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Author: Leonardo Garcia Publisher: ISBN: 9781520837987 Category : Guitar music Languages : en Pages : 52
Book Description
Leonardo Garcia's Mastering Tremolo is an extensive guide for all aspiring guitarists wishing to develop solid tremolo technique. From a multitude of preliminary technical exercises and drills to develop a foundation for your tremolo and invigorate your technique, to more than a dozen active practice techniques detailed with musical examples to develop rhythmic precision, note consistency, tone, and speed, to the mental game of playing tremolo, this book will help improve your playing regardless of your level.
Author: Leonardo Garcia Publisher: ISBN: 9781520837987 Category : Guitar music Languages : en Pages : 52
Book Description
Leonardo Garcia's Mastering Tremolo is an extensive guide for all aspiring guitarists wishing to develop solid tremolo technique. From a multitude of preliminary technical exercises and drills to develop a foundation for your tremolo and invigorate your technique, to more than a dozen active practice techniques detailed with musical examples to develop rhythmic precision, note consistency, tone, and speed, to the mental game of playing tremolo, this book will help improve your playing regardless of your level.
Author: Steve Savage Publisher: Oxford University Press ISBN: 0199380252 Category : Music Languages : en Pages : 316
Book Description
Mixing and mastering are the final challenges in creating great recordings. Great mixes require both creativity and a practical understanding of process, while final masters require both a clear sense for purpose and specialized ears for achieving artistic goals. Mixing and Mastering in the Box gives readers the practical tools for accomplishing both of these tasks while highlighting the artistry of the creative process. While much of the information presented in Mixing and Mastering in the Box is applicable to those using analog mixing gear, or a hybrid of digital and analog tools, the book focuses directly on working completely within the Digital Audio Workstation (DAW). Author Steve Savage lets readers in on such topics as the secrets of collaboration and using EQ, compression, delay, reverb, and brickwall limiting to improve the sound of records, each topic illustrated with a myriad of concrete examples. Mixing and Mastering in the Box is the ultimate reference manual for the home recordist and the perfect basic to intermediate text for any DAW (Digital Audio Workstation) training class in mixing or mastering. The book is also ideal for readers who handle their own mixing and mastering or who wish - or are professionally required - to be better informed when collaborating on mixes and masters.
Author: Nicholas Kaminski Publisher: Nicholas Khatchadourian ISBN: Category : Music Languages : en Pages : 30
Book Description
"Mastering the Mandolin: A Comprehensive Guide to Playing and Performing" is the ultimate resource for anyone looking to learn and improve their mandolin skills. This book covers everything from the basics of holding and tuning your mandolin to advanced techniques like improvisation and soloing. It also explores the rich history and various styles of mandolin music, including bluegrass, classical, jazz, and world music. With chapters on reading music and tablature, playing chords and songs, performing, maintaining and repairing your mandolin, and more, this book provides a step-by-step approach to mastering the mandolin. Whether you're a beginner or an experienced player, "Mastering the Mandolin" is a must-have guide for anyone looking to unlock the full potential of this beautiful and versatile instrument.
Author: Steve Eckels Publisher: Alfred Music ISBN: 1457412802 Category : Music Languages : en Pages : 96
Book Description
This advanced volume in the comprehensive method for fingerstyle guitar is perfect for experienced players who want to add greater variety, refinement, and creativity to their playing. Develops skillful tone production and dynamic control, and covers the free-stroke, rest-stroke, shifting, tremolo, planting, and inventive techniques used by contemporary fingerstyle masters like left-hand tapping, right-hand tapping, drumming, and "the scrape." Also includes unusual alternate tunings, ideas for creating you own new tunings, and arranging. All music is shown in standard notation and TAB.
Author: Esteban Federico Mansilla Publisher: Esteban Federico Mansilla ISBN: Category : Antiques & Collectibles Languages : en Pages : 152
Book Description
***THE BOOK YOU SHOULD READ IF YOU WANT TO SOUND LIKE THE BEST*** #1 READ THE INDEX AND #2 BUY THE BOOK THE BEST SOUND MIXING AND MASTERING BOOK This book teaches you: ⇒How to Record with professional quality. ⇒How to make a professional mix and find your own style. ⇒How to premaster a mix so that your client likes it. ⇒How to master a mix. ⇒How is the real sound and the sound... ⇒How to choose the tools among these the compressor. ⇒How to do universe equalization using examples of this innovative technique from Steve. ⇒How to limit and maximize. ⇒What is the stereo space inside the headphones like? ⇒How to get healthy volume for that particular sound you are working on. This is the book you should read if you want to succeed as a mixing and mastering engineer. It is the most complete and detailed work on this topic in Spanish that has ever been written until now. All the knowledge you need is in this practical book that will guide you on the path to sonic success. READ IT NOW AND DON'T FORGET TO LEAVE A COMMENT! Index Perception of reverb Real sound Panning a mix Panning with Trillium lane labs Space of a mix for mastering (The headroom) Perception of mid and treble bass Equalization in mixing by universes “The mountain video” EQ to make room in the mix Equalization in mastering and its forms of dynamics Compression for mastering The compressor on the bus master Shipping effects (Everything is a sum). EQ curves for mastering Choice of canvas for mastering How is the side part of an audio born? Compression, limiting, maximization and filter to give volume to mastering Low cut for sounds panned left or right Cutting bass balls in mixing and mastering Using the DeEsser and gate compressor Mixing in recording and suitable