Materiali e discussioni per l'analisi dei testi classici PDF Download

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Publisher:
ISBN:
Category : Classical literature
Languages : en
Pages : 1042

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Author: Benjamin Acosta-Hughes
Publisher: Princeton University Press
ISBN: 1400834899
Category : Literary Criticism
Languages : en
Pages : 271

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Arion's Lyre examines how Hellenistic poetic culture adapted, reinterpreted, and transformed Archaic Greek lyric through a complex process of textual, cultural, and creative reception. Looking at the ways in which the poetry of Sappho, Alcaeus, Ibycus, Anacreon, and Simonides was preserved, edited, and read by Hellenistic scholars and poets, the book shows that Archaic poets often look very different in the new social, cultural, and political setting of Hellenistic Alexandria. For example, the Alexandrian Sappho evolves from the singer of Archaic Lesbos but has distinct associations and contexts, from Ptolemaic politics and Macedonian queens to the new phenomenon of the poetry book and an Alexandrian scholarship intent on preservation and codification. A study of Hellenistic poetic culture and an interpretation of some of the Archaic poets it so lovingly preserved, Arion's Lyre is also an examination of how one poetic culture reads another--and how modern readings of ancient poetry are filtered and shaped by earlier readings.

Author: Alison Sharrock
Publisher: Psychology Press
ISBN: 9780415165105
Category : History
Languages : en
Pages : 456

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A chronological guide to influential Greek and Roman writers, Fifty Key Classical Authors is an invaluable introduction to the literature, philosophy and history of the ancient world. Including essays on Sappho, Polybius and Lucan, as well as on major figures such as Homer, Plato, Catullus and Cicero, this book is a vital tool for all students of classical civilization.

Author: Peter E. Knox
Publisher: Oxford University Press, USA
ISBN: 0199281157
Category : Literary Criticism
Languages : en
Pages : 552

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A collection of twenty classic papers by the critics most often consulted by students and teachers of Ovid's poetry. Taken together, these papers form the basis for contemporary interpretation of Ovid's works; an introduction by Peter Knox locates them within recent critical trends. All Latin in the text has been translated.

Author: Troy M. Troftgruben
Publisher: Mohr Siebeck
ISBN: 9783161504532
Category : Religion
Languages : en
Pages : 264

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Revision of author's thesis (Ph. D.)--Princeton Theological Seminary, 2009.

Author: Silvia Bigliazzi
Publisher: Skenè. Texts and Studies
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 465

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Συναγωνίζεσθαι, the ancient Greek verb chosen as the title of this volume, belongs to the jargon of dramaturgy as employed by Aristotle inPoetics, where he emphasizes the function of the Chorus as an active co-protagonist in the dynamics of drama. Here it suggests the collaborative nature of this Festschrift offered to Guido Avezzù in the year of his retirement by friends and colleagues. The volume collects a wide selection of contributions by international scholars, grouped into four sections: Greek Tragedy (Part 1), Greek Comedy (Part 2), Reception (Part 3), and Theatre and Beyond (Part 4). The Authors. A. Andrisano, P. Angeli Bernardini, A. Bagordo, A. Bierl, S. Bigliazzi, M.G. Bonanno, S. Brunetti, D. Cairns, G. Cerri, V. Citti, A.T. Cozzoli, F. Dall’Olio, M. Di Marco, M. Duranti, S. Fornaro, A. Grilli, S. Halliwell, E.M. Harris, O. Imperio, P. Judet de La Combe, W. Lapini, V. Liapis, L. Lomiento, F. Lupi, A. Markantonatos, G. Mastromarco, E. Medda, F. Montana, F. Montanari, C. Neri, E. Nicholson, R. Nicolai, H. Notsu, G. Paduano, N. Pasqualicchio, M.P. Pattoni, A. Provenza, J. Redondo, A. Scafuro, S.L. Schein, A. Sidiropoulou, R. Tosi, P. Totaro, M. Treu, M. Tulli, G. Ugolini, P. Volpe, M. Zanolla

Author:
Publisher: Skenè. Texts and Studies
ISBN:
Category :
Languages : en
Pages :

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Author: Concepción Cabrillana
Publisher: Cambridge Scholars Publishing
ISBN: 1443883972
Category : Literary Criticism
Languages : en
Pages : 280

