Author: Evelyn Birge Vitz
Publisher: NYU Press
ISBN: 9780814787663
Category : History
Languages : en
Pages : 242
Book Description
This is a very interesting collection of topics that centers on critical methodologies and the central problems of medieval alterity.
Medieval Narratives and Modern Narratology
Author: Evelyn Birge Vitz
Publisher: NYU Press
ISBN: 9780814787663
Category : History
Languages : en
Pages : 242
Book Description
This is a very interesting collection of topics that centers on critical methodologies and the central problems of medieval alterity.
Publisher: NYU Press
ISBN: 9780814787663
Category : History
Languages : en
Pages : 242
Book Description
This is a very interesting collection of topics that centers on critical methodologies and the central problems of medieval alterity.
Medieval Narrative
Author: Tony Davenport
Publisher: OUP Oxford
ISBN: 9780191587986
Category : Literary Criticism
Languages : en
Pages : 322
Book Description
An introduction to the variety of medieval narrative, intended both for students and more general readers who already know some of the classics of the Middle Ages, such as Beowulf, the Decameron and The Canterbury Tales,, and who wish to venture further. Medieval definitions and theories of narrative are considered in relation to modern narratology and the major medieval types of narrative are discussed. The perspective in this book is mainly English, with Chaucer as a central figure, but it refers to a range of well-known European texts and writers, such as Marie de France, Cretien de Troyes, the Niebelungenlied, the Poem of the Cid, Dante and Boccaccio.
Publisher: OUP Oxford
ISBN: 9780191587986
Category : Literary Criticism
Languages : en
Pages : 322
Book Description
An introduction to the variety of medieval narrative, intended both for students and more general readers who already know some of the classics of the Middle Ages, such as Beowulf, the Decameron and The Canterbury Tales,, and who wish to venture further. Medieval definitions and theories of narrative are considered in relation to modern narratology and the major medieval types of narrative are discussed. The perspective in this book is mainly English, with Chaucer as a central figure, but it refers to a range of well-known European texts and writers, such as Marie de France, Cretien de Troyes, the Niebelungenlied, the Poem of the Cid, Dante and Boccaccio.
Absent Narratives, Manuscript Textuality, and Literary Structure in Late Medieval England
Author: E. Scala
Publisher: Springer
ISBN: 0230107567
Category : Literary Criticism
Languages : en
Pages : 303
Book Description
Absent Narratives is a book about the defining difference between medieval and modern stories. In chapters devoted to the major writers of the late medieval period - Chaucer, Gower, the Gawain -poet and Malory - it presents and then analyzes a set of unique and unnoticed phenomena in medieval narrative, namely the persistent appearance of missing stories: stories implied, alluded to, or fragmented by a larger narrative. Far from being trivial digressions or passing curiosities, these absent narratives prove central to the way these medieval works function and to why they have affected readers in particular ways. Traditionally unseen, ignored, or explained away by critics, absent narratives offer a valuable new strategy for reading medieval texts and the historically specific textual culture in which they were written.
Publisher: Springer
ISBN: 0230107567
Category : Literary Criticism
Languages : en
Pages : 303
Book Description
Absent Narratives is a book about the defining difference between medieval and modern stories. In chapters devoted to the major writers of the late medieval period - Chaucer, Gower, the Gawain -poet and Malory - it presents and then analyzes a set of unique and unnoticed phenomena in medieval narrative, namely the persistent appearance of missing stories: stories implied, alluded to, or fragmented by a larger narrative. Far from being trivial digressions or passing curiosities, these absent narratives prove central to the way these medieval works function and to why they have affected readers in particular ways. Traditionally unseen, ignored, or explained away by critics, absent narratives offer a valuable new strategy for reading medieval texts and the historically specific textual culture in which they were written.
Consolation in Medieval Narrative
Author: C. Schrock
Publisher: Springer
ISBN: 1137447818
Category : Literary Criticism
Languages : en
Pages : 398
Book Description
Medieval writers such as Chaucer, Abelard, and Langland often overlaid personal story and sacred history to produce a distinct narrative form. The first of its kind, this study traces this widely used narrative tradition to Augustine's two great histories: Confessions and City of God .
Publisher: Springer
ISBN: 1137447818
Category : Literary Criticism
Languages : en
Pages : 398
Book Description
Medieval writers such as Chaucer, Abelard, and Langland often overlaid personal story and sacred history to produce a distinct narrative form. The first of its kind, this study traces this widely used narrative tradition to Augustine's two great histories: Confessions and City of God .