microphones Spatiality in the mix; recording with two microphones Old touch to a mix How to choose mastering using Adobe audition image The use of the compressor in mixing and mastering Ideal recording volume Three points of view with the management of the volume faders in the mix Microphone quality for depth Unwanted Clips How to achieve a professional mix? Pre-cut bass and treble in the mix The sums of reverbs, delay and other time effects, with respect to the final volume of the music Harmonic exciters simulating the same dancers' costumes Clearer mixes with stereo expander Sending effects to achieve sound environments Equalization in mastering Equalization and limiting as the final stage of mastering Achieve volume in a healthy way for sound The misconception that when you equalize, you have to add the lost volume The importance of hearing rest Manufacture the tape by shipping How to achieve depth in sound? How to use the NSL Channel and NSL Bus We do a review The first mix Limit to bring sounds to the front What happens when we do parallel compression? Steve-style mixing and mastering Stereo space How to choose limitation or maximization Diffusion of sounds The mid side process in mastering Radio sound with filters The width of the sound in mastering Parallel compression and reverb Parallel compression for relief and volume The depth of sound Mixing technique by Esteban Federico Mansilla Final mastering review A technique to reduce celling Monomizer Mid side technique Choice of effects and mastering The secret of a good mix Choosing Mastering Steve 2 Mixing Technique In what format to record, mix and master What is the difference between wav and mp3 format? Daw to record, mix and master Acoustics for recording Equalization process for mixing and mastering The trick of the prefader, equalization and parallel compression Making sounds come forward Equalization to give volume in mastering Sound height and width Optimal mixing or mastering spacing The sum of sounds Music in black and white and color Equalization through universes Equalization in simulated mastering a network DeEsser final mastering process Equalize so you hear the voice Full faders to start mixing Tremolo sent for mastering Avoid phase problems in recording and mixing Unifies effects on all sounds Compressors in the mix Mix by universes 3 Premastering and mastering Creating mono degradation effect Steps to apply A1 pluing on the tracks Move sounds away from each other Mix of tracks, rock sound Recording forms for a song The distortion that gives weight or thickness Lag problems due to the addition of processes and effects Acoustics in recording Mix all the sounds at once? Quantity and ways to send for purposes Mixing via delay and pan What makes a professional sound? The Z limiter trick to give the right volume to each sound Helps reverbs Mastering Secrets Steve Steve's Fourth Mixing Technique Compression on the Master Buss or Mix buss channel How to work gain levels or Gain staging Gain staging depending on the genre Final volume for mixing and mastering Reverbs, delays and other time effects, time and out of time Multiband expansion How to make a mix Original sound, frequency blurring and music speed perception through frequency filtering. Steps to make a mixture The sounds in the back do not have as much reverb or delay Multiband stereo enhancer expander and mid side processes Faders and recording How to adjust send faders for time effects Low-mid and high-mid attenuation: equal to lower final volume How to record ultra sounds professionally at tempo Applying time effects and others through shipments
Author: Ioannis Anastassakis Publisher: Mel Bay Publications ISBN: 160974070X Category : Music Languages : en Pages : 153
Book Description
Here's yet another book that should be in every serious classical and flamenco guitarist's library; this time, Ioannis Anastassakis (The Art of Rasguedo) eliminatesthe guesswork on how to practice and perform the tremolo technique. The book addresses over 70 different approaches and methods to practice the tremolo with unprecedented advice from some of the greatest classical and flamenco guitaristsincluding: Andres Segovia, John Williams, Sharon Isbin, Christopher Parkening, Pepe Romero, Scott Tennant, David Russell, Narciso Yepes, Stanley Yates, Stepan Rak, Juan Serrano, Manolo Sanlucar, Manolo Franco, Jose AntonioRodriguez, Paco Serrano, and many more
Author: Karl Pedersen Publisher: Oxford University Press ISBN: 0190686669 Category : Music Languages : en Pages : 272
Book Description
The Recording, Mixing, and Mastering Reference Handbook provides an easy-to-read guide for music-making in the studio setting, from equipment fundamentals to recording and mixing almost any instrument. In six sections, lessons give a comprehensive introduction to microphone settings and techniques, audio processing and effects, controlling acoustics, and history lessons on songs recorded with a given technique. The second half of the handbook delves into background theory on microphones, EQ-filters, compressors, and acoustics to give the reader a general understanding of practical recording techniques before acquiring deeper comprehension of the tools and the recording processes. Throughout the chapters, lessons on recording methods gradually build complexity and detail to keep readers engaged and challenged. Whether a university student in an audio recording course, a novice audio engineer who needs to build technique, or a busy professional who requires a quick refresh on specific techniques, any reader will find an essential resource in The Recording, Mixing, and Mastering Reference Handbook.
Author: Christopher Berg Publisher: Mel Bay Publications ISBN: 1610650581 Category : Music Languages : en Pages : 145
Book Description
This book assumes a modest music reading ability and some familiarity with basic classic guitar technique. A comprehensive, exploration of the requirements for developing effortless and musically sensitive guitar technique.
Author: Leonardo Garcia
Author: Leonardo Garcia
Author: Vladimir Bobri
Author: Karl Wohlwend and Andrew J. Ruzicho II
Author: Steve Savage
Author: Nicholas Kaminski
Author: Steve Eckels
Author: Esteban Federico Mansilla
Author: Ioannis Anastassakis
Author: Karl Pedersen
Author: Christopher Berg