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Author: Gerald M. Ackerman Publisher: M Shafik Gabr ISBN: 9782867701924 Category : Orientalism in art Languages : en Pages : 0
Book Description
Shafik Gabr started his collection of Orientalist art in 1993. His collection comprises some of the finest examples of the greatest masters of Orientalism.
Author: Gerald M. Ackerman Publisher: M Shafik Gabr ISBN: 9782867701924 Category : Orientalism in art Languages : en Pages : 0
Book Description
Shafik Gabr started his collection of Orientalist art in 1993. His collection comprises some of the finest examples of the greatest masters of Orientalism.
Author: Shafik Gabr Publisher: M Shafik Gabr ISBN: 9781905377640 Category : Art Languages : en Pages : 0
Book Description
Shafik Gabr started his collection of Orientalist art in 1993 by acquiring a painting by Ludwig Deutsch entitled Egyptian Priest Entering a Temple. His collection is today amongst the very few in the world to count such a large number of works by the fam
Author: Roger Benjamin Publisher: Art Media Resources ISBN: Category : Art Languages : en Pages : 268
Book Description
Published to accompany the exhibition held at the Art Gallery of New South Wales, Sydney Australia, 6 December 1997 - 22 February 1998, and the Auckland City Art Gallery, 20 March - 7 June 1998.
Author: James Parry Publisher: ISBN: 9789774168352 Category : Art Languages : en Pages : 294
Book Description
In one of the most remarkable artistic pilgrimages in history, the nineteenth century saw scores of Western artists heading to the Middle East. Inspired by the allure of the exotic Orient, they went in search of subjects for their paintings. Based on his research in museums, libraries, archives, galleries, and private collections across the world, James Parry traces these journeys of cultural and artistic discovery. From the early pioneer David Roberts through the heyday of leading stars such as Jean-Léon Gérôme and Frederick Arthur Bridgman, to Orientalism's post-1900 decline.
Author: Jennifer Dasal Publisher: Penguin ISBN: 0143134590 Category : Art Languages : en Pages : 289
Book Description
A wildly entertaining and surprisingly educational dive into art history as you've never seen it before, from the host of the beloved ArtCurious podcast We're all familiar with the works of Claude Monet, thanks in no small part to the ubiquitous reproductions of his water lilies on umbrellas, handbags, scarves, and dorm-room posters. But did you also know that Monet and his cohort were trailblazing rebels whose works were originally deemed unbelievably ugly and vulgar? And while you probably know the tale of Vincent van Gogh's suicide, you may not be aware that there's pretty compelling evidence that the artist didn't die by his own hand but was accidentally killed--or even murdered. Or how about the fact that one of Andy Warhol's most enduring legacies involves Caroline Kennedy's moldy birthday cake and a collection of toenail clippings? ArtCurious is a colorful look at the world of art history, revealing some of the strangest, funniest, and most fascinating stories behind the world's great artists and masterpieces. Through these and other incredible, weird, and wonderful tales, ArtCurious presents an engaging look at why art history is, and continues to be, a riveting and relevant world to explore.
Author: Roger Benjamin Publisher: Univ of California Press ISBN: 0520924401 Category : Architecture Languages : en Pages : 394
Book Description
Lavishly illustrated with exotic images ranging from Renoir's forgotten Algerian oeuvre to the abstract vision of Matisse's Morocco and beyond, this book is the first history of Orientalist art during the period of high modernism. Roger Benjamin, drawing on a decade of research in untapped archives, introduces many unfamiliar paintings, posters, miniatures, and panoramas and discovers an art movement closely bound to French colonial expansion. Orientalist Aesthetics approaches the visual culture of exoticism by ranging across the decorative arts, colonial museums, traveling scholarships, and art criticism in the Salons of Paris and Algiers. Benjamin's rediscovery of the important Society of French Orientalist Painters provides a critical context for understanding a lush body of work, including that of indigenous Algerian artists never before discussed in English. The painter-critic Eugène Fromentin tackled the unfamiliar atmospheric conditions of the desert, Etienne Dinet sought a more truthful mode of ethnographic painting by converting to Islam, and Mohammed Racim melded the Persian miniature with Western perspective. Benjamin considers armchair Orientalists concocting dreams from studio bric-à-brac, naturalists who spent years living in the oases of the Sahara, and Fauve and Cubist travelers who transposed the discoveries of the Parisian Salons to create decors of indigenous figures and tropical plants. The network that linked these artists with writers and museum curators was influenced by a complex web of tourism, rapid travel across the Mediterranean, and the march of modernity into a colonized culture. Orientalist Aesthetics shows how colonial policy affected aesthetics, how Europeans visualized cultural difference, and how indigenous artists in turn manipulated Western visual languages.
Author: Jane Chin Davidson Publisher: Rethinking Art's Histories ISBN: 9781526139788 Category : Art Languages : en Pages : 0
Book Description
Questioning what the term 'Chinese art' means in the era of global art, this book situates Chinese contemporary art in the matrix of global expositions and political transnationalisms. Its case studies explore the changing political concept of Chineseness by examining performative, body-oriented video and eco-feminist works.
Author: Metropolitan Museum of Art (New York, N.Y.) Publisher: Metropolitan Museum of Art ISBN: 1588394344 Category : History Languages : en Pages : 450
Book Description
This book explores the great diversity and range of Islamic culture through one of the finest collections in the world. Published to coincide with the historic reopening of the galleries of the Metropolitan Museum's Islamic Art Department, it presents nearly three hundred masterworks created in the rich tradition of the Islamic faith and culture. The Metropolitan's renowned holdings range chronologically from the origins of Islam in the 7th century through the 19th century, and geographically from as far west as Spain to as far east as Southeast Asia.
Author: Zhaoming Qian Publisher: Duke University Press ISBN: 9780822316695 Category : Literary Criticism Languages : en Pages : 250
Book Description
Chinese culture held a well-known fascination for modernist poets like Ezra Pound and William Carlos Williams. What is less known but is made fully clear by Zhaoming Qian is the degree to which oriental culture made these poets the modernists they became. This ambitious and illuminating study shows that Orientalism, no less than French symbolism and Italian culture, is a constitutive element of Modernism. Consulting rare and unpublished materials, Qian traces Pound's and Williams's remarkable dialogues with the great Chinese poets--Qu Yuan, Li Bo, Wang Wei, and Bo Juyi--between 1913 and 1923. His investigation reveals that these exchanges contributed more than topical and thematic ideas to the Americans' work and suggests that their progressively modernist style is directly linked to a steadily growing contact and affinity for similar Chinese styles. He demonstrates, for example, how such influences as the ethics of pictorial representation, the style of ellipsis, allusion, and juxtaposition, and the Taoist/Zen-Buddhist notion of nonbeing/being made their way into Pound's pre-Fenollosan Chinese adaptations, Cathay, Lustra, and the Early Cantos, as well as Williams's Sour Grapes and Spring and All. Developing a new interpretation of important work by Pound and Williams, Orientalism and Modernism fills a significant gap in accounts of American Modernism, which can be seen here for the first time in its truly multicultural character.
Author: Gerald M. Ackerman
Author: Gerald M. Ackerman
Author: Shafik Gabr
Author: Roger Benjamin
Author: James Parry
Author: Jennifer Dasal
Author: Roger Benjamin
Author: Jane Chin Davidson
Author: Metropolitan Museum of Art (New York, N.Y.)
Author: F.A. Bridgman
Author: Zhaoming Qian