Author: Max Ernst
Publisher: Metropolitan Museum of Art
ISBN: 0300107188
Category : Art
Languages : en
Pages : 321
Book Description
A comprehensive look at the life and work of a pioneering 20th-century artist
Max Ernst
Author: Max Ernst
Publisher: Metropolitan Museum of Art
ISBN: 0300107188
Category : Art
Languages : en
Pages : 321
Book Description
A comprehensive look at the life and work of a pioneering 20th-century artist
Publisher: Metropolitan Museum of Art
ISBN: 0300107188
Category : Art
Languages : en
Pages : 321
Book Description
A comprehensive look at the life and work of a pioneering 20th-century artist
Max Ernst
Max Ernst and Alchemy
Author: M. E. Warlick
Publisher: University of Texas Press
ISBN: 0292756542
Category : Art
Languages : en
Pages : 340
Book Description
Surrealist artist Max Ernst defined collage as the "alchemy of the visual image." Students of his work have often dismissed this comment as simply a metaphor for the transformative power of using found images in a new context. Taking a wholly different perspective on Ernst and alchemy, however, M. E. Warlick persuasively demonstrates that the artist had a profound and abiding interest in alchemical philosophy and often used alchemical symbolism in works created throughout his career. A revival of interest in alchemy swept the artistic, psychoanalytic, historical, and scientific circles of the late nineteenth and early twentieth centuries, and Warlick sets Ernst's work squarely within this movement. Looking at both his art (many of the works she discusses are reproduced in the book) and his writings, she reveals how thoroughly alchemical philosophy and symbolism pervade his early Dadaist experiments, his foundational work in surrealism, and his many collages and paintings of women and landscapes, whose images exemplify the alchemical fusing of opposites. This pioneering research adds an essential key to understanding the multilayered complexity of Ernst's works, as it affirms his standing as one of Germany's most significant artists of the twentieth century.
Publisher: University of Texas Press
ISBN: 0292756542
Category : Art
Languages : en
Pages : 340
Book Description
Surrealist artist Max Ernst defined collage as the "alchemy of the visual image." Students of his work have often dismissed this comment as simply a metaphor for the transformative power of using found images in a new context. Taking a wholly different perspective on Ernst and alchemy, however, M. E. Warlick persuasively demonstrates that the artist had a profound and abiding interest in alchemical philosophy and often used alchemical symbolism in works created throughout his career. A revival of interest in alchemy swept the artistic, psychoanalytic, historical, and scientific circles of the late nineteenth and early twentieth centuries, and Warlick sets Ernst's work squarely within this movement. Looking at both his art (many of the works she discusses are reproduced in the book) and his writings, she reveals how thoroughly alchemical philosophy and symbolism pervade his early Dadaist experiments, his foundational work in surrealism, and his many collages and paintings of women and landscapes, whose images exemplify the alchemical fusing of opposites. This pioneering research adds an essential key to understanding the multilayered complexity of Ernst's works, as it affirms his standing as one of Germany's most significant artists of the twentieth century.
Max Ernst, 1891-1976
Author: Ulrich Bischoff
Publisher:
ISBN: 9783822813881
Category :
Languages : en
Pages : 95
Book Description
Publisher:
ISBN: 9783822813881
Category :
Languages : en
Pages : 95
Book Description
Max Ernst
Author: Max Ernst
Publisher: Oxford University Press, USA
ISBN:
Category : Art
Languages : en
Pages : 224
Book Description
Max Ernst, the great Surrealist artist, produced a body of graphic work that surpassed that of any other artist associated with Surrealism. His innovative printing techniques were the equivalent of the semi-automatic image-making procedures used by the painters and poets of his day, and his collaboration with the literary founders of Dada and Surrealism resulted in some of the most beautiful and evocative books of our time. In honor of the donation by Ernst's widow, Dorothea Tanning, of 150 of Ernst's etchings and lithographs--including the magnificent Maximiliana--The New York Public Library has mounted a major retrospective of his works. More than 200 books, prints, collages, and drawings, taken from the Library's collection and from private American and European collections, were selected for this exhibition--which will be displayed at The New York Public Library from October 11 to December 31, 1986, and will travel from there to the University of Michigan Art Museum, Ann Arbor. Max Ernst: Beyond Surrealism--An Exhibition of the Artist's Books and Prints is a fully illustrated catalogue of the Max Ernst retrospective, with three essays documenting and interpreting the artist's books and prints, a chronology, selected bibliography, and illustrated checklist of the works in the exhibition. The first essay, by Robert Rainwater, surveys Ernst's printmaking in all media, from the linoleum cuts produced in his student years at the University of Bonn through the complex intaglio prints and transfer lithographs he created in collaboration with master French printers during the last 25 years of his life. The second, by Evan Maurer, discusses the themes and recurring forms in Ernst's prints and examines the artist's three great collage novels--La Femme 100 têtes (1929), Rêve d'une petite fille qui voulut entrer au carmel (1930), and Une Semaine de Bonté (1934). Maurer views the novels in the light of Ernst's entire career and discusses their sources and motivations. In a third essay, Anne Hyde Greet traces the evolution of the livre de peintre, or artist's book, in 20th-century France. She places Ernst's bookmaking activities in the context of this development, and, in the process, examines all his major illustrated books and gives a detailed study of his collaboration with the Russian futurist poet, printer, and publisher Iliazd (Ilia Zdanevich) on Maximiliana. Not only a guide to the current exhibition, this book will stand as a provocative and insightful study of Max Ernst's contribution to 20th-century print and bookmaking.
