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Author: Stacey Sell Publisher: University of Virginia Press ISBN: Category : Art Languages : en Pages : 212
Book Description
The 250 year period of Renaissance and Baroque printmaking in Europe was as varied and innovative as those of its sister arts of painting and sculpture. From the mid-15th century through the 17th century Europe burgeoned with artistic activity. This diversity is well-represented in these collections of woodcuts, engravings, etchings, and drypoint etchings by 65 artists working north and south of the Alps, from Germany to Italy. Highlighted are works by Albrecht Durer, Titian, Schiavone, and other Mannerist artists, and Rembrandt van Rijn and other 17th century Dutch and Flemish artists.
Author: Stacey Sell Publisher: University of Virginia Press ISBN: Category : Art Languages : en Pages : 212
Book Description
The 250 year period of Renaissance and Baroque printmaking in Europe was as varied and innovative as those of its sister arts of painting and sculpture. From the mid-15th century through the 17th century Europe burgeoned with artistic activity. This diversity is well-represented in these collections of woodcuts, engravings, etchings, and drypoint etchings by 65 artists working north and south of the Alps, from Germany to Italy. Highlighted are works by Albrecht Durer, Titian, Schiavone, and other Mannerist artists, and Rembrandt van Rijn and other 17th century Dutch and Flemish artists.
Author: Babette Bohn Publisher: John Wiley & Sons ISBN: 9781444337266 Category : Art Languages : en Pages : 0
Book Description
A Companion to Renaissance and Baroque Art provides a diverse, fresh collection of accessible, comprehensive essays addressing key issues for European art produced between 1300 and 1700, a period that might be termed the beginning of modern history. Presents a collection of original, in-depth essays from art experts that address various aspects of European visual arts produced from circa 1300 to 1700 Divided into five broad conceptual headings: Social-Historical Factors in Artistic Production; Creative Process and Social Stature of the Artist; The Object: Art as Material Culture; The Message: Subjects and Meanings; and The Viewer, the Critic, and the Historian: Reception and Interpretation as Cultural Discourse Covers many topics not typically included in collections of this nature, such as Judaism and the arts, architectural treatises, the global Renaissance in arts, the new natural sciences and the arts, art and religion, and gender and sexuality Features essays on the arts of the domestic life, sexuality and gender, and the art and production of tapestries, conservation/technology, and the metaphor of theater Focuses on Western and Central Europe and that territory's interactions with neighboring civilizations and distant discoveries Includes illustrations as well as links to images not included in the book
Author: Marina Belozerskaya Publisher: Getty Publications ISBN: 0892367857 Category : Art Languages : en Pages : 292
Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Author: Catherine Jenkins Publisher: Metropolitan Museum of Art ISBN: 1588396495 Category : Art Languages : en Pages : 311
Book Description
The Renaissance of Etching is a groundbreaking study of the origins of the etched print. Initially used as a method for decorating armor, etching was reimagined as a printmaking technique at the end of the fifteenth century in Germany and spread rapidly across Europe. Unlike engraving and woodcut, which required great skill and years of training, the comparative ease of etching allowed a wide variety of artists to exploit the expanding market for prints. The early pioneers of the medium include some of the greatest artists of the Renaissance, such as Albrecht Dürer, Parmigianino, and Pieter Bruegel the Elder, who paved the way for future printmakers like Rembrandt, Goya, and many others in their wake. Remarkably, contemporary artists still use etching in much the same way as their predecessors did five hundred years ago. Richly illustrated and including a wealth of new information, The Renaissance of Etching explores how artists in Germany, the Netherlands, Italy, and France developed the new medium of etching, and how it became one of the most versatile and enduring forms of printmaking. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
Author: Wouter T. Kloek Publisher: Yale University Press ISBN: 0300060165 Category : Art Languages : en Pages : 732
Book Description
Designed as a catalogue for an exhibition at the Rijksmuseum in 1994, this offers a survey of the paintings, drawings, prints, sculpture and applied art produced 1580-1620. The book contains five essays followed by a catalogue which reproduces work from the era along with data on the artists.
Author: Babette Bohn Publisher: John Wiley & Sons ISBN: 1118391519 Category : Art Languages : en Pages : 797
Book Description
A Companion to Renaissance and Baroque Art provides a diverse, fresh collection of accessible, comprehensive essays addressing key issues for European art produced between 1300 and 1700, a period that might be termed the beginning of modern history. Presents a collection of original, in-depth essays from art experts that address various aspects of European visual arts produced from circa 1300 to 1700 Divided into five broad conceptual headings: Social-Historical Factors in Artistic Production; Creative Process and Social Stature of the Artist; The Object: Art as Material Culture; The Message: Subjects and Meanings; and The Viewer, the Critic, and the Historian: Reception and Interpretation as Cultural Discourse Covers many topics not typically included in collections of this nature, such as Judaism and the arts, architectural treatises, the global Renaissance in arts, the new natural sciences and the arts, art and religion, and gender and sexuality Features essays on the arts of the domestic life, sexuality and gender, and the art and production of tapestries, conservation/technology, and the metaphor of theater Focuses on Western and Central Europe and that territory's interactions with neighboring civilizations and distant discoveries Includes illustrations as well as links to images not included in the book
Author: Janet S. Byrne Publisher: Metropolitan Museum of Art ISBN: 0870992880 Category : Decoration and ornament, Renaissance Languages : en Pages : 146
Author: Stacey Sell
Author: Stacey Sell
Author: Babette Bohn
Author: Fritz Eichenberg
Author: Marina Belozerskaya
Author: Catherine Jenkins
Author: 
Author: Wouter T. Kloek
Author: Babette Bohn
Author: 
Author: Janet S. Byrne