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Author: Theresa Tinkle Publisher: Stanford University Press ISBN: 0804764808 Category : Poetry Languages : en Pages : 312
Book Description
Medieval Venuses and Cupids analyses the transformations of the love deities in later Middle English Chaucerian poetry, academic Latin discourses on classical myth (including astrology, natural philosophy, and commentaries on classical Roman literature), and French conventions that associate Venus and Cupid with Ovidian arts of love. Whereas existing studies of Venus and Cupid contend that they always and everywhere represent two loves (good and evil), the author argues that medieval discourses actually promulgate diverse, multiple, and often contradictory meanings for the deities. The book establishes the range of meanings bestowed on the deities through the later Middle Ages, and draws on feminist and cultural theories to offer new models for interpreting both academic Latin discourses and vernacular poetry.
Author: Theresa Tinkle Publisher: Stanford University Press ISBN: 0804764808 Category : Poetry Languages : en Pages : 312
Book Description
Medieval Venuses and Cupids analyses the transformations of the love deities in later Middle English Chaucerian poetry, academic Latin discourses on classical myth (including astrology, natural philosophy, and commentaries on classical Roman literature), and French conventions that associate Venus and Cupid with Ovidian arts of love. Whereas existing studies of Venus and Cupid contend that they always and everywhere represent two loves (good and evil), the author argues that medieval discourses actually promulgate diverse, multiple, and often contradictory meanings for the deities. The book establishes the range of meanings bestowed on the deities through the later Middle Ages, and draws on feminist and cultural theories to offer new models for interpreting both academic Latin discourses and vernacular poetry.
Author: Nora Clark Publisher: Cambridge Scholars Publishing ISBN: 144387678X Category : Literary Criticism Languages : en Pages : 460
Book Description
Aphrodite and Venus in Myth and Mimesis is a broad, flexible source book of comparative literature and cultural studies. It promotes the wide-ranging presence and impact of prominent idiosyncratic personalities in fabled goddess mythology and its emphatic notions of endearment and allure. The book brings together seven hundred acknowledged sources drawn from successive historical, global and literary eras, including principal commentaries, along with factual information and important renditions in art, prose and verse, within and beyond mainstream western culture. A lengthy, detailed introduction presents a copious documented preview of the viable adaptation and mimesis of ‘divine’ characterization and its respective centrality from the long distant past to the present day. Myth, rarely latent, demonstrates varied modes of expression and open-ended flexibility throughout the six comprehensive chapters which illuminate and probe, in turn, aspects of the ideological presence, sensibilities, trials and triumphs and interventions of the goddess, whether sacred or profane. Particular literary extracts and episodes range across ancient cultures alongside quite recent expressions of hermeneutics, blending myth with the contemporary in the multi-layered reception or admonishment of the goddess, whether by one designation or the other. As such, this book is wholly relevant to all stages of the evolution and expansion of a dynamic European literary culture and its leading authors and personalities.
Author: Caitlin Flynn Publisher: Manchester University Press ISBN: 1526160803 Category : Literary Criticism Languages : en Pages : 311
Book Description
The Narrative Grotesque examines late medieval narratology in two Older Scots poems: Gavin Douglas’s The Palyce of Honour (c.1501) and William Dunbar’s The Tretis of the Tua Mariit Wemen and the Wedo (c.1507). The narrative grotesque is exemplified in these poems, which fracture narratological boundaries by fusing disparate poetic forms and creating hybrid subjectivities. Consequently, these poems interrogate conventional boundaries in poetic making. The narrative grotesque is applied as a framework to elucidate these chimeric texts and to understand newly late medieval engagement with poetics and narratology.
Author: Thomas Hyde Publisher: University of Delaware Press ISBN: 9780874132731 Category : Literary Criticism Languages : en Pages : 222
Book Description
This book argues that current criticism tends to take the mythology of love either too innocently or too skeptically and therefore distorts the complex roles played by the god of love in longer narrative poems and discursive works of the Middle Ages and the Renaissance.
Author: Alison Keith Publisher: Centre for Reformation and Renaissance Studies ISBN: 9780772720351 Category : Literary Criticism Languages : en Pages : 358
Author: John B. Friedman Publisher: Routledge ISBN: 1000525104 Category : Literary Criticism Languages : en Pages : 464
Book Description
First published in 1998, the present volume aims to help the researcher locate visual motifs, whether in medieval art or in literature, and to understand how they function in yet other medieval literary or artistic works.
Author: Jane Kingsley-Smith Publisher: Cambridge University Press ISBN: 1139491237 Category : Literary Criticism Languages : en Pages :
Book Description
Cupid became a popular figure in the literary and visual culture of post-Reformation England. He served to articulate and debate the new Protestant theory of desire, inspiring a dark version of love tragedy in which Cupid kills. But he was also implicated in other controversies, as the object of idolatrous, Catholic worship and as an adversary to female rule: Elizabeth I's encounters with Cupid were a crucial feature of her image-construction and changed subtly throughout her reign. Covering a wide variety of material such as paintings, emblems and jewellery, but focusing mainly on poetry and drama, including works by Sidney, Shakespeare, Marlowe and Spenser, Kingsley-Smith illuminates the Protestant struggle to categorise and control desire and the ways in which Cupid disrupted this process. An original perspective on early modern desire, the book will appeal to anyone interested in the literature, drama, gender politics and art history of the English Renaissance.
Author: Rosalind Field Publisher: Boydell & Brewer ISBN: 184384219X Category : Education Languages : en Pages : 228
Book Description
The essays collected here show how the romances of medieval England engaged with contemporary Christian culture, and demonstrate the importance of reading them with an awareness of that culture.
Author: Sherry C. M. Lindquist Publisher: Ashgate Publishing, Ltd. ISBN: 9781409422846 Category : Art Languages : en Pages : 392
Book Description
Addressing a strangely neglected key issue in the history of art, this volume engages the variety and complexity of medieval representations of the unclothed human body. The Meanings of Nudity in Medieval Art breaks ground by offering a variety of approaches to explore the meanings of both male and female nudity in European painting, manuscripts and sculpture ranging from the late antique era to the fifteenth century.
Author: Theresa Tinkle
Author: Theresa Tinkle
Author: Nora Clark
Author: Caitlin Flynn
Author: Thomas Hyde
Author: Diane Watt
Author: Alison Keith
Author: John B. Friedman
Author: Jane Kingsley-Smith
Author: Rosalind Field
Author: Sherry C. M. Lindquist