Publisher: Oxford University Press, USA
ISBN:
Category : Art
Languages : en
Pages : 224
Book Description
Max Ernst, the great Surrealist artist, produced a body of graphic work that surpassed that of any other artist associated with Surrealism. His innovative printing techniques were the equivalent of the semi-automatic image-making procedures used by the painters and poets of his day, and his collaboration with the literary founders of Dada and Surrealism resulted in some of the most beautiful and evocative books of our time. In honor of the donation by Ernst's widow, Dorothea Tanning, of 150 of Ernst's etchings and lithographs--including the magnificent Maximiliana--The New York Public Library has mounted a major retrospective of his works. More than 200 books, prints, collages, and drawings, taken from the Library's collection and from private American and European collections, were selected for this exhibition--which will be displayed at The New York Public Library from October 11 to December 31, 1986, and will travel from there to the University of Michigan Art Museum, Ann Arbor. Max Ernst: Beyond Surrealism--An Exhibition of the Artist's Books and Prints is a fully illustrated catalogue of the Max Ernst retrospective, with three essays documenting and interpreting the artist's books and prints, a chronology, selected bibliography, and illustrated checklist of the works in the exhibition. The first essay, by Robert Rainwater, surveys Ernst's printmaking in all media, from the linoleum cuts produced in his student years at the University of Bonn through the complex intaglio prints and transfer lithographs he created in collaboration with master French printers during the last 25 years of his life. The second, by Evan Maurer, discusses the themes and recurring forms in Ernst's prints and examines the artist's three great collage novels--La Femme 100 têtes (1929), Rêve d'une petite fille qui voulut entrer au carmel (1930), and Une Semaine de Bonté (1934). Maurer views the novels in the light of Ernst's entire career and discusses their sources and motivations. In a third essay, Anne Hyde Greet traces the evolution of the livre de peintre, or artist's book, in 20th-century France. She places Ernst's bookmaking activities in the context of this development, and, in the process, examines all his major illustrated books and gives a detailed study of his collaboration with the Russian futurist poet, printer, and publisher Iliazd (Ilia Zdanevich) on Maximiliana. Not only a guide to the current exhibition, this book will stand as a provocative and insightful study of Max Ernst's contribution to 20th-century print and bookmaking.
The Albertina Museum
Author: Klaus Albrecht Schroder
Publisher: Rizzoli International Publications
ISBN: 1785511165
Category : Art
Languages : en
Pages : 0
Book Description
An illustrated selection of highlights from The Albertina's world-renowned collection of prints, drawings and paintings, featuring works from Old Masters as well as modern artists. The largest of the Hapsburg residential palaces, The Albertina in Vienna provides a stunning home to one of the largest and most important print rooms in the world. Named after its founder, passionate art collector Duke Albert of Saxe-Teschen (1738-1822), the priceless collection comprises 50,000 drawings and watercolours and some 900,000 prints ranging from the late Gothic period to contemporary art. Here visitors can see world-famous works by da Vinci, Michelangelo and Raphael as well as Dürer, Rubens, Rembrandt and Cézanne. The modern collection contains a vibrant array of works from a diverse range of artists: from Schiele, Klimt, Picasso and Pollock to Warhol, Katz, Baselitz and Kiefer. An extraordinary treasure trove of visual knowledge, The Albertina has also been gathering photographs since the mid-19th century, and holds around 50,000 plans, sketches and models in its Architecture Collection. This small volume showcases the highlights from this vast collection, as chosen by its Director. Follow @AlbertinaMuseum on Twitter (7350 followers).
