Author: Jennifer L. Roberts
Publisher: Princeton University Press
ISBN: 0691255857
Category : Art
Languages : en
Pages : 232
Book Description
A leading art historian presents a new grammar for understanding the meaning and significance of print In process and technique, printmaking is an art of physical contact. From woodcut and engraving to lithography and screenprinting, every print is the record of a contact event: the transfer of an image between surfaces, under pressure, followed by release. Contact reveals how the physical properties of print have their own poetics and politics and provides a new framework for understanding the intelligence and continuing relevance of printmaking today. The seemingly simple physics of printmaking brings with it an array of metamorphoses that give expression to many of the social and conceptual concerns at the heart of modern and contemporary art. Exploring transformations such as reversal, separation, and interference, Jennifer Roberts explores these dynamics in the work of Christiane Baumgartner, David Hammons, Edgar Heap of Birds, Jasper Johns, Corita Kent, Glenn Ligon, Julie Mehretu, Robert Rauschenberg, and many other leading artists who work at the edge of the medium and beyond. Focusing on the material and spatial transformations of the printmaking process rather than its reproducibility, this beautifully illustrated book explores the connections between print, painting, and sculpture, but also between the fine arts, industrial arts, decorative arts, and domestic arts. Throughout, Roberts asks what artists are learning from print, and what we, in turn, can learn from them. Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington
Contact: Art and the Pull of Print
Author: Jennifer L. Roberts
Publisher: Princeton University Press
ISBN: 0691255857
Category : Art
Languages : en
Pages : 232
Book Description
A leading art historian presents a new grammar for understanding the meaning and significance of print In process and technique, printmaking is an art of physical contact. From woodcut and engraving to lithography and screenprinting, every print is the record of a contact event: the transfer of an image between surfaces, under pressure, followed by release. Contact reveals how the physical properties of print have their own poetics and politics and provides a new framework for understanding the intelligence and continuing relevance of printmaking today. The seemingly simple physics of printmaking brings with it an array of metamorphoses that give expression to many of the social and conceptual concerns at the heart of modern and contemporary art. Exploring transformations such as reversal, separation, and interference, Jennifer Roberts explores these dynamics in the work of Christiane Baumgartner, David Hammons, Edgar Heap of Birds, Jasper Johns, Corita Kent, Glenn Ligon, Julie Mehretu, Robert Rauschenberg, and many other leading artists who work at the edge of the medium and beyond. Focusing on the material and spatial transformations of the printmaking process rather than its reproducibility, this beautifully illustrated book explores the connections between print, painting, and sculpture, but also between the fine arts, industrial arts, decorative arts, and domestic arts. Throughout, Roberts asks what artists are learning from print, and what we, in turn, can learn from them. Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington
Publisher: Princeton University Press
ISBN: 0691255857
Category : Art
Languages : en
Pages : 232
Book Description
A leading art historian presents a new grammar for understanding the meaning and significance of print In process and technique, printmaking is an art of physical contact. From woodcut and engraving to lithography and screenprinting, every print is the record of a contact event: the transfer of an image between surfaces, under pressure, followed by release. Contact reveals how the physical properties of print have their own poetics and politics and provides a new framework for understanding the intelligence and continuing relevance of printmaking today. The seemingly simple physics of printmaking brings with it an array of metamorphoses that give expression to many of the social and conceptual concerns at the heart of modern and contemporary art. Exploring transformations such as reversal, separation, and interference, Jennifer Roberts explores these dynamics in the work of Christiane Baumgartner, David Hammons, Edgar Heap of Birds, Jasper Johns, Corita Kent, Glenn Ligon, Julie Mehretu, Robert Rauschenberg, and many other leading artists who work at the edge of the medium and beyond. Focusing on the material and spatial transformations of the printmaking process rather than its reproducibility, this beautifully illustrated book explores the connections between print, painting, and sculpture, but also between the fine arts, industrial arts, decorative arts, and domestic arts. Throughout, Roberts asks what artists are learning from print, and what we, in turn, can learn from them. Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington
Matt Saunders: Poems of Our Climate
Author:
Publisher:
ISBN: 9781733688987
Category :
Languages : en
Pages : 192
Book Description
Drawing on avant-garde cinema and found photographs, Saunders' multimedia works explore the mobility and affective power of images This publication encompasses eight years of work by Cambridge, MA- and Berlin-based artist Matt Saunders (born 1975), who engages painting as a time-based medium through cameraless photography, animation, and innovative painting and printmaking processes. Best known for his haunting portraits and landscapes (using imagery culled from avant-garde cinema and found photographs) and moving-image works, Saunders uses analog materials to explore the affective power of images. Focusing on his experimentation with color processes, the stunning reproductions in this volume range from his first color film, Century Rolls(2012), to his more recent large-scale video installations. Moving image folds together with painting, photography and print, enlivening our relationship to images and their capacity for uncanny returns, echoes and ghosts.
