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Author: Seeta Chaganti Publisher: Fordham Univ Press ISBN: 0823243249 Category : Literary Criticism Languages : en Pages : 257
Book Description
This collection responds to the critical legacy of Penn R. Szittya. Its contributors investigate how medieval poetic language reflects and shapes social, political, and religious worlds. In addition to new readings of canonical poetic texts, it includes readings of texts that have previously not held a central place in critical attention.
Author: Seeta Chaganti Publisher: Fordham Univ Press ISBN: 0823243249 Category : Literary Criticism Languages : en Pages : 257
Book Description
This collection responds to the critical legacy of Penn R. Szittya. Its contributors investigate how medieval poetic language reflects and shapes social, political, and religious worlds. In addition to new readings of canonical poetic texts, it includes readings of texts that have previously not held a central place in critical attention.
Author: Seeta Chaganti Publisher: ISBN: 9780823243273 Category : English poetry Languages : en Pages : 256
Book Description
This collection responds to the critical legacy of Penn R. Szittya, the recently retired former chair of Georgetown UniversityGs English Department. Inspired by GeorgetownGs Lannan Center for Poetics and Social Practice and its statement that poetry Gtraverses the fields of aesthetic, social, political, and religious thought,G this work investigates how medieval poetic language reflects and also shapes social, political, and religious worlds. At a moment in contemporary culture when poetry finds its value increasingly challenged, Medieval Poetics and Social Practice looks to the late Middle Ag.
Author: Seeta Chaganti Publisher: ISBN: 9780823243280 Category : English poetry Languages : en Pages : 250
Book Description
"This collection responds to the critical legacy of Penn R. Szittya, the recently retired former chair of Georgetown University's English Department. Inspired by Georgetown's Lannan Center for Poetics and Social Practice and its statement that poetry "traverses the fields of aesthetic, social, political, and religious thought," this work investigates how medieval poetic language reflects and also shapes social, political, and religious worlds. At a moment in contemporary culture when poetry finds its value increasingly challenged, Medieval Poetics and Social Practice looks to the late Middle Ages to assert the indispensability of poetry and poetics in the formation of social structures, actions, and utterances. The contributors offer new readings of canonical late-medieval English poetic texts, such as Langland's Piers Plowman and Chaucer's Parliament of Fowls, and, of equal importance, explore texts that have hitherto not held a central place in criticism but make important contributions to the literary culture of the period. Introduced by Seeta Chaganti, the collection includes essays by Richard K. Emmerson, J. Patrick Hornbeck, John C. Hirsh, Moira Fitzgibbons, John T. Sebastian, Nicholas R. Havely, Kara Doyle, Anne Middleton, Jo Ann Moran Cruz, and Mark McMorris."--Project Muse.
Author: Thomas Vance Cohen Publisher: Brill Academic Pub ISBN: 9789004288683 Category : History Languages : en Pages : 499
Book Description
Spoken Word and Social Practice: Orality in Europe (1400-1700) aims to recapture words spoken in medieval and early modern times, tracking women's voices, on trial, or bantering and gossiping, and tracing those of princes, priests, and magistrates, townsmen, villagers, mariners, bandits, and songsmiths.
Author: Paul Zumthor Publisher: U of Minnesota Press ISBN: 9780816618453 Category : Poetry Languages : en Pages : 536
Book Description
A translation of the 1972 French analysis of the dynamics of textual production in the Middle Ages that marked a major shift in scholarly discourse about medieval literature. Integrating the tools of linguistics and textual criticism, does not come to conclusions, but proposes approaches and methods for investigation. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Ingrid Nelson Publisher: University of Pennsylvania Press ISBN: 0812248791 Category : Literary Criticism Languages : en Pages : 224
Book Description
In Lyric Tactics, Ingrid Nelson argues that the lyric poetry of later medieval England is a distinct genre defined not by its poetic features—rhyme, meter, and stanza forms—but by its modes of writing and performance, which are ad hoc, improvisatory, and situational.