Publisher: Rizzoli International Publications
ISBN: 1785511165
Category : Art
Languages : en
Pages : 0
Book Description
An illustrated selection of highlights from The Albertina's world-renowned collection of prints, drawings and paintings, featuring works from Old Masters as well as modern artists. The largest of the Hapsburg residential palaces, The Albertina in Vienna provides a stunning home to one of the largest and most important print rooms in the world. Named after its founder, passionate art collector Duke Albert of Saxe-Teschen (1738-1822), the priceless collection comprises 50,000 drawings and watercolours and some 900,000 prints ranging from the late Gothic period to contemporary art. Here visitors can see world-famous works by da Vinci, Michelangelo and Raphael as well as Dürer, Rubens, Rembrandt and Cézanne. The modern collection contains a vibrant array of works from a diverse range of artists: from Schiele, Klimt, Picasso and Pollock to Warhol, Katz, Baselitz and Kiefer. An extraordinary treasure trove of visual knowledge, The Albertina has also been gathering photographs since the mid-19th century, and holds around 50,000 plans, sketches and models in its Architecture Collection. This small volume showcases the highlights from this vast collection, as chosen by its Director. Follow @AlbertinaMuseum on Twitter (7350 followers).
Ghost Ships
Author: Robert McNab
Publisher: Yale University Press
ISBN: 9780300104318
Category : Art
Languages : en
Pages : 288
Book Description
A moving and spectacular tale of love, jealousy, and exotic travel, centering on three significant figures in the surrealist movement. This book describes the secret journey made by an extraordinary ménage à trois: the painter Max Ernst, Paul Eluard (cofounder of surrealism with André Breton), and Eluard's wife Gala. The author unravels the story of Ernst's love affair with Gala, Eluard's disappearance, Ernst and Gala's pursuit of him, their meeting in Saigon where the love triangle came apart, and the resulting departure of the Eluards, who left Ernst to explore the jungles of French Indochina alone. The impact on the work of both men was profound. As for Gala, she eventually dropped both her lovers for Salvador Dali.
Publisher: Yale University Press
ISBN: 9780300104318
Category : Art
Languages : en
Pages : 288
Book Description
A moving and spectacular tale of love, jealousy, and exotic travel, centering on three significant figures in the surrealist movement. This book describes the secret journey made by an extraordinary ménage à trois: the painter Max Ernst, Paul Eluard (cofounder of surrealism with André Breton), and Eluard's wife Gala. The author unravels the story of Ernst's love affair with Gala, Eluard's disappearance, Ernst and Gala's pursuit of him, their meeting in Saigon where the love triangle came apart, and the resulting departure of the Eluards, who left Ernst to explore the jungles of French Indochina alone. The impact on the work of both men was profound. As for Gala, she eventually dropped both her lovers for Salvador Dali.
Max Ernst
Author: William A. Camfield
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 384
Book Description
Leven en werk tot 1927 van de Duitse schilder (1891-1976), een van de veelzijdigste kunstenaars uit de eerste helft van de twintigste eeuw.
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 384
Book Description
Leven en werk tot 1927 van de Duitse schilder (1891-1976), een van de veelzijdigste kunstenaars uit de eerste helft van de twintigste eeuw.
A Little Girl Dreams of Taking the Veil
Author: Max Ernst
Publisher: George Braziller
ISBN:
Category : Art
Languages : fr
Pages : 184
Book Description
Publisher: George Braziller
ISBN:
Category : Art
Languages : fr
Pages : 184
Book Description
Max Ernst
Author: Max Ernst
Publisher:
ISBN:
Category : Art, German
Languages : en
Pages : 392
Book Description
Max Ernst (1891-1976) is one of the few incontrovertibly great artists of the twentieth century. This book provides a unique opportunity of assessing Max Ernst's achievement. The extensive plate section includes works in all medias and genres -- painting, sculpture, works on paper, book illustration -- and from all periods of the artist's career. In his introductory essay, Werner Spies reviews the artist's oeuvre, pointing to certain basic attitudes and procedures that informed all his work. Essays by other well-known scholars discuss the symbolism of his Surrealist imagery, the influence of Romanticism and of the North American Indians on his work, and his ties with England. Max Ernst's own 'Biographical Note', lavishly illustrated with documentary photographs and further examples of his work, and interspersed with other writings by the artist, provide profound and fascinating insights into his life and art. "Max Ernst: A Retrospective" is an indispensable volume on the life and art of one of the few truly international artists of the twentieth century. -- From publisher's description.
Publisher:
ISBN:
Category : Art, German
Languages : en
Pages : 392
Book Description
Max Ernst (1891-1976) is one of the few incontrovertibly great artists of the twentieth century. This book provides a unique opportunity of assessing Max Ernst's achievement. The extensive plate section includes works in all medias and genres -- painting, sculpture, works on paper, book illustration -- and from all periods of the artist's career. In his introductory essay, Werner Spies reviews the artist's oeuvre, pointing to certain basic attitudes and procedures that informed all his work. Essays by other well-known scholars discuss the symbolism of his Surrealist imagery, the influence of Romanticism and of the North American Indians on his work, and his ties with England. Max Ernst's own 'Biographical Note', lavishly illustrated with documentary photographs and further examples of his work, and interspersed with other writings by the artist, provide profound and fascinating insights into his life and art. "Max Ernst: A Retrospective" is an indispensable volume on the life and art of one of the few truly international artists of the twentieth century. -- From publisher's description.