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Author: Publisher: ISBN: 9780997690156 Category : Art Languages : en Pages : 151
Book Description
The Italian artist Medardo Rosso (1858-1928) was instrumental in expanding the definition of sculpture for the modern era. Focusing on everyday people as his subjects, Rosso portrayed fugitive physical or emotional states, employing innovative casting and modeling techniques in plaster, bronze and wax, his signature material. Medardo Rosso: Experiments in Light and Formfeatures nearly 100 works of sculpture, drawing and photography, and explores Rosso's efforts to capture and manipulate light. It presents extensive installation photography, documenting the works on view within the variable natural and artificial light of the Pulitzer Arts Foundation building. The book also features original scholarly essays by the exhibition co-curators and other contributors, as well as an illustrated checklist--presenting a selection of Rosso's lesser-known experiments in drawing and photography, in addition to some of his most celebrated sculptures.
Author: Publisher: ISBN: 9780997690156 Category : Art Languages : en Pages : 151
Book Description
The Italian artist Medardo Rosso (1858-1928) was instrumental in expanding the definition of sculpture for the modern era. Focusing on everyday people as his subjects, Rosso portrayed fugitive physical or emotional states, employing innovative casting and modeling techniques in plaster, bronze and wax, his signature material. Medardo Rosso: Experiments in Light and Formfeatures nearly 100 works of sculpture, drawing and photography, and explores Rosso's efforts to capture and manipulate light. It presents extensive installation photography, documenting the works on view within the variable natural and artificial light of the Pulitzer Arts Foundation building. The book also features original scholarly essays by the exhibition co-curators and other contributors, as well as an illustrated checklist--presenting a selection of Rosso's lesser-known experiments in drawing and photography, in addition to some of his most celebrated sculptures.
Author: Sharon Hecker Publisher: Univ of California Press ISBN: 0520294483 Category : Art Languages : en Pages : 360
Book Description
Medardo Rosso (1858–1928) is one of the most original and influential figures in the history of modern art, and this book is the first historically substantiated critical account of his life and work. An innovative sculptor, photographer, and draftsman, Rosso was vital in paving the way for the transition from the academic forms of sculpture that persisted in the nineteenth century to the development of new and experimental forms in the twentieth. His antimonumental, antiheroic work reflected alienation in the modern experience yet also showed deep feeling for interactions between self and other. Rosso’s art was also transnational: he refused allegiance to a single culture or artistic heritage and declared himself both a citizen of the world and a maker of art without national limits. In this book, Sharon Hecker develops a narrative that is an alternative to the dominant Franco-centered perspective on the origin of modern sculpture in which Rodin plays the role of lone heroic innovator. Offering an original way to comprehend Rosso, A Moment’s Monument negotiates the competing cultural imperatives of nationalism and internationalism that shaped the European art world at the fin de siècle.
Author: Oona Doyle Publisher: ISBN: 9780995745643 Category : Art Languages : en Pages : 112
Book Description
Rosso was a revolutionary sculptor who subverted traditional modeling and casting methods to animate the surfaces of his sculptures. He went against prevailing monumental and heroic tendencies by depicting vulnerable subjects such the poor, children and the elderly. Some of his works, like Enfant au sein (late 1889?90), on view at Galerie Thaddaeus Ropac, border on abstraction. He adopted a performative approach to sculpture by casting his bronzes in public in a theatrical mise-en-scène, and he invented unique exhibition strategies by installing his work alongside those of other artists.00Exhibition: Thaddaeus Ropac Gallery, Ely House, London, UK (23.11.2017-10.02.2018).
