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Author: Kurt Johann Ellenberger Publisher: Assayer Publishing ISBN: 0970981139 Category : Music Languages : en Pages : 124
Book Description
Materials and Concepts in Jazz Improvisation is a comprehensive and concise compilation of the various harmonic and melodic devices used by jazz musicians. It attempts to deal with these materials, (and later, the concepts), in a manner that allows for the greatest possible freedom and flexibility without resorting to mere "licks." The text presents the student and teacher with a conceptual framework that explains "why" as well as "how." It can be used by musicians at any stage of development, but it does assume a rudimentary grounding in music theory. For students and teachers of jazz at any level, it provides a linear perspective on improvisation and harmony from the simplest to the most advanced concepts; it can also function as a reference text for anyone involved in jazz at any level from hobbyist to professional, providing quick and easy descriptions and definitions of the musical materials found in jazz. It can be used for individual study, in classroom settings (jazz theory, jazz improvisation, or jazz pedagogy), in private lessons, or simply as a resource volume.
Author: Kurt Johann Ellenberger Publisher: Assayer Publishing ISBN: 0970981139 Category : Music Languages : en Pages : 124
Book Description
Materials and Concepts in Jazz Improvisation is a comprehensive and concise compilation of the various harmonic and melodic devices used by jazz musicians. It attempts to deal with these materials, (and later, the concepts), in a manner that allows for the greatest possible freedom and flexibility without resorting to mere "licks." The text presents the student and teacher with a conceptual framework that explains "why" as well as "how." It can be used by musicians at any stage of development, but it does assume a rudimentary grounding in music theory. For students and teachers of jazz at any level, it provides a linear perspective on improvisation and harmony from the simplest to the most advanced concepts; it can also function as a reference text for anyone involved in jazz at any level from hobbyist to professional, providing quick and easy descriptions and definitions of the musical materials found in jazz. It can be used for individual study, in classroom settings (jazz theory, jazz improvisation, or jazz pedagogy), in private lessons, or simply as a resource volume.
Author: David Baker Publisher: Alfred Music ISBN: 9781457427015 Category : Music Languages : en Pages : 148
Book Description
An excellent book designed to assist musicians with their performance of contemporary (post be-bop) jazz. It focuses on utilizing fourths, pentatonics, modes, bitonals and other contemporary materials when improvising. Numerous examples, suggested reading and recording examples are also included.
Author: Michael Titlebaum Publisher: Routledge ISBN: 9780367854751 Category : Music Languages : en Pages : 300
Book Description
Jazz Improvisation Using Simple Melodic Embellishment teaches fundamental concepts of jazz improvisation, highlighting the development of performance skills through embellishment techniques. Written with the college-level course in mind, this introductory textbook is both practical and comprehensive, ideal for the aspiring improviser, focused not on scales and chords but melodic embellishment. It assumes some basic theoretical knowledge and level of musicianship while introducing multiple techniques, mindful that improvisation is a learned skill as dependent on hard work and organized practice as it is on innate talent. This jargon-free textbook can be used in both self-guided study and as a course book, fortified by an array of interactive exercises and activities: musical examples performance exercises written assignments practice grids resources for advanced study and more! Nearly all musical exercises--presented throughout the text in concert pitch and transposed in the appendices for E-flat, B-flat, and bass clef instruments--are accompanied by backing audio tracks, available for download via the Routledge catalog page along with supplemental instructor resources such as a sample syllabus, PDFs of common transpositions, and tutorials for gear set-ups. With music-making at its core, Jazz Improvisation Using Simple Melodic Embellishment implores readers to grab their instruments and play, providing musicians with the simple melodic tools they need to "jazz it up."
Author: Paul F. Berliner Publisher: University of Chicago Press ISBN: 0226044521 Category : Music Languages : en Pages : 904
Book Description
A landmark in jazz studies, Thinking in Jazz reveals as never before how musicians, both individually and collectively, learn to improvise. Chronicling leading musicians from their first encounters with jazz to the development of a unique improvisatory voice, Paul Berliner documents the lifetime of preparation that lies behind the skilled improviser's every idea. The product of more than fifteen years of immersion in the jazz world, Thinking in Jazz combines participant observation with detailed musicological analysis, the author's experience as a jazz trumpeter, interpretations of published material by scholars and performers, and, above all, original data from interviews with more than fifty professional musicians: bassists George Duvivier and Rufus Reid; drummers Max Roach, Ronald Shannon Jackson, and Akira Tana; guitarist Emily Remler; pianists Tommy Flanagan and Barry Harris; saxophonists Lou Donaldson, Lee Konitz, and James Moody; trombonist Curtis Fuller; trumpeters Doc Cheatham, Art Farmer, Wynton Marsalis, and Red Rodney; vocalists Carmen Lundy and Vea Williams; and others. Together, the interviews provide insight into the production of jazz by great artists like Betty Carter, Miles Davis, Dizzy Gillespie, Coleman Hawkins, and Charlie Parker. Thinking in Jazz overflows with musical examples from the 1920s to the present, including original transcriptions (keyed to commercial recordings) of collective improvisations by Miles Davis's and John Coltrane's groups. These transcriptions provide additional insight into the structure and creativity of jazz improvisation and represent a remarkable resource for jazz musicians as well as students and educators. Berliner explores the alternative ways—aural, visual, kinetic, verbal, emotional, theoretical, associative—in which these performers conceptualize their music and describes the delicate interplay of soloist and ensemble in collective improvisation. Berliner's skillful integration of data concerning musical development, the rigorous practice and thought artists devote to jazz outside of performance, and the complexities of composing in the moment leads to a new understanding of jazz improvisation as a language, an aesthetic, and a tradition. This unprecedented journey to the heart of the jazz tradition will fascinate and enlighten musicians, musicologists, and jazz fans alike.