Performing Medieval Narrative
Author: Evelyn Birge Vitz
Publisher: DS Brewer
ISBN: 9781843840398
Category : History
Languages : en
Pages : 290
Book Description
This book provides the first comprehensive study of the performance of medieval narrative, using examples from England and the Continent and a variety of genres to examine the crucial question of whether - and how - medieval narratives were indeed intended for performance. Moving beyond the familiar dichotomy between oral and written literature, the various contributions emphasize the range and power of medieval performance traditions, and demonstrate that knowledge of the modes and means of performance is crucial for appreciating medieval narratives. The book is divided into four main parts, with each essay engaging with a specific issue or work, relating it to larger questions about performance. It first focuses on representations of the art of medieval performers of narrative. It then examines relationships between narrative performances and the material books that inspired, recorded, or represented them. The next section studies performance features inscribed in texts and the significance of considering performability. The volume concludes with contributions by present-day professional performers who bring medieval narratives to life for contemporary audiences. Topics covered include orality, performance, storytelling, music, drama, the material book, public reading, and court life.
Publisher: DS Brewer
ISBN: 9781843840398
Category : History
Languages : en
Pages : 290
Book Description
This book provides the first comprehensive study of the performance of medieval narrative, using examples from England and the Continent and a variety of genres to examine the crucial question of whether - and how - medieval narratives were indeed intended for performance. Moving beyond the familiar dichotomy between oral and written literature, the various contributions emphasize the range and power of medieval performance traditions, and demonstrate that knowledge of the modes and means of performance is crucial for appreciating medieval narratives. The book is divided into four main parts, with each essay engaging with a specific issue or work, relating it to larger questions about performance. It first focuses on representations of the art of medieval performers of narrative. It then examines relationships between narrative performances and the material books that inspired, recorded, or represented them. The next section studies performance features inscribed in texts and the significance of considering performability. The volume concludes with contributions by present-day professional performers who bring medieval narratives to life for contemporary audiences. Topics covered include orality, performance, storytelling, music, drama, the material book, public reading, and court life.
Ancient Greek Texts and Modern Narrative Theory
Author: Jonas Grethlein
Publisher: Cambridge University Press
ISBN: 1009339591
Category : History
Languages : en
Pages : 209
Book Description
Argues compellingly for a new approach to ancient narrative which goes beyond narratology and is alert to its specific logic.
Publisher: Cambridge University Press
ISBN: 1009339591
Category : History
Languages : en
Pages : 209
Book Description
Argues compellingly for a new approach to ancient narrative which goes beyond narratology and is alert to its specific logic.
Narrative Bodies
Author: D. Punday
Publisher: Springer
ISBN: 1403981655
Category : Literary Criticism
Languages : en
Pages : 245
Book Description
Although the body has recently emerged throughout the humanities and social sciences as an object revealing the power and limits of representation, the study of narrative has almost entirely ignored human corporeality. As this book shows, attention to the body raises uncomfortable questions about the historicity of basic narrative concepts like character, plot, and narration - questions that critics would often prefer to ignore. Daniel Punday argues that narrative itself is a concept constructed by modern-day critics based on assumptions about identity, desire, movement and place that depend on modern ways of thinking about corporeality.
Publisher: Springer
ISBN: 1403981655
Category : Literary Criticism
Languages : en
Pages : 245
Book Description
Although the body has recently emerged throughout the humanities and social sciences as an object revealing the power and limits of representation, the study of narrative has almost entirely ignored human corporeality. As this book shows, attention to the body raises uncomfortable questions about the historicity of basic narrative concepts like character, plot, and narration - questions that critics would often prefer to ignore. Daniel Punday argues that narrative itself is a concept constructed by modern-day critics based on assumptions about identity, desire, movement and place that depend on modern ways of thinking about corporeality.
Routledge Encyclopedia of Narrative Theory
Author: David Herman
Publisher: Routledge
ISBN: 1134458398
Category : Literary Criticism
Languages : en
Pages : 1327
Book Description
The past several decades have seen an explosion of interest in narrative, with this multifaceted object of inquiry becoming a central concern in a wide range of disciplinary fields and research contexts. As accounts of what happened to particular people in particular circumstances and with specific consequences, stories have come to be viewed as a basic human strategy for coming to terms with time, process, and change. However, the very predominance of narrative as a focus of interest across multiple disciplines makes it imperative for scholars, teachers, and students to have access to a comprehensive reference resource.