Author: Helen Barr Publisher: OUP Oxford ISBN: 0191540862 Category : Literary Criticism Languages : en Pages : 241
Book Description
Socioliterary Practice in Late Medieval England bridges the disciplines of literature and history by examining various kinds of literary language as examples of social practice. Readings of both English and Latin texts from the late fourteenth and early fifteenth centuries are grounded in close textual study which reveals the social positioning of these works and the kinds of ideological work they can be seen to perform. Distinctive new readings of texts emerge which challenge received interpretations of literary history and late medieval culture. Canonical authors and texts such as Chaucer, Gower, and Pearl are discussed alongside the less familiar: Clanvowe, anonymous alliterative verse, and Wycliffite prose tracts.
Author: Seeta Chaganti Publisher: University of Chicago Press ISBN: 022654818X Category : History Languages : en Pages : 318
Book Description
For premodern audiences, poetic form did not exist solely as meter, stanzas, or rhyme scheme. Rather, the form of a poem emerged as an experience, one generated when an audience immersed in a culture of dance encountered a poetic text. Exploring the complex relationship between medieval dance and medieval poetry, Strange Footing argues that the intersection of texts and dance produced an experience of poetic form based in disorientation, asymmetry, and even misstep. Medieval dance guided audiences to approach poetry not in terms of the body’s regular marking of time and space, but rather in the irregular and surprising forces of virtual motion around, ahead of, and behind the dancing body. Reading medieval poems through artworks, paintings, and sculptures depicting dance, Seeta Chaganti illuminates texts that have long eluded our full understanding, inviting us to inhabit their strange footings askew of conventional space and time. Strange Footing deploys the motion of dance to change how we read medieval poetry, generating a new theory of poetic form for medieval studies and beyond.
Author: Lee Patterson Publisher: Univ of California Press ISBN: 9780520064867 Category : Literary Criticism Languages : en Pages : 360
Book Description
As a traditional site of historicist practice, medieval studies is particularly well-placed to benefit from the recent reemergence of historicism in literary studies. But this new "critical historicism" is different in both method and interests from past forms of historicist work. The differences are well illustrated by this collection. The concern with politics, the reliance on the materials of economic and social history, the conception of writing as a form of social practice, the focus upon the forces of change in medieval culture, the unwillingness to observe the usual distinction between literary and historical texts, and the historicization of their own practice--these characteristics make the publication of these essays a significant event for medieval studies.
Author: Henry Berlin Publisher: University of Toronto Press ISBN: 1487509693 Category : Literary Criticism Languages : en Pages : 334
Book Description
The turn of the fifteenth century saw an explosion of literature throughout Iberia that was not just sentimental, but about sentiment. Alone Together reveals the political, ethical, and poetic dimensions of this phenomenon, which was among the most important of the substantial changes in intellectual and literary culture taking place in the crowns of Portugal, Castile, and Aragon. With careful analyses of lyric poetry, sentimental prose, and wide-ranging treatises in multiple languages, this study foregrounds the dense web of relations among these genres and linguistic and cultural traditions. Drawing on Stoic and early monastic thought, authors such as the Marqués de Santillana, Ausiàs March, and Alfonso de Madrigal explored the unifying potential of shared emotion in an ethical rehabilitation that cut across the personal and political, exalting friendly conversation, civic communication, and collective poetic composition. In his readings of these authors, Henry Berlin references recent work on lyric theory and the history and theory of emotion, from classical antiquity to the modern day. An exploration of the political and poetic potential of shared emotion, Alone Together shows how a heuristic focus on the notion of passion is illuminating for broader ongoing discussions about the nature of emotion, the lyric, and subjectivity.
Author: Seeta Chaganti
Author: Seeta Chaganti
Author: Seeta Chaganti
Author: Seeta Chaganti
Author: Thomas Vance Cohen
Author: Paul Zumthor
Author: Ingrid Nelson
Author: Helen Barr
Author: Seeta Chaganti
Author: Lee Patterson
Author: Henry Berlin