Author: David Baker Publisher: Alfred Music ISBN: 9781457426094 Category : Music Languages : en Pages : 136
Book Description
Jazz Improvisation focuses on the communicative and technical aspects of improvisation and makes an excellent resource for both pros and aspiring improvisers. Assimilate and execute chord progressions, substitutions, turn arounds and construct a melody and jazz chorus.
Author: Rich DeRosa Publisher: Hal Leonard Corporation ISBN: 9780793582136 Category : Music Languages : en Pages : 88
Book Description
(Jazz Book). Improv fundamentals for teachers and students, covering the blues, modes, scales, progressions and more, plus chapters on phrasing melodies, the "swing" concept, phraseology in modern jazz, chord nomenclature, and solo development.
Author: George Bouchard Publisher: ISBN: Category : Improvisation (Music) Languages : en Pages : 458
Book Description
" ... Written to organize, codify, and demonstrate useful information which has proven to be helpful in learning to play improvised solos in the jazz idiom ... [for] the prepared player with some experience, who is looking for a deeper and more complete understanding of chord progressions and tune structures ... intended to provide information and insight to the serious player for the purpose of helping him of her develop more consistency in accomplishing the ability to play interesting, convincing jazz solos."--Preface
Author: Davy Mooney Publisher: Mel Bay Publications ISBN: 161911934X Category : Music Languages : en Pages : 68
Book Description
This method book is designed to help intermediate to advanced jazz students incorporate classic jazz vocabulary into their original improvisations. Using a series of standard and modern chord progressions, guitarist Davy Mooney provides several short passages that are meant to be played exactly as written within an otherwise improvised solo; students are expected to adapt this written material to their own purposes by improvising into and out of it. In an effort to overcome the disconnect between developing a unique sound and learning the language of past jazz masters, the author eloquently analyzes several phrases and chord changes and comments on various aspects of improvisation, referencing the styles and specific recordings of many outstanding jazz artists. This is the method that Mooney used as a student to personalize his own jazz vocabulary and learn to express himself within the context of the jazz tradition. Mooney proves he has both the vocabulary and the chops to deliver generously repeated guitar/bass/drums backup tracks for student use; he then demonstrates the method by providing transcriptions of his own improvisations, incorporating the same phrases and chord progressions required of the student. The firm message conveyed by this book is that, “you can do it too.” Written in standard notation only. Includes access to online audio.
Author: Andy McWain Publisher: Fuller Street Music & Media ISBN: Category : Music Languages : en Pages : 106
Book Description
Thirty-Six Jazz Practice Ideas to Get the Most from Your Real Book You may know about the REAL BOOK, but what you probably don’t know is how much MUSICAL PROGRESS can be accomplished with only a single fake book! Don’t know what to practice? Don’t want to waste valuable time? Based on years of university-level teaching, the author of this book gives jazz musicians: Simple, focused melodic, harmonic, and rhythmic strategies on how to use their limited practicing time more efficiently Easy-to-understand practice ideas for any jazz musician to apply over any real book tunes A blueprint of improvisation tips to avoid the pitfalls of directionless practicing Here’s the beginner/intermediate jazz strategy list you’ve never seen before: Thirty-six actionable melodic ideas, harmonic ideas, rhythmic and metric tips, ear training exercises, and basic arranging and composition blueprints, and more… Do you know why many young musicians fail? Why intermediate-level musicians get stuck? Do you feel like the secrets of WHAT and HOW to practice jazz improvisation are out of your reach? Do you want to really deepen your connection to the music you play? Sometimes jazz musicians want to get better, but don’t always know how — even with the help of a teacher. These thirty-six jazz practice ideas cover a wide range of modern jazz improvisation strategies, presented in clear topic chapters to provide the most effective results for beginner and intermediate players. You want to know what to practice? Any real book or fake book tune. Okay, now what? Choose one or more of these 36 actionable practice ideas and make real progress with your musical abilities: improvisation and soloing, ear training, connecting harmony, and more. For jazz piano, jazz guitar, jazz saxophone, jazz trumpet, jazz bass, jazz voice, jazz trombone, jazz drums, and all other improvising instruments.
Author: Kurt Johann Ellenberger
Author: Kurt Johann Ellenberger
Author: David Baker
Author: Michael Titlebaum
Author: Paul F. Berliner
Author: David Baker
Author: Rich DeRosa
Author: Noah Baerman
Author: George Bouchard
Author: Davy Mooney
Author: Andy McWain