Publisher:
ISBN: 9781733688987
Category :
Languages : en
Pages : 192
Book Description
Drawing on avant-garde cinema and found photographs, Saunders' multimedia works explore the mobility and affective power of images This publication encompasses eight years of work by Cambridge, MA- and Berlin-based artist Matt Saunders (born 1975), who engages painting as a time-based medium through cameraless photography, animation, and innovative painting and printmaking processes. Best known for his haunting portraits and landscapes (using imagery culled from avant-garde cinema and found photographs) and moving-image works, Saunders uses analog materials to explore the affective power of images. Focusing on his experimentation with color processes, the stunning reproductions in this volume range from his first color film, Century Rolls(2012), to his more recent large-scale video installations. Moving image folds together with painting, photography and print, enlivening our relationship to images and their capacity for uncanny returns, echoes and ghosts.
Kindred
Author: Kirli Saunders
Publisher:
ISBN: 9781925768893
Category :
Languages : en
Pages :
Book Description
This is the breaking, the shattering, the smattering of every limit ever accepted or imposed... Kindred, Kirli Saunders debut poetry collection, is a pleasure to lose yourself in. Kirli has a keen eye for observation, humour and big themes that surround Love/Connection/Loss in an engaging style, complemented by evocative and poignant imagery. It talks to identity, culture, community and the role of Earth as healer. Kindred has the ability to grab hold of the personal in the universal and reflect this back to the reader.
Publisher:
ISBN: 9781925768893
Category :
Languages : en
Pages :
Book Description
This is the breaking, the shattering, the smattering of every limit ever accepted or imposed... Kindred, Kirli Saunders debut poetry collection, is a pleasure to lose yourself in. Kirli has a keen eye for observation, humour and big themes that surround Love/Connection/Loss in an engaging style, complemented by evocative and poignant imagery. It talks to identity, culture, community and the role of Earth as healer. Kindred has the ability to grab hold of the personal in the universal and reflect this back to the reader.
Bindi 2nd Edition (Soft Cover)
Author: Kirli Saunders
Publisher:
ISBN: 9781922613448
Category : Australian fiction
Languages : en
Pages : 0
Book Description
**Winner, 2019 Western Australian Premier's Book Awards, Daisy Utemorrah Award** **Winner, 2021 Australia Books Industry Awards, Small Publishers' Children's Book of the Year** **Winner, 2021 Queensland Literary Awards, Children's Book Award** **Winner, 2021 Speech Pathology, Australia Books of the Year Awards, Eight to ten Years** **Shortlisted, 2022 NSW Premier's Literary Awards, Patricia Wrightson Prize for Children's Literature** **Shortlisted, 2022 Adelaide Festival Awards for Literature, Children's Literature Awards** **Shortlisted, 2022 Ena Noel Award, The IBBY Australia Encouragement Award for a Young Emerging Writer or Illustrator** **Shortlisted, 2021 Children's Book Council of Australia, Book of the Year Awards, Younger Readers** **Shortlisted, 2021 Australian Book Design Awards, Best Designed Children's Fiction Book** **Shortlisted, 2021 Readings Children's Book Prize** **Longlisted, 2021 Colin Roderick Literary Award** Age range 8 to 12 Meet 11-year-old Bindi. She's not really into maths but LOVES art class and playing hockey. Her absolute FAVOURITE thing is adventuring outside with friends or her horse, Nell. A new year starts like normal -- school, family, hockey, dancing. But this year hasn't gone to plan! There's a big art assignment, a drought, a broken wrist AND the biggest bushfires her town has ever seen! Bindi is a verse novel for mid-upper primary students. Written 'for those who plant trees', Bindi explores climate, bush fires, and healing. Written from the point of view of 11-year-old, Bindi and her friends on Gundungurra Country.
Publisher:
ISBN: 9781922613448
Category : Australian fiction
Languages : en
Pages : 0
Book Description
**Winner, 2019 Western Australian Premier's Book Awards, Daisy Utemorrah Award** **Winner, 2021 Australia Books Industry Awards, Small Publishers' Children's Book of the Year** **Winner, 2021 Queensland Literary Awards, Children's Book Award** **Winner, 2021 Speech Pathology, Australia Books of the Year Awards, Eight to ten Years** **Shortlisted, 2022 NSW Premier's Literary Awards, Patricia Wrightson Prize for Children's Literature** **Shortlisted, 2022 Adelaide Festival Awards for Literature, Children's Literature Awards** **Shortlisted, 2022 Ena Noel Award, The IBBY Australia Encouragement Award for a Young Emerging Writer or Illustrator** **Shortlisted, 2021 Children's Book Council of Australia, Book of the Year Awards, Younger Readers** **Shortlisted, 2021 Australian Book Design Awards, Best Designed Children's Fiction Book** **Shortlisted, 2021 Readings Children's Book Prize** **Longlisted, 2021 Colin Roderick Literary Award** Age range 8 to 12 Meet 11-year-old Bindi. She's not really into maths but LOVES art class and playing hockey. Her absolute FAVOURITE thing is adventuring outside with friends or her horse, Nell. A new year starts like normal -- school, family, hockey, dancing. But this year hasn't gone to plan! There's a big art assignment, a drought, a broken wrist AND the biggest bushfires her town has ever seen! Bindi is a verse novel for mid-upper primary students. Written 'for those who plant trees', Bindi explores climate, bush fires, and healing. Written from the point of view of 11-year-old, Bindi and her friends on Gundungurra Country.
