Medieval and Renaissance Stained Glass in the Victoria and Albert Museum PDF Download

Author: Paul Williamson
Publisher: Victoria & Albert Museum
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 168

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Book Description
This long-overdue volume showcases the Victoria and Albert Museum's outstanding holdings of stained and painted glass--a peerless collection ranging in date from c.1140 to 1540. The works include important examples from England, France, Germany, Austria, Switzerland, Belgium, the Netherlands, and Italy. More than 100 color plates and selected color details show the full range of this magnificent collection, from large panels from key churches and cathedrals such as La Sainte-Chapelle, St. Germain des pres, Cologne, Bruges, Canterbury, and Winchester to small but no less beautiful fragments. Commentaries on each of the pieces reconstruct their original context and explain their imagery; the text discusses techniques, themes, and major centers of production, illuminating a golden age of stained glass production, this beautiful book provides an indispensable introduction to the subject.

Author: V & A Publications
Publisher: Victoria & Albert Museum
ISBN: 9781851774043
Category :
Languages : en
Pages : 160

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Book Description
The stained glass collection of the Victoria and Albert Museum is the largest in the world, making it possible to chart the development of the art in detail from the middle of the twelfth century to about 1550.

Author: Virginia Chieffo Raguin
Publisher: Getty Publications
ISBN: 1606061534
Category : Art
Languages : en
Pages : 114

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Book Description
Stained glass is a monumental art, a corporate enterprise dependent on a patron with whom artists blend their voices. Combining the fields now labeled decorative arts, architecture, and painting, the window transforms our experience of space. Windows of colored glass were essential features of medieval and Renaissance buildings. They provided not only light to illuminate the interior but also specific and permanent imagery that proclaimed the importance of place. Commissioned by monks, nuns, bishops, and kings, as well as by merchants, prosperous farmers, and a host of anonymous patrons, these windows vividly reflect the social, religious, civic, and aesthetic values of their eras. Beautifully illustrated with reproductions from the remarkable stained glass collection at the J. Paul Getty Museum, Stained Glass addresses the making of a stained glass window, its iconography and architectural context, the patrons and collectors, and the challenges of restoration and display. The selected works include examples from Austria, Belgium, England, France, Germany, the Netherlands, and Switzerland. Subject matter ranges from monumental religious scenes for Gothic churches to lively heraldic panels made for houses and other secular settings. Integrating comparisons to works of art in other media, such as manuscripts, drawings, and panel paintings, this book encourages the general reader to see stained glass as an element of a broad artistic production.

Author: Victoria and Albert Museum
Publisher: Victoria & Albert Museum
ISBN:
Category : Architecture
Languages : en
Pages : 104

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Book Description
This beautiful book accompanies an exhibition of around 35 of the major masterpieces from the V&A's outstanding holdings of European art from the period 300-1600 CE. It includes superb examples of sculpture, metalwork, ceramics and glass, which will be part of a touring exhibition, before being redisplayed in magnificent new galleries opening in November 2009. This book offers a unique opportunity to set in context such exceptional works as the enamelled Becket Casket, the ivory Crucified Christ by Giovanni Pisano, Donatello's bronze fountain figure of a Winged Putto with a Fish, and bronzes by Antico and Hubert Gerhard.

Author: Roger Rosewell
Publisher: Bloomsbury Publishing
ISBN: 1782001158
Category : Antiques & Collectibles
Languages : en
Pages : 171

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Book Description
The stained glass windows of England's cathedrals and churches are masterpieces of colour and storytelling, and for a thousand years they have brought meaning and beauty to worshippers and visitors alike. This book traces the history of stained glass from its Anglo-Saxon origins until the present day, explaining how some of Europe's greatest artists have created these unique 'paintings with light'. It also offers fascinating insights into how medieval people 'saw' stained glass. A hundred beautiful photographs make this book indispensable reading for anyone interested in church or art history and a helpful gazetteer lists where to see more than 500 outstanding windows.

