system and turned it into an incredibly effective means to learn a wide variety of scales all over the fretboard by streamlining the number of patterns, as well as the picking system. This is not a scale theory book, and contains no pentatonic scales. This is a quick and dirty (and very effective) method for learning 3NPS scales all over the fretboard; something to work on in the woodshed. It will improve your picking technique and speed. It does not require a great amount of thinking as you only need to learn two picking patterns, which is really one in two directions, and only three scale patterns instead of the usual seven per scale.
Author: Graham Tippett Publisher: Graham Tippett ISBN: Category : Music Languages : en Pages : 28
Book Description
A lot of students ask me how they can take their improvisation skills to the next level and move beyond pentatonic scales and into modes and arpeggios. My response is to tell them not to abandon pentatonic scales in favor of modes and other soloing devices, but to use them as a springboard and a solid foundation from which to expand their harmonic awareness. If you play rock, blues and even jazz, you’ll be using pentatonic scales for the rest of your life, so there’s no need to discard them! In this book, we’ll be using the much-loved minor pentatonic scale as the basis for learning and having a quick way to access the modes of the major scale, as well as the basic seventh chord arpeggios. This means that when you go to improvise, you'll have a vast array of options with which to go beyond pentatonic soloing. Work through this book daily and I guarantee you a smooth and painless transition from pentatonics to incorporating modes and arpeggios into your playing.
Author: Graham Tippett Publisher: Graham Tippett ISBN: Category : Music Languages : en Pages : 33
Book Description
I actually wrote this book as a practice guide for myself because I wanted a way to get different and outside sounds using pentatonic scales, as well as to improve my chops and have a huge variety of new sounds at my fingertips to play over the chords you see 90% of the time such as major/major7, minor/minor7, and dominant chords, among others. As well as being a scales book Alternative Pentatonics is also a method to practice improvising over common chords using uncommon groups of five notes. Five notes are somewhere between an arpeggio and a scale, as well as being the ideal number of notes to craft some really nice phrasing (in my opinion), as I’m sure you realized when you first learned your minor pentatonic scale and started jamming over a 12-bar blues. This book contains 28 new pentatonic scales divided into chord types so that you’ll know exactly what chords you can use them over. For the intermediate player: this book will give you plenty of new and interesting options for playing over common chords and force you out of standard pentatonic scales and/or the major scale modes. For the more advanced player: this book could be more about exploring possibilities than learning scale patterns; in fact, I would suggest that advanced players avoid even remembering the patterns in this book. Instead, they can be used to explore the improvisational terrain and find new sounds, then filed away in your subconscious and allowed to seep into your playing while you’re in the throes of improvisation. So, if you’re stuck in a soloing rut or are looking for new sounds, outside sounds, exotic sounds, or even a few downright weird sounds, this is the book for you.
Author: Barrett Tagliarino Publisher: Musicians Institute Press ISBN: 9780634083655 Category : Music Languages : en Pages : 112
Book Description
(Musicians Institute Press). Learn how the professionals create monster solos with this easy-to-use book/CD pack! The accompanying CD includes 68 tracks of exercises, licks, solo examples, and play-alongs. Includes all necessary foundation materials; detailed instructions on how and what to practice; essential concepts for players at every level; developing your real-time melodic reflexes; soloing over any progression in any style of music; using chords as an endless source of ideas; and more.
Author: Joe Elliott Publisher: Hal Leonard Corporation ISBN: 9780634009709 Category : Music Languages : en Pages : 108
Book Description
(Musicians Institute Press). Perfect for seasoned rockers seeking new challenges and jazz newcomers looking for a good start, this book/CD pack covers scales, chords, licks, techniques and other vital jazz improv concepts step by step. The accompanying CD features 65 full-band demo and play-along tracks.
Author: Simon Pratt Publisher: WWW.Fundamental-Changes.com ISBN: 9781910403365 Category : Music Languages : en Pages : 108
Book Description
Melodic Rock Soloing for Guitar is a unique guitar method because it contains all the tools you need to become the ultimate guitar soloist.
Author: Graham Tippett Publisher: ISBN: 9781519030795 Category : Languages : en Pages : 42
Book Description
Previously the Intermediate Book, 'Scales and Arpeggios' has been painstakingly updated and revised in order to build on the '2 Position Guitar Scale System: An Introduction' Book (also available on Amazon Kindle) by expanding the reach of the 2 Position System to include how to change between scales, open position scales, how to stack the positions to form larger ones, and a new section which incorporates arpeggios into the system. The premise of this system has always been to focus on the musical aspect of scales, and now arpeggios, instead of the endless memorization of patterns and permutations you get with other systems such the CAGED and 3NPS ones, which means there's far too much time wasted before they become useful. Don't get me wrong, this is not a book of shortcuts. You'll still have to put the work in to get good results, but know that we've reduced that amount of 'work', or 'woodshedding' by about 80%. What you'll get from this system is a profound insight into how the guitar, in standard tuning, can be understood to effortlessly learn the tools for confident improvisation: scales and arpeggios.
Author: Graham Tippett Publisher: Graham Tippett ISBN: Category : Music Languages : en Pages : 57
Book Description
If you ask anyone who's been playing guitar for a while how to turn scales into solos, you'll likely get a variety of answers. They'll tell you to learn licks, work on your arpeggios, even learn your favorite players' solos note for note. While this is all good advice, I've had some particularly stubborn students that wanted to go beyond that; they wanted to be able to improvise using any scale up and down the fretboard, but at the same time break free from those deeply-ingrained scalar lines and patterns. It was then that I suggested the zonal approach to improvisation; by working in reduced areas of the neck with specifically designed patterns, they were soon able to create melodic, flowing lines that didn't sound at all like scales--they sounded like real music! This is the approach you'll find in this book. We dissect 15 of the most common scales, beyond the pentatonics, and break them down into zones which can be practiced either by scale, or for any particular scale across the fretboard. The objective of this book then is to provide a structured reference to make the transition from playing scales to playing, improvising and creating musical lines when soloing. It’s aimed at the intermediate to advanced guitarist looking to be able to improvise confidently and freely on the instrument in a wide variety of styles. It is also aimed at guitarists that want to move beyond rote pentatonic/blues soloing and incorporate other scales and modes into their playing, as well as building up a vocabulary to solo fluently over chord changes.
Author: Graham Tippett
Author: Graham Tippett
Author: Graham Tippett
Author: Graham Tippett
Author: Graham Tippett
Author: Graham Tippett
Author: Barrett Tagliarino
Author: Joe Elliott
Author: Simon Pratt
Author: Graham Tippett
Author: Graham Tippett