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This book adopts a broad and multifaceted approach to that most preeminent of classical literature genres: the Epic. Set in the ancient world, from archaic Greece to imperial Rome, the scope of interest here extends, for comparative purposes, to Vedic and Sanskrit poetry, as well as the Medieval epic. This collection of papers by classicists from the University of Santiago de Compostela, Spain, embraces key themes in recent scholarship, such as the character of the hero, defined in terms of the conflict of power central to the epos, the metapoetic function of the bard as a literary reflection of epic style, and the manipulation of epic myth to fulfil new functions, such as retelling contemporary history and conveying mystic symbology. Topics rooted in archaic poetry, such as the reutilisation of the ogre character embodied in the Cyclops and the journey into the Underworld, are also explored in great detail. In all these studies, the intertextual nature of ancient writing is consistently addressed through discussions of the revisiting of Homeric poetry by authors such as the Greek tragedians, Empedocles, Plato, Virgil, Ovid, Seneca, Lucan, and Valerius Flaccus. The analysis of the heroic narrative offered in this volume includes both literary phenomena and the language of the epic itself; the reader is thus afforded the widest possible view of current critical perspectives in classical literature and linguistics. Such a comprehensive treatment of the most important genre in the ancient world grants the reader powerful insights into the way in which ancient literature was composed. This collection of studies, while making a substantial contribution to scholarship in this field, will also appeal to a varied academic readership, including researchers in classical literature and linguistics, as well as students of literary theory.

Author: Alessandro Barchiesi
Publisher: Princeton University Press
ISBN: 0691176124
Category : Literary Criticism
Languages : en
Pages : 211

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The study of Homeric imitations in Vergil has one of the longest traditions in Western culture, starting from the very moment the Aeneid was circulated. Homeric Effects in Vergil's Narrative is the first English translation of one of the most important and influential modern studies in this tradition. In this revised and expanded edition, Alessandro Barchiesi advances innovative approaches even as he recuperates significant earlier interpretations, from Servius to G. N. Knauer. Approaching Homeric allusions in the Aeneid as "narrative effects" rather than glimpses of the creative mind of the author at work, Homeric Effects in Vergil's Narrative demonstrates how these allusions generate hesitations and questions, as well as insights and guidance, and how they participate in the creation of narrative meaning. The book also examines how layers of competing interpretations in Homer are relevant to the Aeneid, revealing again the richness of the Homeric tradition as a component of meaning in the Aeneid. Finally, Homeric Effects in Vergil's Narrative goes beyond previous studies of the Aeneid by distinguishing between two forms of Homeric intertextuality: reusing a text as an individual model or as a generic matrix. For this edition, a new chapter has been added, and in a new afterword the author puts the book in the context of changes in the study of Latin literature and intertextuality. A masterful work of classical scholarship, Homeric Effects in Vergil's Narrative also has valuable insights for the wider study of imitation, allusion, intertextuality, epic, and literary theory.

Author: Joseph Farrell
Publisher: Princeton University Press
ISBN: 0691221251
Category : History
Languages : en
Pages : 384

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A major new interpretation of Vergil's epic poem as a struggle between two incompatible versions of the Homeric hero This compelling book offers an entirely new way of understanding the Aeneid. Many scholars regard Vergil's poem as an attempt to combine Homer’s Iliad and Odyssey into a single epic. Joseph Farrell challenges this view, revealing how the Aeneid stages an epic contest to determine which kind of story it will tell—and what kind of hero Aeneas will be. Farrell shows how this contest is provoked by the transgressive goddess Juno, who challenges Vergil for the soul of his hero and poem. Her goal is to transform the poem into an Iliad of continuous Trojan persecution instead of an Odyssey of successful homecoming. Farrell discusses how ancient critics considered the flexible Odysseus the model of a good leader but censured the hero of the Iliad, the intransigent Achilles, as a bad one. He describes how the battle over which kind of leader Aeneas will prove to be continues throughout the poem, and explores how this struggle reflects in very different ways on the ethical legitimacy of Rome’s emperor, Caesar Augustus. By reframing the Aeneid in this way, Farrell demonstrates how the purpose of the poem is to confront the reader with an urgent decision between incompatible possibilities and provoke uncertainty about whether the poem is a celebration of Augustus or a melancholy reflection on the discontents of a troubled age.