Author: Daniel Varney Thompson
Publisher: Courier Corporation
ISBN: 9780486203270
Category : Art
Languages : en
Pages : 262
Book Description
Sums up 20th-century knowledge: paints, binders, metals, surface preparation. Based on manuscripts and scientific investigation.
The Materials and Techniques of Medieval Painting
Author: Daniel Varney Thompson
Publisher: Courier Corporation
ISBN: 9780486203270
Category : Art
Languages : en
Pages : 262
Book Description
Sums up 20th-century knowledge: paints, binders, metals, surface preparation. Based on manuscripts and scientific investigation.
Publisher: Courier Corporation
ISBN: 9780486203270
Category : Art
Languages : en
Pages : 262
Book Description
Sums up 20th-century knowledge: paints, binders, metals, surface preparation. Based on manuscripts and scientific investigation.
Mediaeval Painters' Materials and Techniques
Author: Mark Clarke
Publisher: Archetype Publications
ISBN: 9781904982647
Category : Artists' materials
Languages : en
Pages : 0
Book Description
Medieval painting was a craft. The anonymous Montpellier Liber diversarum arcium ('Book of various arts') is a handbook prescribing how that craft was to be practiced. It contains over five hundred art-technological instructions or 'recipes' in Latin. Unlike the vast majority of medieval artists' recipe books, this content is highly structured and organised, such as to form a complete handbook or course on painting. This Liber diversarum arcium is probably the most substantial and comprehensive medieval painters' technical recipe book to survive. It summarises the state-of-the art in the European workshops of the fourteenth century. This volume makes the Liber diversarum arcium usable to modern readers for the first time, by restoring the text in over 150 places where its corruption obscures the technical sense, by translating the text into English, and by providing a running commentary to explain the technical processes and technical terminology.
Publisher: Archetype Publications
ISBN: 9781904982647
Category : Artists' materials
Languages : en
Pages : 0
Book Description
Medieval painting was a craft. The anonymous Montpellier Liber diversarum arcium ('Book of various arts') is a handbook prescribing how that craft was to be practiced. It contains over five hundred art-technological instructions or 'recipes' in Latin. Unlike the vast majority of medieval artists' recipe books, this content is highly structured and organised, such as to form a complete handbook or course on painting. This Liber diversarum arcium is probably the most substantial and comprehensive medieval painters' technical recipe book to survive. It summarises the state-of-the art in the European workshops of the fourteenth century. This volume makes the Liber diversarum arcium usable to modern readers for the first time, by restoring the text in over 150 places where its corruption obscures the technical sense, by translating the text into English, and by providing a running commentary to explain the technical processes and technical terminology.
The Materials and Techniques of Medieval Painting
Author: D. V. Thompson
Publisher:
ISBN: 9780844609362
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9780844609362
Category :
Languages : en
Pages :
Book Description
The Materials of Medieval Painting
Author: Daniel V. Thompson
Publisher:
ISBN: 9781684223688
Category : Art
Languages : en
Pages : 240
Book Description
2019 Reprint of 1936 U.S. Edition. Full facsimile of the original edition, not reproduced with Optical Recognition software. Professor Thompson has written an extremely interesting and valuable book on a subject very rarely dealt with, the materials used by medieval painters, or as he calls it, " the cookery of art." In the first chapter the author discusses the various types of surfaces employed by the medieval painters, such as parchment, vellum, wood, walls, and canvas. In chapter two he deals with the different binding media that had to be used to bind the pigments to the different types of surfaces. The third and longest chapter deals with the pigments themselves. This book, written in a very pleasing style, will appeal not only to those interested in medieval painting itself, but to anyone who wishes further knowledge on various medieval plants, and on certain chemical problems of the Middle Ages.
Publisher:
ISBN: 9781684223688
Category : Art
Languages : en
Pages : 240
Book Description
2019 Reprint of 1936 U.S. Edition. Full facsimile of the original edition, not reproduced with Optical Recognition software. Professor Thompson has written an extremely interesting and valuable book on a subject very rarely dealt with, the materials used by medieval painters, or as he calls it, " the cookery of art." In the first chapter the author discusses the various types of surfaces employed by the medieval painters, such as parchment, vellum, wood, walls, and canvas. In chapter two he deals with the different binding media that had to be used to bind the pigments to the different types of surfaces. The third and longest chapter deals with the pigments themselves. This book, written in a very pleasing style, will appeal not only to those interested in medieval painting itself, but to anyone who wishes further knowledge on various medieval plants, and on certain chemical problems of the Middle Ages.
