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Author: Mine Doğantan Publisher: Peter Lang Publishing ISBN: Category : History Languages : en Pages : 196
Book Description
What are the historical roots of the rapidly growing branch of performance studies in contemporary music psychology? During the nineteenth century, the Swiss music theorist Mathis Lussy proposed a highly original theory locating the source of expression in performance within the musical structures rather than solely in the inspired soul of the performing artist. This book presents a comprehensive account of Lussy's theories of musical rhythm and performance based on a survey of long-neglected archival sources and publications against the backdrop of eighteenth- and nineteenth-century psychology and aesthetics. Contents: Expressive performance--Affective response to music--The interdependency of affect and cognition in musical experiences--Respiration as a model for music rhythm--Kinesthesis--Musical rhetoric--Mimesis and formalism in musical aesthetics--Tonal attractions--Accentuation and expressive timing..
Author: Mine Doğantan Publisher: Peter Lang Publishing ISBN: Category : History Languages : en Pages : 196
Book Description
What are the historical roots of the rapidly growing branch of performance studies in contemporary music psychology? During the nineteenth century, the Swiss music theorist Mathis Lussy proposed a highly original theory locating the source of expression in performance within the musical structures rather than solely in the inspired soul of the performing artist. This book presents a comprehensive account of Lussy's theories of musical rhythm and performance based on a survey of long-neglected archival sources and publications against the backdrop of eighteenth- and nineteenth-century psychology and aesthetics. Contents: Expressive performance--Affective response to music--The interdependency of affect and cognition in musical experiences--Respiration as a model for music rhythm--Kinesthesis--Musical rhetoric--Mimesis and formalism in musical aesthetics--Tonal attractions--Accentuation and expressive timing..
Author: David Milsom Publisher: Routledge ISBN: 1351571753 Category : History Languages : en Pages : 528
Book Description
This volume brings together twenty-two of the most diverse and stimulating journal articles on classical and romantic performing practice, representing a rich vein of enquiry into epochs of music still very much at the forefront of current concert repertoire. In so doing, it provides a wide range of subject-based scholarship. It also reveals a fascinating window upon the historical performance debate of the last few decades in music where such matters still stimulate controversy.
Author: Jillian C. Rogers Publisher: Oxford University Press ISBN: 0190658290 Category : Music Languages : en Pages : 401
Book Description
"French Music and Trauma Between the World Wars illustrates that coping with trauma was a central concern for French musicians active after World War I. The losses and violent warfare of World War I shaped how interwar French musicians-from those fighting in the trenches and working in military hospitals to more well-known musicians-engaged with music. Situated at the intersections of musicology, history, sound and performance studies, and psychology and trauma studies, Resonant Recoveries argues that modernists' compositions and musical activities were sonorous locations for managing and performing trauma. Through analysis of archival materials, French medical, philosophical, and literary texts, and the music produced between the wars, this book illuminates how music emerged during World War I as an embodied technology of consolation. Resonant Recoveries demonstrates that music making came to be understood by French interwar musicians as a consolatory practice that enhanced their abilities to remember lost loved ones, gave them opportunities to perform their grief publicly and privately, allowed them to create healing bonds of friendship, and soothed them with sonic vibrations and the rhythmically regular bodily movements required in order to perform many French neoclassical compositions. In revealing the importance music making held for interwar French musicians, this book refigures French modernist music as a therapeutic medium for creators, performers, and audiences, while also underlining the importance of addressing trauma, mourning, and people's emotional lives in music scholarship"--
Author: Mine Doğantan Publisher: Peter Lang Publishing ISBN: Category : History Languages : en Pages : 192
Book Description
What are the historical roots of the rapidly growing branch of performance studies in contemporary music psychology? During the nineteenth century, the Swiss music theorist Mathis Lussy proposed a highly original theory locating the source of expression in performance within the musical structures rather than solely in the inspired soul of the performing artist. This book presents a comprehensive account of Lussy's theories of musical rhythm and performance based on a survey of long-neglected archival sources and publications against the backdrop of eighteenth- and nineteenth-century psychology and aesthetics. Contents: Expressive performance--Affective response to music--The interdependency of affect and cognition in musical experiences--Respiration as a model for music rhythm--Kinesthesis--Musical rhetoric--Mimesis and formalism in musical aesthetics--Tonal attractions--Accentuation and expressive timing..
Author: Publisher: Pendragon Press ISBN: 9780918728999 Category : Music Languages : en Pages : 572
Book Description
Originally published in 1966, the Reeseschrift remains one of the most significant collections of musicological writings ever assembled. Its fifty-six essays, written by some of the greatest scholars of our time, range chronologically from antiquity to the 17thcentury and geographically from Byzantium to the British Isles. They deal with questions of history, style, form, texture, notation, and performance practice.
Author: Neal Peres da Costa Publisher: Oxford University Press ISBN: 0199977208 Category : Music Languages : en Pages : 396
Book Description
Off the Record is a revealing exploration of piano performing practices of the high Romantic era. Author and well-known keyboard player Neal Peres Da Costa bases his investigation on a range of early sound recordings (acoustic, piano roll and electric) that capture a generation of highly-esteemed pianists trained as far back as the mid-nineteenth-century. Placing general practices of late nineteenth-century piano performance alongside evidence of the stylistic idiosyncrasies of legendary pianists such as Carl Reinecke (1824-1910), Theodor Leschetizky (1830-1915), Camille Saint-Sa?ns (1838-1921) and Johannes Brahms (1833-1897), he examines prevalent techniques of the time--dislocation, unnotated arpeggiation, rhythmic alteration, tempo fluctuation--and unfolds the background and lineage of significant performer/pedagogues. Throughout, Peres Da Costa demonstrates that these early recordings do not simply capture the idiosyncrasies of aging musicians as has been commonly asserted, but in fact represent a range of established expressive practices of a lost age. An extensive collection of these fascinating and sometimes rare professional recordings of the Romantic age masters are available on a companion web site, and in addition, Peres Da Costa, himself a renowned period keyboardist, illustrates points made throughout the book with his own playing. Of essential value to student and professional pianists, historical musicologists of 19th and early 20th century performance practice, and also to the general music aficionado audience, Off the Record is an indispensable resource for scholarly research, performance inspiration, and listening enjoyment.
Author: Mine Doğantan
Author: Mine Doğantan![Mathis Lussy et le rhythme musical. [With a portrait and musical examples.]. PDF](https://books.google.com/books/content/images/frontcover/J-ljMwEACAAJ?fife=w80-h100)
Author: Edmond MONOD
Author: David Milsom
Author: Jillian C. Rogers
Author: Mine Doğantan
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Author: Émile Jaques-Dalcroze
Author: Neal Peres da Costa