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Author: Joseph Keola Donaghy Publisher: Indiana University Press ISBN: 0253070414 Category : History Languages : en Pages : 200
Book Description
In the summer of 2019, a group of kia'i, or protectors, made up of kānaka 'ōiwi (Native Hawaiians) and their allies came together to prevent the construction of the Thirty-Meter Telescope (TMT) on the dormant volcano Maunakea. In Mele on the Mauna, Joseph Keola Donaghy explores how music, and especially haku mele, or Hawaiian language composers, played a crucial role in this defense. Musicians flocked to the mauna (mountain) to perform for the kia'i and a worldwide audience via social media. Haku mele created new songs at unprecedented levels, releasing many commercially with proceeds benefiting organizations providing support services and supplies to the kia'i. This book features over 30 of the author's interviews with individuals who participated in musical activities connected with this movement, including kia'i and their supporters, composers, musicians, and community leaders. Donaghy explores Indigenous Hawaiian concepts and theories like mana (power), mo'okū'auhau and pilina (genealogy and relationships), kapu aloha (philosophical code of conduct), and aloha 'āina (love of land, patriotism), and western academic concepts like connectedness and community building, poetics, sound(ing) and silenc(e/ing), conflict, and creativity. Mele on the Mauna illuminates how music played a powerful role in building solidarity, inspiration, and activism, reveling in the most contentious confrontations about protecting Maunakea and the outpouring of musical performances and creativity that occurred.
Author: Joseph Keola Donaghy Publisher: Indiana University Press ISBN: 0253070414 Category : History Languages : en Pages : 200
Book Description
In the summer of 2019, a group of kia'i, or protectors, made up of kānaka 'ōiwi (Native Hawaiians) and their allies came together to prevent the construction of the Thirty-Meter Telescope (TMT) on the dormant volcano Maunakea. In Mele on the Mauna, Joseph Keola Donaghy explores how music, and especially haku mele, or Hawaiian language composers, played a crucial role in this defense. Musicians flocked to the mauna (mountain) to perform for the kia'i and a worldwide audience via social media. Haku mele created new songs at unprecedented levels, releasing many commercially with proceeds benefiting organizations providing support services and supplies to the kia'i. This book features over 30 of the author's interviews with individuals who participated in musical activities connected with this movement, including kia'i and their supporters, composers, musicians, and community leaders. Donaghy explores Indigenous Hawaiian concepts and theories like mana (power), mo'okū'auhau and pilina (genealogy and relationships), kapu aloha (philosophical code of conduct), and aloha 'āina (love of land, patriotism), and western academic concepts like connectedness and community building, poetics, sound(ing) and silenc(e/ing), conflict, and creativity. Mele on the Mauna illuminates how music played a powerful role in building solidarity, inspiration, and activism, reveling in the most contentious confrontations about protecting Maunakea and the outpouring of musical performances and creativity that occurred.
Author: Chantelle Richmond Publisher: Bloomsbury Publishing ISBN: 1350247685 Category : Law Languages : en Pages : 235
Book Description
Because This Land Is Who We Are is an exploration of environmental repossession, told through a collaborative case study approach, and engaging with Indigenous communities in Canada (Anishinaabe), Hawai'i (Kanaka Maoli) and Aotearoa (Maori). The co-authors are all Indigenous scholars, community leaders and activists who are actively engaged in the movements underway in these locations, and able to describe the unique and common strategies of repossession practices taking place in each community. This book celebrates Indigenous ways of knowing, relating to and honouring the land, and the authors' contributions emphasize the efforts taking place in their own Indigenous land. Through engagement with these varying cultural imperatives, the wider goal of Because This Land Is Who We Are is to broaden both theoretical and applied concepts of environmental repossession, and to empower any Indigenous community around the world which is struggling to assert its rights to land.
