Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 372
Book Description
Masterwork bulletin
Official Bulletin
Municipal Reference Library Notes
Notes - Municipal Reference and Research Center
Author: Municipal Reference and Research Center (New York, N.Y.)
Publisher:
ISBN:
Category : Cities and towns
Languages : en
Pages : 280
Book Description
Publisher:
ISBN:
Category : Cities and towns
Languages : en
Pages : 280
Book Description
Essays on Music
Author: Theodor Adorno
Publisher: Univ of California Press
ISBN: 9780520231597
Category : Music
Languages : en
Pages : 776
Book Description
"A book of landmark importance. It is unprecedented in its design: a brilliantly selected group of essays on music coupled with lucid, deeply incisive, and in every way masterly analysis of Adorno's thinking about music. No one who studies Adorno and music will be able to dispense with it; and if they can afford only one book on Adorno and music, this will be the one. For in miniature, it contains everything one needs: a collection of exceptionally important writings on all the principal aspects of music and musical life with which Adorno dealt; totally reliable scholarship; and powerfully illuminating commentary that will help readers at all levels read and re-read the essays in question."—Rose Rosengard Subotnik, author of Deconstructive Variations: Music and Reason in Western Society "An invaluable contribution to Adorno scholarship, with well chosen essays on composers, works, the culture industry, popular music, kitsch, and technology. Leppert's introduction and commentaries are consistently useful; his attention to secondary literature remarkable; his interpretation responsible. The new translations by Susan Gillespie (and others) are outstanding not only for their care and readability, but also for their sensitivity to Adorno's forms and styles."—Lydia Goehr, author of The Quest for Voice: Music, Politics and the Limits of Philosophy "With its careful, full edition of Adorno's important musical texts and its exhaustive yet eminently readable commentaries, Richard Leppert's magisterial book represents a brilliant solution to the age-old dilemma of bringing together primary text and interpretation in one volume."—James Deaville, Director, School of the Arts, McMaster University "The developing variations of Adorno's life-long involvement with musical themes are fully audible in this remarkable collection. What might be called his 'literature on notes' brilliantly complements the 'notes to literature' he devoted to the written word. Richard Leppert's superb commentaries constitute a book-length contribution in their own right, which will enlighten and challenge even the most learned of Adorno scholars."—Martin Jay, author of The Dialectical Imagination: A History of The Frankfurt School and the Institute of Social Research "There is afoot in Anglo-American musicology today the first wholesale reconsideration of Adorno's thought since the pioneering work of Rose Rosengard Subotnik around 1980. Essays on Music will play a central role in this effort. It will do so because Richard Leppert has culled Adorno's writings so as to make clear to musicologists the place of music in the broad critique of modernity that was Adorno's overarching project; and it will do so because Leppert has explained these writings, in commentaries that amount to a book-length study, so as to reveal to non-musicologists the essentially musical foundation of this project. No one interested in Adorno from any perspective—or, for that matter, in modernity and music all told—can afford to ignore Essays on Music."—Gary Tomlinson, author of Metaphysical Song: An Essay on Opera "This book is both a major achievement by its author-editor and a remarkable act of scholarly generosity for the rest of us. Until now, English translations of Adorno's major essays on music have been scattered and often unreliable. Until now, there has been no comprehensive scholarly treatment of Adorno's musical thinking. This volume remedies both problems at a single stroke. It will be read equally—and eagerly—for Adorno's texts and for Richard Leppert's commentary on them, both of which will continue to be essential resources as musical scholarship seeks increasingly to come to grips with the social contexts and effects of music. No one knows Adorno better than Leppert, and no one is better equipped to clarify the complex interweaving of sociology, philosophy, and musical aesthetics that is central to Adorno's work. From now on, everyone who reads Adorno on music, whether a beginner or an expert, is in Richard Leppert's debt for devoting his exceptional gifts of learning and lucidity to this project."—Lawrence Kramer, author of Musical Meaning: Toward a Critical History
Publisher: Univ of California Press
ISBN: 9780520231597
Category : Music
Languages : en
Pages : 776
Book Description
"A book of landmark importance. It is unprecedented in its design: a brilliantly selected group of essays on music coupled with lucid, deeply incisive, and in every way masterly analysis of Adorno's thinking about music. No one who studies Adorno and music will be able to dispense with it; and if they can afford only one book on Adorno and music, this will be the one. For in miniature, it contains everything one needs: a collection of exceptionally important writings on all the principal aspects of music and musical life with which Adorno dealt; totally reliable scholarship; and powerfully illuminating commentary that will help readers at all levels read and re-read the essays in question."—Rose Rosengard Subotnik, author of Deconstructive Variations: Music and Reason in Western Society "An invaluable contribution to Adorno scholarship, with well chosen essays on composers, works, the culture industry, popular music, kitsch, and technology. Leppert's introduction and commentaries are consistently useful; his attention to secondary literature remarkable; his interpretation responsible. The new translations by Susan Gillespie (and others) are outstanding not only for their care and readability, but also for their sensitivity to Adorno's forms and styles."