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Max Beerbohm Caricatures

Max Beerbohm Caricatures PDF Author: N. John Hall
Publisher: Yale University Press
ISBN: 9780300072174
Category : Art
Languages : en
Pages : 256

Book Description
Max Beerbohm, the foremost caricaturist of his day, was hailed by The Times in 1913 as the greatest of English comic artists, by Bernard Berenson as the English Goya, and by Edmund Wilson as the greatest...portrayer of personalities - in the history of art.

Max Beerbohm Caricatures

Max Beerbohm Caricatures PDF Author: N. John Hall
Publisher: Yale University Press
ISBN: 9780300072174
Category : Art
Languages : en
Pages : 256

Book Description
Max Beerbohm, the foremost caricaturist of his day, was hailed by The Times in 1913 as the greatest of English comic artists, by Bernard Berenson as the English Goya, and by Edmund Wilson as the greatest...portrayer of personalities - in the history of art.

Max Beerbohm in Perspective

Max Beerbohm in Perspective PDF Author: Bohun Lynch
Publisher: Gale Cengage
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 246

Book Description


A Peep Into the Past

A Peep Into the Past PDF Author: Sir Max Beerbohm
Publisher:
ISBN:
Category : Celebrities
Languages : en
Pages : 56

Book Description


The Works of Max Beerbohm

The Works of Max Beerbohm PDF Author: Sir Max Beerbohm
Publisher: New York : C. Scribner's Sons
ISBN:
Category : Literary Collections
Languages : en
Pages : 200

Book Description


Caricatures of Twenty-five Gentlemen

Caricatures of Twenty-five Gentlemen PDF Author: Sir Max Beerbohm
Publisher:
ISBN:
Category : Caricatures and cartoons
Languages : en
Pages : 120

Book Description


A Catalogue of the Caricatures of Max Beerbohm

A Catalogue of the Caricatures of Max Beerbohm PDF Author: Rupert Hart-Davis
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 270

Book Description


Zuleika Dobson

Zuleika Dobson PDF Author: Max Beerbohm
Publisher: LA CASE Books
ISBN:
Category : Fiction
Languages : en
Pages : 390

Book Description
Zuleika Dobson, or, an Oxford love story, is the only novel by English essayist Max Beerbohm, a satire of undergraduate life at Oxford published in 1911. It includes the famous line "Death cancels all engagements" and presents a corrosive view of Edwardian Oxford. The all-male campus of Oxford—Beerbohm’s alma mater—is a place where aesthetics holds sway above all else, and where witty intellectuals reign. Things haven’t changed for its privileged student body for years . . . until the beguiling music-hall prestidigitator Zuleika Dobson shows up. The book’s marvelous prose dances along the line between reality and the absurd as students and dons alike fall at Zuleika’s feet, and she cuts a wide swath across the campus—until she encounters one young aristocrat for whom she is astonished to find she has feelings. As Zuleika, and her creator, zero in on their targets, the book takes some surprising and dark twists on its way to a truly startling ending—an ending so striking that readers will understand why Virginia Woolf said that “Mr. Beerbohm in his way is perfect.” In 1998, the Modern Library ranked Zuleika Dobson 59th on its list of the 100 best English-language novels of the 20th century.

The Imaginary Reminiscences of Sir Max Beerbohm

The Imaginary Reminiscences of Sir Max Beerbohm PDF Author: Ira Grushow
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 320

Book Description


The Works of Max Beerbohm

The Works of Max Beerbohm PDF Author: Sir Max Beerbohm
Publisher:
ISBN:
Category :
Languages : en
Pages : 214

Book Description


The Lies of Art

The Lies of Art PDF Author: John Felstiner
Publisher: New York : Knopf
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 354

Book Description
and in the former he detects the uneasy animus that Max so charmingly and deliberately aroused. His elegant, non-partisan sniping, however, could disguise either esteem or disdain, or both as in the formidable presences of Wilde, Shaw, Ibsen. Behind the percipient cruelty of his caricatures, many of friends, there is a schoolboy's impulse to deflate and deface, as he habitually did the photographs in his books. And in the unexcellable sophistication of his parodies -- which now require the careful situating and anatomizing that Felstiner provides --