Author: Pata Publisher: North Beach West Maui Benefit Fund ISBN: 9781952461057 Category : History Languages : en Pages : 0
Book Description
In 'Ohu'ohu nā Mauna o 'E'eka: Place Names of Maui Komohana, author Cody Kapueola'ākeanui Pata gathers together over 1,600 inoa 'āina (place name) entries for Maui Komohana--an area of less than 200 square miles. This region has also come to be known as "West Maui." For Kānaka Maoli (Native Hawaiians), inoa 'āina have always served to encode and relay meaningful information across space and time, from one generation to the next. Inoa 'āina continue to be revered as inseparable from genealogies, individual and collective narratives, mele (poetic verse), and prayers, and they persist into modern times as cherished and sacred legacies deserving of deference and appreciation. The content for 'Ohu'ohu nā Mauna o 'E'eka: Place Names of Maui Komohana was compiled from dozens of maps, nineteenth- and twentierth-century Hawaiian and English language newspapers, mele, online databases, numerous print publications, recordings of Kanaka Maoli speakers of the Maui Komohana region, and information provided directly to the author by his elders, masters, and mentors. Whether one is a genealogical descendant of Maui Komohana, a practitioner of 'oihana Hawai'i (Hawaiian professions), or any other manner of scholar, this book is meant to be a resource for all researchers who wish to delve deeper into the toponymy of Maui Komohana.
Author: Samuel H. Elbert Publisher: University of Hawaii Press ISBN: 0824842995 Category : Music Languages : en Pages : 121
Book Description
Here for the first time is a large collection of Hawaiian songs in an authoritative text with translation (music not included). The texts have never before been written consistently with the glottal stops (indicating syllabic breaks between vowels) and macrons (indicating long vowels and stresses) that make the words pronounceable by those unfamiliar with the Hawaiian language. Many of the songs have not been translated before or have only been freely adapted rather than translated. These 101 songs are all postmissionary and owe their musical origin to missionary hymns, although only a few are religious. None are technically chants, though some are chants that have been edited and set to music. They date from the mid-1850s (most are from the time of the monarchy) to 1968 (the date of Mary Kawena Pukui's translation of Christmas songs). Nearly all of these songs are sung today and are well known to Hawaiian singers. Included are love songs, and Christmas songs. There is an exhaustive introduction, which includes classification and arrangement of the songs; a note on the composers; and analysis of the structure, symbolism, and meanings of the songs; and a note on the translations and on the poetic vocabulary of the Hawaiian words.
Author: Jamaica Heolimeleikalani Osorio Publisher: U of Minnesota Press ISBN: 1452964769 Category : Social Science Languages : en Pages : 180
Book Description
Recovering Kānaka Maoli (Native Hawaiian) relationality and belonging in the land, memory, and body of Native Hawai’i Hawaiian “aloha ʻāina” is often described in Western political terms—nationalism, nationhood, even patriotism. In Remembering Our Intimacies, Jamaica Heolimeleikalani Osorio centers in on the personal and embodied articulations of aloha ʻāina to detangle it from the effects of colonialism and occupation. Working at the intersections of Hawaiian knowledge, Indigenous queer theory, and Indigenous feminisms, Remembering Our Intimacies seeks to recuperate Native Hawaiian concepts and ethics around relationality, desire, and belonging firmly grounded in the land, memory, and the body of Native Hawai’i. Remembering Our Intimacies argues for the methodology of (re)membering Indigenous forms of intimacies. It does so through the metaphor of a ‘upena—a net of intimacies that incorporates the variety of relationships that exist for Kānaka Maoli. It uses a close reading of the moʻolelo (history and literature) of Hiʻiakaikapoliopele to provide context and interpretation of Hawaiian intimacy and desire by describing its significance in Kānaka Maoli epistemology and why this matters profoundly for Hawaiian (and other Indigenous) futures. Offering a new approach to understanding one of Native Hawaiians’ most significant values, Remembering Our Intimacies reveals the relationships between the policing of Indigenous bodies, intimacies, and desires; the disembodiment of Indigenous modes of governance; and the ongoing and ensuing displacement of Indigenous people.