Author: Gloria Moure Publisher: Rizzoli International Publications ISBN: Category : Art Languages : en Pages : 336
Book Description
"Medardo Rosso" Gloria Moure Medardo Rosso sustained a concept of sculpture related to the idea of the suspended instant and of apparition, which in the last instance denoted immateriality and timelessness. This implied an alliance with surrounding matter and an inevitable tendency towards its dissolution in light energy. This does not mean, however, that he denied sculpture its material entity, on the contrary, he recognised the quality of matter as the crucible for all forms rather than its subordination to a kind of formal solidification of fiction. He therefore championed a kind of sculpture which, having an immaterial bias, was more visual than tactile and with regard to which the observer's point of view was an essential aspect. The fact that his fame and universality are recognised only in relatively reduced circles is the best evidence of the fact that what began as a kind of conspiracy to silence his unquestionable worth with very immediate objectives in mind has resulted in a grave omission from the history of art, repeated "ad nauseam" with the utmost triteness. Gloria Moure, currently director of the Centro Galego de Arte Contemporanea, Santiago de Compostela, offers a comprehensive view of the work of Medardo Rosso. Besides an abundance of visual information, including most of Rosso's own photographs, hitherto unpublished, the book features interesting theoretical contributions from Francisco Calvo Serraller, Luciano Caramel and Gloria Moure herself, accompanied by a manifesto by Boccioni which constitutes an unequivocal statement of the sculptor's worth, echoed in the texts by present-day sculptors such as Giovanni Anselmo, Tony Cragg, Luciano Fabro, JuanMunoz and Thomas Schutte, alongside a careful selection of articles and letters by the artist which brings us into his way of understanding his art or, which amounts to the same thing, his life. 232 full-colour illustrations
Author: Julius Ritter von Schlosser Publisher: Getty Publications ISBN: 9780892368778 Category : Human anatomy Languages : en Pages : 340
Book Description
The material history of wax is a history of disappearance--wax melts, liquefies, evaporates, and undergoes innumerable mutations. Wax is tactile, ambiguous, and mesmerizing, confounding viewers and scholars alike. It can approximate flesh with astonishing realism and has been used to create uncanny human simulacra since ancient times--from phallic amulets offered to heal distressing conditions and life-size votive images crammed inside candlelit churches by the faithful, to exquisitely detailed anatomical specimens used for training doctors and Medardo Rosso's "melting" portraits. The critical history of wax, however, is fraught with gaps and controversies. After Giorgio Vasari, the subject of wax sculpture was abandoned by art historians; in the twentieth century it once again sparked intellectual interest, only soon to vanish. The authors of the eight essays in Ephemeral Bodies--including the first English translation of Julius von Schlosser's seminal "History of Portraiture in Wax" (1910-11)--break new ground as they explore wax reproductions of the body or body parts and assess their conceptual ambiguity, material impermanence, and implications for the history of Western art.
Author: Harry Cooper Publisher: Harvard Art Museums ISBN: 9780300100334 Category : Art Languages : en Pages : 164
Book Description
The Italian artist Medardo Rosso (1858-1928) is a key figure in the development of modern sculpture. His portraits and figure studies have long been considered sculptural equivalents to Impressionism's concern with light at the expense of form. This book presents an artist more deeply concerned with materials, process, and the reproduction of his works than previously imagined. technical, and phenomenological perspectives. Drawing on a wealth of new archival material and close-up study of the sculptures, the authors show that Rosso's waxes, which are his best-known works, were not modelled by hand but cast with the help of gelatin moulds. The authors compare wax, plaster, and bronze casts of the same subjects to show that the manipulation of materials for visual effect was at the heart of his work. The book also reproduces and analyses Rosso's fascinating photographs of his own sculpture, which offer important clues to the charged relationship he sought to create between viewers and the mysterious busts and figures he made.
Author: Dr Susan Waller Publisher: Ashgate Publishing, Ltd. ISBN: 1472443543 Category : Art Languages : en Pages : 289
Book Description
Sixteen essays by a group of emerging and established international scholars examine Paris as a thriving transnational arts community during a period of burgeoning global immigration. They address the experiences of important modern artists as well as foreign exiles, immigrants, students and expatriates within the larger trends of international mobility. In doing so, they explore the structures that permitted foreign artists to forge connections within and across national communities and contribute to the development of a hybrid and multivalent modern art.
Author: Rosalind E. Krauss Publisher: MIT Press ISBN: 9780262610339 Category : Design Languages : en Pages : 326
Book Description
Studies major works by important sculptors since Rodin in the light of different approaches to general sculptural issues to reveal the logical progressions from nineteenth-century figurative works to the conceptual work of the present.
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Author: Sharon Hecker
Author: Medardo Rosso
Author: Oona Doyle
Author: Gloria Moure
Author: Julius Ritter von Schlosser
Author: Harry Cooper
Author: Gloria Moure
Author: Dr Susan Waller
Author: Rosalind E. Krauss