Guwayu, for All Times
Author: Jeanine Leane
Publisher:
ISBN: 9781925936544
Category :
Languages : en
Pages :
Book Description
Itravel Country, like my Old People done. I see the Country, like my Old PeopledoneI burn Country, like my Old People done. I sing Country, like my Old Peopledone-- JacobMorris, Ban Maganindadjyang (My Old People Done) Guwayu, For All Times is acollection of First Nations poems commissioned by Red Room Poetry over the past16 years, and is a radical literary intervention for its breadth ofrepresentation, temporal depth and diversity of language. This fiercely uncensoredcollection features 61 poems from First Nations poets in 12 First Nationslanguages, and together they are an exquisite expression of living FirstNations culture. Journey through a range of poetic forms fromlyric, confessional, protest, narrative and song, showcasing new voices andestablished poets. Guwayu is edited by Wiradjuri poet, Dr Jeanine Leane, produced byRed Room Poetry, a leading arts organisation committed to making poetry inmeaningful ways, and published by Magabala Books, Australia's leadingIndigenous publisher. 'TheAustralian literary landscape needs this bold, brave intervention to wake it upfrom the 232-year slumber and the dream of the settler mythscape. Guwayubreaks the silence -- feel the beauty -- hear our words.' -- Dr Jeanine Leane Featuring: Ethan Bell, John Muk Muk Burke, Ali Cobby Eckermann, Claire G Coleman,Paul Collis, Joel Davison, Joel Deaves, Lionel Fogarty, Declan Furber Gillick,Stiff Gins, Daniel Hansen, Matthew Heffernan, Steve Dibirdi Hodder WassBunbajee, Yvette Holt, Gayle Kennedy, Jeanine Leane, Carissa Lee Godwin, LolaMcKickett, Jacob Morris, Lorna Munro, Melanie Mununggurr, Maureen O'Keefe,Bruce Pascoe, Nick Paton, Ryan Prehn, Celestine Rowe, Brenda Saunders, NicoleSmede, Lyndsay Urquhart, Sam Wagan Watson, Adrain Webster.
Publisher:
ISBN: 9781925936544
Category :
Languages : en
Pages :
Book Description
Itravel Country, like my Old People done. I see the Country, like my Old PeopledoneI burn Country, like my Old People done. I sing Country, like my Old Peopledone-- JacobMorris, Ban Maganindadjyang (My Old People Done) Guwayu, For All Times is acollection of First Nations poems commissioned by Red Room Poetry over the past16 years, and is a radical literary intervention for its breadth ofrepresentation, temporal depth and diversity of language. This fiercely uncensoredcollection features 61 poems from First Nations poets in 12 First Nationslanguages, and together they are an exquisite expression of living FirstNations culture. Journey through a range of poetic forms fromlyric, confessional, protest, narrative and song, showcasing new voices andestablished poets. Guwayu is edited by Wiradjuri poet, Dr Jeanine Leane, produced byRed Room Poetry, a leading arts organisation committed to making poetry inmeaningful ways, and published by Magabala Books, Australia's leadingIndigenous publisher. 'TheAustralian literary landscape needs this bold, brave intervention to wake it upfrom the 232-year slumber and the dream of the settler mythscape. Guwayubreaks the silence -- feel the beauty -- hear our words.' -- Dr Jeanine Leane Featuring: Ethan Bell, John Muk Muk Burke, Ali Cobby Eckermann, Claire G Coleman,Paul Collis, Joel Davison, Joel Deaves, Lionel Fogarty, Declan Furber Gillick,Stiff Gins, Daniel Hansen, Matthew Heffernan, Steve Dibirdi Hodder WassBunbajee, Yvette Holt, Gayle Kennedy, Jeanine Leane, Carissa Lee Godwin, LolaMcKickett, Jacob Morris, Lorna Munro, Melanie Mununggurr, Maureen O'Keefe,Bruce Pascoe, Nick Paton, Ryan Prehn, Celestine Rowe, Brenda Saunders, NicoleSmede, Lyndsay Urquhart, Sam Wagan Watson, Adrain Webster.
“The” Illustrated London News
The English Catalogue of Books
The English Catalogue of Books for ..
A New English Dictionary on Historical Principles
Books in Print Supplement
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1852
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1852
Book Description