Author: Sarah Justina Eyerly Publisher: Indiana University Press ISBN: 0253047757 Category : Music Languages : en Pages : 290
Book Description
In Moravian Soundscapes, Sarah Eyerly contends that the study of sound is integral to understanding the interactions between German Moravian missionaries and Native communities in early Pennsylvania. In the mid-18th century, when the frontier between settler and Native communities was a shifting spatial and cultural borderland, sound mattered. People listened carefully to each other and the world around them. In Moravian communities, cultures of hearing and listening encompassed and also superseded musical traditions such as song and hymnody. Complex biophonic, geophonic, and anthrophonic acoustic environments—or soundscapes—characterized daily life in Moravian settlements such as Bethlehem, Nain, Gnadenhütten, and Friedenshütten. Through detailed analyses and historically informed recreations of Moravian communal, environmental, and religious soundscapes and their attendant hymn traditions, Moravian Soundscapes explores how sounds—musical and nonmusical, human and nonhuman—shaped the Moravians' religious culture. Combined with access to an interactive website that immerses the reader in mid-18th century Pennsylvania, and framed with an autobiographical narrative, Moravian Soundscapes recovers the roles of sound and music in Moravian communities and provides a road map for similar studies of other places and religious traditions in the future.
Author: Candace Fujikane Publisher: Duke University Press ISBN: 1478021241 Category : Social Science Languages : en Pages : 228
Book Description
In Mapping Abundance for a Planetary Future, Candace Fujikane contends that the practice of mapping abundance is a radical act in the face of settler capital's fear of an abundance that feeds. Cartographies of capital enable the seizure of abundant lands by enclosing "wastelands" claimed to be underdeveloped. By contrast, Kanaka Maoli (Native Hawaiian) cartographies map the continuities of abundant worlds. Vital to restoration movements is the art of kilo, intergenerational observation of elemental forms encoded in storied histories, chants, and songs. As a participant in these movements, Fujikane maps the ecological lessons of these elemental forms: reptilian deities who protect the waterways, sharks who swim into the mountains, the navigator Māui who fishes up the islands, the deities of snow and mists on Mauna Kea. The laws of these elements are now being violated by toxic waste dumping, leaking military jet fuel tanks, and astronomical-industrial complexes. As Kānaka Maoli and their allies stand as land and water protectors, Fujikane calls for a profound attunement to the elemental forms in order to transform climate events into renewed possibilities for planetary abundance.
Author: Mahealani Uchiyama Publisher: North Atlantic Books ISBN: 1623170559 Category : Performing Arts Languages : en Pages : 145
Book Description
A great resource for students of traditional Hawaiian dance, this beautiful handbook filled with archival photographs covers the origins, language, etiquette, ceremonies, and the spiritual culture of hula. Hula, the indigenous dance of Hawai'i, preserves significant aspects of Native Hawaiian culture with strong ties to health and spirituality. Kumu Hula, persons who are culturally recognized hula experts and educators, maintain and share this cultural tradition, conveying Hawaiian history and spiritual beliefs in this unique form of cultural and creative expression, comprising specific controlled rhythmic movements that enhance the meaning and poetry of the accompanying songs. Emphasizing the importance of cultural literacy, the Handbook begins with an overview of the origins of hula, its history in Hawai'i, and the primacy of the spiritual focus of the dance. The book goes on to introduce halau etiquette and practices, and explains the format of a traditional hula presentation, together with the genres of hula and the regalia worn by the dancers. Practical components include sections on Hawaiian language and chant and a glossary of hula commands and footwork. Author Mahealani Uchiyama trained in Hawaii in the hula lineage of Joseph Kamoha'i Kaha'ulelio and is currently the Kumu Hula at the Halau Ku Ua Tuahine in Berkeley, California. As the founder and artistic director of the Center for International Dance and board member of Dance Arts West, the producers of San Francisco's annual Ethnic Dance Festival, Uchiyama's approach to hula is deeply holistic and reflects her background in indigenous wisdom traditions and cultural exchange and interaction.
Author: Joseph Keola Donaghy
Author: Joseph Keola Donaghy
Author: Puakea Nogelmeier
Author: Lorenzo Lyons
Author: Chantelle Richmond
Author: Pata
Author: Samuel H. Elbert
Author: Jamaica Heolimeleikalani Osorio
Author: Sarah Justina Eyerly
Author: Candace Fujikane
Author: Mahealani Uchiyama