—Lydia Goehr, author of The Quest for Voice: Music, Politics and the Limits of Philosophy "With its careful, full edition of Adorno's important musical texts and its exhaustive yet eminently readable commentaries, Richard Leppert's magisterial book represents a brilliant solution to the age-old dilemma of bringing together primary text and interpretation in one volume."—James Deaville, Director, School of the Arts, McMaster University "The developing variations of Adorno's life-long involvement with musical themes are fully audible in this remarkable collection. What might be called his 'literature on notes' brilliantly complements the 'notes to literature' he devoted to the written word. Richard Leppert's superb commentaries constitute a book-length contribution in their own right, which will enlighten and challenge even the most learned of Adorno scholars."—Martin Jay, author of The Dialectical Imagination: A History of The Frankfurt School and the Institute of Social Research "There is afoot in Anglo-American musicology today the first wholesale reconsideration of Adorno's thought since the pioneering work of Rose Rosengard Subotnik around 1980. Essays on Music will play a central role in this effort. It will do so because Richard Leppert has culled Adorno's writings so as to make clear to musicologists the place of music in the broad critique of modernity that was Adorno's overarching project; and it will do so because Leppert has explained these writings, in commentaries that amount to a book-length study, so as to reveal to non-musicologists the essentially musical foundation of this project. No one interested in Adorno from any perspective—or, for that matter, in modernity and music all told—can afford to ignore Essays on Music."—Gary Tomlinson, author of Metaphysical Song: An Essay on Opera "This book is both a major achievement by its author-editor and a remarkable act of scholarly generosity for the rest of us. Until now, English translations of Adorno's major essays on music have been scattered and often unreliable. Until now, there has been no comprehensive scholarly treatment of Adorno's musical thinking. This volume remedies both problems at a single stroke. It will be read equally—and eagerly—for Adorno's texts and for Richard Leppert's commentary on them, both of which will continue to be essential resources as musical scholarship seeks increasingly to come to grips with the social contexts and effects of music. No one knows Adorno better than Leppert, and no one is better equipped to clarify the complex interweaving of sociology, philosophy, and musical aesthetics that is central to Adorno's work. From now on, everyone who reads Adorno on music, whether a beginner or an expert, is in Richard Leppert's debt for devoting his exceptional gifts of learning and lucidity to this project."—Lawrence Kramer, author of Musical Meaning: Toward a Critical History
Federal Communications Commission Reports
Author: United States. Federal Communications Commission
Publisher:
ISBN:
Category : Radio
Languages : en
Pages : 1384
Book Description
Publisher:
ISBN:
Category : Radio
Languages : en
Pages : 1384
Book Description
Captain America Golden Age Masterworks Vol.1
Author: Joe Simon
Publisher: Marvel Entertainment
ISBN: 0785170162
Category : Comics & Graphic Novels
Languages : en
Pages : 291
Book Description
Relive the earliest adventures of Captain America, Sentinel of Liberty! Return to the Golden Age of comics as Cap and Bucky come face to face withthe Red Skull, the Ringmaster of Death, and more! Captain America Comics (1939) #1-4.
Publisher: Marvel Entertainment
ISBN: 0785170162
Category : Comics & Graphic Novels
Languages : en
Pages : 291
Book Description
Relive the earliest adventures of Captain America, Sentinel of Liberty! Return to the Golden Age of comics as Cap and Bucky come face to face withthe Red Skull, the Ringmaster of Death, and more! Captain America Comics (1939) #1-4.
Clinical Prediction of Violent Behavior (The Master Work Series)
Author: John Monahan, Shannon Distinguished Professor of Law, Psychology, and Psychiatry, University of Virginia
Publisher: Jason Aronson, Incorporated
ISBN: 1461627834
Category : Psychology
Languages : en
Pages : 151
Book Description
As therapists are increasingly held legally responsible for failing to predict their client''s violent behaviour, the pressure to know and forecast behaviour - never the chosen domain of clinicians - has risen. Worries about potential law suits invade the therapeutic setting. The volume enables therapists to master the proven signs of potentially harmful acts, so that they can get back to the work they were trained for: helping people.
Publisher: Jason Aronson, Incorporated
ISBN: 1461627834
Category : Psychology
Languages : en
Pages : 151
Book Description
As therapists are increasingly held legally responsible for failing to predict their client''s violent behaviour, the pressure to know and forecast behaviour - never the chosen domain of clinicians - has risen. Worries about potential law suits invade the therapeutic setting. The volume enables therapists to master the proven signs of potentially harmful acts, so that they can get back to the work they were trained for: helping people.
The Feathery Tribe
Author: Daniel Lewis
Publisher: Yale University Press
ISBN: 0300183453
Category : Biography & Autobiography
Languages : en
Pages : 520
Book Description
"Long forgotten, the Smithsonian Institution's first curator of birds, Robert Ridgway, is one of America's most important scientists. This book centers itself around a biographical treatment of Ridgway, but even more important considers what it meant to be a professional and an amateur in biology in the last quarter of the nineteenth century, and shows how the field of ornithology was professionalized as evolutionary theory made its mark on the study of birds"--Provided by publisher.
Publisher: Yale University Press
ISBN: 0300183453
Category : Biography & Autobiography
Languages : en
Pages : 520
Book Description
"Long forgotten, the Smithsonian Institution's first curator of birds, Robert Ridgway, is one of America's most important scientists. This book centers itself around a biographical treatment of Ridgway, but even more important considers what it meant to be a professional and an amateur in biology in the last quarter of the nineteenth century, and shows how the field of ornithology was professionalized as evolutionary theory made its mark on the study of birds"--Provided by publisher.