Publisher: Routledge
ISBN: 1134458398
Category : Literary Criticism
Languages : en
Pages : 1327
Book Description
The past several decades have seen an explosion of interest in narrative, with this multifaceted object of inquiry becoming a central concern in a wide range of disciplinary fields and research contexts. As accounts of what happened to particular people in particular circumstances and with specific consequences, stories have come to be viewed as a basic human strategy for coming to terms with time, process, and change. However, the very predominance of narrative as a focus of interest across multiple disciplines makes it imperative for scholars, teachers, and students to have access to a comprehensive reference resource.
Narratology
Author: Genevieve Liveley
Publisher: Oxford University Press
ISBN: 0192524437
Category : Literary Criticism
Languages : en
Pages : 300
Book Description
This volume explores the extraordinary contribution that classical poetics has made to twentieth and twenty-first century theories of narrative, aiming not to argue that modern narratologies simply present 'old wine in new wineskins', but rather to identify the diachronic affinities shared between ancient and modern stories about storytelling. By recognizing that modern narratologists bring a particular expertise to bear upon ancient literary theory, and by interrogating ancient and modern narratologies through the mutually imbricating dynamics of their reception, it seeks to arrive at a better understanding of both. Each chapter selects a key moment in the history of narratology on which to focus, providing an overview of significant phases before offering detailed analyses of core theories and texts, from the Russian formalists and Chicago school neo-Aristotelians, through the prestructuralists, structuralists, and poststructuralists, up to the latest unnatural and antimimetic narratologists. The reception history that thus unfolds offers some remarkable plot twists and yields valuable insights into the interpretation of some notoriously difficult ancient works. Plato in the Republic is unmasked as an unreliable narrator and theorist, while Aristotle's On Poets reveals a rare glimpse of the philosopher putting narrative theory into practice in the role of storyteller. Horace's Ars Poetica and the works of ancient scholia by critics and commentators evince a rhetorically conceived poetics and sophisticated reader-response-based narratology which indicate a keen interest in audience affect and cognition - anticipating the cognitive turn in narratology's most recent postclassical phase.
Publisher: Oxford University Press
ISBN: 0192524437
Category : Literary Criticism
Languages : en
Pages : 300
Book Description
This volume explores the extraordinary contribution that classical poetics has made to twentieth and twenty-first century theories of narrative, aiming not to argue that modern narratologies simply present 'old wine in new wineskins', but rather to identify the diachronic affinities shared between ancient and modern stories about storytelling. By recognizing that modern narratologists bring a particular expertise to bear upon ancient literary theory, and by interrogating ancient and modern narratologies through the mutually imbricating dynamics of their reception, it seeks to arrive at a better understanding of both. Each chapter selects a key moment in the history of narratology on which to focus, providing an overview of significant phases before offering detailed analyses of core theories and texts, from the Russian formalists and Chicago school neo-Aristotelians, through the prestructuralists, structuralists, and poststructuralists, up to the latest unnatural and antimimetic narratologists. The reception history that thus unfolds offers some remarkable plot twists and yields valuable insights into the interpretation of some notoriously difficult ancient works. Plato in the Republic is unmasked as an unreliable narrator and theorist, while Aristotle's On Poets reveals a rare glimpse of the philosopher putting narrative theory into practice in the role of storyteller. Horace's Ars Poetica and the works of ancient scholia by critics and commentators evince a rhetorically conceived poetics and sophisticated reader-response-based narratology which indicate a keen interest in audience affect and cognition - anticipating the cognitive turn in narratology's most recent postclassical phase.
The Uses of the Past in the Early Middle Ages
Author: Yitzhak Hen
Publisher: Cambridge University Press
ISBN: 9780521639989
Category : History
Languages : en
Pages : 298
Book Description
This is the first book to investigate how people in the early middle ages used the past: to legitimate the present, to understand current events, and as a source of identity. Each essay examines the mechanisms by which ideas about the past were - sometimes - subtly reshaped for present purposes.
Publisher: Cambridge University Press
ISBN: 9780521639989
Category : History
Languages : en
Pages : 298
Book Description
This is the first book to investigate how people in the early middle ages used the past: to legitimate the present, to understand current events, and as a source of identity. Each essay examines the mechanisms by which ideas about the past were - sometimes - subtly reshaped for present purposes.