Author: Temple Gallery (London, England)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 102
Book Description
Masterpieces of Byzantine and Russian Icon Painting, 12th-16th Century
Author: Temple Gallery (London, England)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 102
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 102
Book Description
Icons
Author: Olga A. Polyakova
Publisher: Artis
ISBN: 9781908126092
Category : Christian art and symbolism
Languages : en
Pages : 0
Book Description
"from the collection of the Moscow State Integrated Museum-Reserve at Kolomenskoye."
Publisher: Artis
ISBN: 9781908126092
Category : Christian art and symbolism
Languages : en
Pages : 0
Book Description
"from the collection of the Moscow State Integrated Museum-Reserve at Kolomenskoye."
The Icon and the Square
Author: Maria Taroutina
Publisher: Penn State Press
ISBN: 0271082550
Category : Art
Languages : en
Pages : 761
Book Description
In The Icon and the Square, Maria Taroutina examines how the traditional interests of institutions such as the crown, the church, and the Imperial Academy of Arts temporarily aligned with the radical, leftist, and revolutionary avant-garde at the turn of the twentieth century through a shared interest in the Byzantine past, offering a counternarrative to prevailing notions of Russian modernism. Focusing on the works of four different artists—Mikhail Vrubel, Vasily Kandinsky, Kazimir Malevich, and Vladimir Tatlin—Taroutina shows how engagement with medieval pictorial traditions drove each artist to transform his own practice, pushing beyond the established boundaries of his respective artistic and intellectual milieu. She also contextualizes and complements her study of the work of these artists with an examination of the activities of a number of important cultural associations and institutions over the course of several decades. As a result, The Icon and the Square gives a more complete picture of Russian modernism: one that attends to the dialogue between generations of artists, curators, collectors, critics, and theorists. The Icon and the Square retrieves a neglected but vital history that was deliberately suppressed by the atheist Soviet regime and subsequently ignored in favor of the secular formalism of mainstream modernist criticism. Taroutina’s timely study, which coincides with the centennial reassessments of Russian and Soviet modernism, is sure to invigorate conversation among scholars of art history, modernism, and Russian culture.
Publisher: Penn State Press
ISBN: 0271082550
Category : Art
Languages : en
Pages : 761
Book Description
In The Icon and the Square, Maria Taroutina examines how the traditional interests of institutions such as the crown, the church, and the Imperial Academy of Arts temporarily aligned with the radical, leftist, and revolutionary avant-garde at the turn of the twentieth century through a shared interest in the Byzantine past, offering a counternarrative to prevailing notions of Russian modernism. Focusing on the works of four different artists—Mikhail Vrubel, Vasily Kandinsky, Kazimir Malevich, and Vladimir Tatlin—Taroutina shows how engagement with medieval pictorial traditions drove each artist to transform his own practice, pushing beyond the established boundaries of his respective artistic and intellectual milieu. She also contextualizes and complements her study of the work of these artists with an examination of the activities of a number of important cultural associations and institutions over the course of several decades. As a result, The Icon and the Square gives a more complete picture of Russian modernism: one that attends to the dialogue between generations of artists, curators, collectors, critics, and theorists. The Icon and the Square retrieves a neglected but vital history that was deliberately suppressed by the atheist Soviet regime and subsequently ignored in favor of the secular formalism of mainstream modernist criticism. Taroutina’s timely study, which coincides with the centennial reassessments of Russian and Soviet modernism, is sure to invigorate conversation among scholars of art history, modernism, and Russian culture.
Синай, Византия, Русь
Author: Ю. А Пятницкий
Publisher:
ISBN:
Category : Art, Byzantine
Languages : ru
Pages : 496
Book Description
"Published to accompany an exhibition at The State Hermitage Museum, St. Petersburg, June-Sept. 2000, and at the Courtauld Gallery, Somerset House, London, Oct.2000-Feb. 2001"--Verso t.p.
Publisher:
ISBN:
Category : Art, Byzantine
Languages : ru
Pages : 496
Book Description
"Published to accompany an exhibition at The State Hermitage Museum, St. Petersburg, June-Sept. 2000, and at the Courtauld Gallery, Somerset House, London, Oct.2000-Feb. 2001"--Verso t.p.
Masterpieces of Byzantine and Russian Icon Painting
Masterpieces of Byzantine and Russian Icon Painting, 12th-16th Century
Author: Temple Gallery (London, England)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 104
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 104
Book Description
Masterpieces of Russian Painting
Author: Michael S. Farbman
Publisher:
ISBN:
Category : Decoration and ornament
Languages : en
Pages : 140
Book Description
Publisher:
ISBN:
Category : Decoration and ornament
Languages : en
Pages : 140
Book Description
Byzantine, Greek and Russian Icons: "image Picture God Likeness".
The Icon in the Life of the Church
Author: Galavaris
Publisher: BRILL
ISBN: 9004666109
Category : Art
Languages : en
Pages : 110
Book Description
Publisher: BRILL
ISBN: 9004666109
Category : Art
Languages : en
Pages : 110
Book Description
The Meaning of Icons
Author: Léonide Ouspensky
Publisher: St Vladimir's Seminary Press
ISBN: 091383677X
Category : Christianity and art
Languages : en
Pages : 236
Book Description
"The nature of the icon cannot be grasped by means of pure art criticism, nor by the adoption of a sentimental point of view. Its forms are based on the wisdom contained in the theological and liturgical writings of the Eastern Orthodox Church and are imtimately bound up with the experience of the contemplative life. The present work is the first of its kind to give a reliable introduction to the spiritual background of this art. The introduction into the meaning and language of the icons by Ouspensky imparts to us in an admirable way the spiritual conceptions of the Eastern Orthodox Church which are often so foreign to us, but without the knowledge of which we cannot possibly understand the world of the icon." -- Back cover.
Publisher: St Vladimir's Seminary Press
ISBN: 091383677X
Category : Christianity and art
Languages : en
Pages : 236
Book Description
"The nature of the icon cannot be grasped by means of pure art criticism, nor by the adoption of a sentimental point of view. Its forms are based on the wisdom contained in the theological and liturgical writings of the Eastern Orthodox Church and are imtimately bound up with the experience of the contemplative life. The present work is the first of its kind to give a reliable introduction to the spiritual background of this art. The introduction into the meaning and language of the icons by Ouspensky imparts to us in an admirable way the spiritual conceptions of the Eastern Orthodox Church which are often so foreign to us, but without the knowledge of which we cannot possibly understand the world of the icon." -- Back cover.