Author: Leonardo da Vinci
Publisher: Library of Alexandria
ISBN: 1465514147
Category : Fiction
Languages : en
Pages : 1118

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Book Description
A singular fatality has ruled the destiny of nearly all the most famous of Leonardo da Vinci's works. Two of the three most important were never completed, obstacles having arisen during his life-time, which obliged him to leave them unfinished; namely the Sforza Monument and the Wall-painting of the Battle of Anghiari, while the third—the picture of the Last Supper at Milan—has suffered irremediable injury from decay and the repeated restorations to which it was recklessly subjected during the XVIIth and XVIIIth centuries. Nevertheless, no other picture of the Renaissance has become so wellknown and popular through copies of every description. Vasari says, and rightly, in his Life of Leonardo, "that he laboured much more by his word than in fact or by deed", and the biographer evidently had in his mind the numerous works in Manuscript which have been preserved to this day. To us, now, it seems almost inexplicable that these valuable and interesting original texts should have remained so long unpublished, and indeed forgotten. It is certain that during the XVIth and XVIIth centuries their exceptional value was highly appreciated. This is proved not merely by the prices which they commanded, but also by the exceptional interest which has been attached to the change of ownership of merely a few pages of Manuscript. That, notwithstanding this eagerness to possess the Manuscripts, their contents remained a mystery, can only be accounted for by the many and great difficulties attending the task of deciphering them. The handwriting is so peculiar that it requires considerable practice to read even a few detached phrases, much more to solve with any certainty the numerous difficulties of alternative readings, and to master the sense as a connected whole. Vasari observes with reference to Leonardos writing: "he wrote backwards, in rude characters, and with the left hand, so that any one who is not practised in reading them, cannot understand them". The aid of a mirror in reading reversed handwriting appears to me available only for a first experimental reading. Speaking from my own experience, the persistent use of it is too fatiguing and inconvenient to be practically advisable, considering the enormous mass of Manuscripts to be deciphered. And as, after all, Leonardo's handwriting runs backwards just as all Oriental character runs backwards—that is to say from right to left—the difficulty of reading direct from the writing is not insuperable. This obvious peculiarity in the writing is not, however, by any means the only obstacle in the way of mastering the text. Leonardo made use of an orthography peculiar to himself; he had a fashion of amalgamating several short words into one long one, or, again, he would quite arbitrarily divide a long word into two separate halves; added to this there is no punctuation whatever to regulate the division and construction of the sentences, nor are there any accents—and the reader may imagine that such difficulties were almost sufficient to make the task seem a desperate one to a beginner. It is therefore not surprising that the good intentions of some of Leonardo s most reverent admirers should have failed.

Author:
Publisher: BRILL
ISBN: 9004395717
Category : History
Languages : en
Pages : 488

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Book Description
With many excellent books on medieval stained glass available, the reader of this anthology may well ask: “what is the contribution of this collection?” In this book, we have chosen to step away from national, chronological, and regional models. Instead, we started with scholars doing interesting work in stained glass, and called upon colleagues to contribute studies that represent the diversity of approaches to the medium, as well as up-to-date bibliographies for work in the field. Contributors are: Wojciech Balus, Karine Boulanger, Sarah Brown, Elizabeth Carson Pastan, Madeline H. Caviness, Michael W. Cothren, Francesca Dell’Acqua, Uwe Gast, Françoise Gatouillat, Anne Granboulan, Anne F. Harris, Christine Hediger, Michel Hérold, Timothy B. Husband, Alyce A. Jordan, Herbert L. Kessler, David King, Brigitte Kurmann-Schwarz, Claudine Lautier, Ashley J. Laverock, Meredith P. Lillich, Isabelle Pallot-Frossard, Hartmut Scholz, Mary B. Shepard, Ellen M. Shortell, Nancy M. Thompson.

Author: Colum Hourihane
Publisher:
ISBN: 0195395360
Category : Architecture, Medieval
Languages : en
Pages : 4064

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Book Description
This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.

Author: Peter French
Publisher: Cambridge Scholars Publishing
ISBN: 1443887846
Category : Art
Languages : en
Pages : 325

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Book Description
This book showcases the contribution Australian contemporary glass artist David Wright has made to Australian art and international glassmaking. From 1970 until 2014, David Wright produced hundreds of high quality art glass windows for Australian public, private and sacred spaces, including significant national churches, chapels, and synagogues, yet little scholarly research on the artist and his place in Australian art history exists. Including the first catalogue raisonné ever produced on the artist, combined with a close examination of his opus, his influences, manufacturing methods and personal history, this book demonstrates for the first time the extraordinary contribution David Wright made to Australian art and contemporary glassmaking.

Author: Victoria and Albert Museum
Publisher: Victoria & Albert Museum
ISBN:
Category : Architecture
Languages : en
Pages : 112

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Book Description
Covering major European artworks from the period 300 to 1600, this book includes superb examples of sculpture, metalwork, ceramics and glass. It is a short guide to the highlights of the V+A's magnificent new Medieval and Renaissance Galleries and contextualizes such exceptional works as the enamelled Becket Casket, the ivory Crucified Christ by Giovanni Pisano, Donatello's bronze fountain figure of a Winged Putto with a Fish, and bronzes by Antico and Hubert Gerhard.