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Author: Munson-Williams-Proctor Institute Publisher: Syracuse University Press ISBN: Category : Antiques & Collectibles Languages : en Pages : 180
Book Description
"Masterpieces of American Furniture, edited by Anna Tobin D'Ambrosio, the Curator of Decorative Arts since 1989 at Munson-Williams-Proctor Institute Museum of Art, offers concise, engaging text accompanied by exquisite photography. Essays on more than 65 finely crafted examples of American furniture encompass nearly every nineteenth-century style and explore the careers of America's preeminent cabinetmakers and shops including Charles Baudouine, Hugh and John Finlay, Edward Hutchings, John Henry Belter, Herter Brothers, R. J. Horner & Co., Kimbel and Cabus, Kilian Brothers, J. and J. W. Meeks, Anthony Quervelle, and M. & H. Schrenkeisen Mfg. Co. Each footnoted essay offers perceptive new research into historical antecedents, stylistic preferences, manufacturing techniques, and the complex nature of the nineteenth-century furniture trade."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Wallace Nutting Publisher: ISBN: 9781332326952 Category : Crafts & Hobbies Languages : en Pages : 604
Book Description
Excerpt from Furniture of the Pilgrim Century: 1620-1720, Including Colonial Utensils and Hardware Furniture of the Pilgrim Century: 1620-1720, Including Colonial Utensils and Hardware was written by Wallace Nutting in 1910. This is a 601 page book, containing 95799 words and 767 pictures. Search Inside is enabled for this title. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.