The Art of All Colours
Author: Mark Clarke
Publisher: Archetype Publications
ISBN:
Category : Art
Languages : en
Pages : 164
Book Description
This volume explores the history and interpretation of mediaeval technical treatises on the arts, and includes a catalogue of over 400 manuscript sources, many of them largely unknown.
Publisher: Archetype Publications
ISBN:
Category : Art
Languages : en
Pages : 164
Book Description
This volume explores the history and interpretation of mediaeval technical treatises on the arts, and includes a catalogue of over 400 manuscript sources, many of them largely unknown.
The Materials and Techniques of Medieval Painting
Author: Daniel V (Daniel Varney) Thompson
Publisher: Hassell Street Press
ISBN: 9781014167385
Category :
Languages : en
Pages : 244
Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Publisher: Hassell Street Press
ISBN: 9781014167385
Category :
Languages : en
Pages : 244
Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Materials and Techniques of Medieval Painting
The Materials and Techniques of Medieval Painting
Author: Daniel V. Thompson
Publisher: Courier Corporation
ISBN: 0486142035
Category : Art
Languages : en
Pages : 262
Book Description
Medieval painters built up a tremendous range of technical resources for obtaining brilliance and permanence. In this volume, an internationally known authority on medieval paint technology describes these often jealously guarded recipes, lists of materials, and processes. Based upon years of study of medieval manuscripts and enlarged by laboratory analysis of medieval paintings, this book discusses carriers and grounds, binding media, pigments, coloring materials, and metals used in painting. It describes the surfaces that the medieval artist painted upon, detailing their preparation. It analyzes binding media, discussing relative merits of glair versus gums, oil glazes, and other matters. It tells how the masters obtained their colors, how they processed them, and how they applied them. It tells how metals were prepared for use in painting, how gold powders and leaf were laid on, and dozens of other techniques. Simply written, easy to read, this book will be invaluable to art historians, students of medieval painting and civilization, and historians of culture. Although it contains few fully developed recipes, it will interest any practicing artist with its discussion of methods of brightening colors and assuring permanence. "A rich feast," The Times (London). "Enables the connoisseur, artist, and collector to obtain the distilled essence of Thompson's researches in an easily read and simple form," Nature (London). "A mine of technical information for the artist," Saturday Review of Literature.
Publisher: Courier Corporation
ISBN: 0486142035
Category : Art
Languages : en
Pages : 262
Book Description
Medieval painters built up a tremendous range of technical resources for obtaining brilliance and permanence. In this volume, an internationally known authority on medieval paint technology describes these often jealously guarded recipes, lists of materials, and processes. Based upon years of study of medieval manuscripts and enlarged by laboratory analysis of medieval paintings, this book discusses carriers and grounds, binding media, pigments, coloring materials, and metals used in painting. It describes the surfaces that the medieval artist painted upon, detailing their preparation. It analyzes binding media, discussing relative merits of glair versus gums, oil glazes, and other matters. It tells how the masters obtained their colors, how they processed them, and how they applied them. It tells how metals were prepared for use in painting, how gold powders and leaf were laid on, and dozens of other techniques. Simply written, easy to read, this book will be invaluable to art historians, students of medieval painting and civilization, and historians of culture. Although it contains few fully developed recipes, it will interest any practicing artist with its discussion of methods of brightening colors and assuring permanence. "A rich feast," The Times (London). "Enables the connoisseur, artist, and collector to obtain the distilled essence of Thompson's researches in an easily read and simple form," Nature (London). "A mine of technical information for the artist," Saturday Review of Literature.
The Materials of Medieval Painting
Author: Daniel Varney Thompson
Publisher:
ISBN:
Category : Artists' materials
Languages : en
Pages : 250
Book Description
Publisher:
ISBN:
Category : Artists' materials
Languages : en
Pages : 250
Book Description