Author: Luk Van den Dries
Publisher: Bloomsbury Publishing
ISBN: 1474259960
Category : Performing Arts
Languages : en
Pages : 264
Book Description
This volume foregrounds Pina Bausch, Romeo Castellucci and Jan Fabre as 3 leading directors who have each left an indelible mark on post-war European theatre. Combining in-depth discussions of the artists' poetics with detailed case studies of several famous and lesser-known key works, the authors featured in this volume trace a range of foundational aesthetic strategies that are central to the directors' work: the dynamics of repetition vis-à-vis fragmentation, the continued significance of language in experimental theatre and dance, the tension between theatricality and the performative reality of the stage, and the equal importance attached to text, image and body. This volume develops a vivid picture of how European stage directors have continued to redefine their own position and role throughout the latter half of the 20th century.
The Great European Stage Directors Volume 8
Author: Luk Van den Dries
Publisher: Bloomsbury Publishing
ISBN: 1474259960
Category : Performing Arts
Languages : en
Pages : 264
Book Description
This volume foregrounds Pina Bausch, Romeo Castellucci and Jan Fabre as 3 leading directors who have each left an indelible mark on post-war European theatre. Combining in-depth discussions of the artists' poetics with detailed case studies of several famous and lesser-known key works, the authors featured in this volume trace a range of foundational aesthetic strategies that are central to the directors' work: the dynamics of repetition vis-à-vis fragmentation, the continued significance of language in experimental theatre and dance, the tension between theatricality and the performative reality of the stage, and the equal importance attached to text, image and body. This volume develops a vivid picture of how European stage directors have continued to redefine their own position and role throughout the latter half of the 20th century.
Publisher: Bloomsbury Publishing
ISBN: 1474259960
Category : Performing Arts
Languages : en
Pages : 264
Book Description
This volume foregrounds Pina Bausch, Romeo Castellucci and Jan Fabre as 3 leading directors who have each left an indelible mark on post-war European theatre. Combining in-depth discussions of the artists' poetics with detailed case studies of several famous and lesser-known key works, the authors featured in this volume trace a range of foundational aesthetic strategies that are central to the directors' work: the dynamics of repetition vis-à-vis fragmentation, the continued significance of language in experimental theatre and dance, the tension between theatricality and the performative reality of the stage, and the equal importance attached to text, image and body. This volume develops a vivid picture of how European stage directors have continued to redefine their own position and role throughout the latter half of the 20th century.
The Oxford Handbook of Dance and Theater
Author: Nadine George-Graves
Publisher: Oxford Handbooks
ISBN: 0199917493
Category : Music
Languages : en
Pages : 1057
Book Description
This handbook brings together genres, aesthetics, cultural practices and historical movements that provide insight into humanist concerns at the crossroads of dance and theatre, broadening the horizons of scholarship in the performing arts and moving the fields closer together.
Publisher: Oxford Handbooks
ISBN: 0199917493
Category : Music
Languages : en
Pages : 1057
Book Description
This handbook brings together genres, aesthetics, cultural practices and historical movements that provide insight into humanist concerns at the crossroads of dance and theatre, broadening the horizons of scholarship in the performing arts and moving the fields closer together.
Directors’ Theatre
Author: Peter M. Boenisch
Publisher: Bloomsbury Publishing
ISBN: 1352007959
Category : Performing Arts
Languages : en
Pages : 300
Book Description
This extended new edition of a seminal text marks the 30th anniversary of the original book's major intervention in the discipline. Bradby and Williams' field-defining book introduced the continental-European approach to directing, recognising the work of the modern stage director as an artist in his or her own right for the first time. Now edited by Peter M. Boenisch in collaboration with David Williams, this new edition includes an additional four chapters by leading contemporary experts on theatre direction. Covering recent practices and developments, as well as new trends in the academic research on directing, Directors' Theatre interrogates working ethics and performance aesthetics, directors' work with actors as a central creative source and their responses to the ongoing reassessment of theatre's role and function in contemporary culture. This long-awaited reissue will make a classic, authoritative study on directors and directing accessible to a new generation of students, scholars and artists. It is essential reading for undergraduate and postgraduate students of Theatre, Performance Studies and Directing. New to this Edition: - Includes four new chapters written by leading contemporary experts on theatre direction: Patrice Pavis, Katalin Trencsényi, the research team of Luk Van den Dries, and DuškaRadosavljevic - New chapters discuss recent approaches and developments in theatre directing as well as research on directing, including artists such as Luk Perceval, Daniel Jeanneteau, Improbable and Ivo van Hove, while also introducing the development of theatre direction in Eastern Europe - The original text has been carefully revised by David Williams and chapters have been supplemented with new introductions and conclusions
Publisher: Bloomsbury Publishing
ISBN: 1352007959
Category : Performing Arts
Languages : en
Pages : 300
Book Description
This extended new edition of a seminal text marks the 30th anniversary of the original book's major intervention in the discipline. Bradby and Williams' field-defining book introduced the continental-European approach to directing, recognising the work of the modern stage director as an artist in his or her own right for the first time. Now edited by Peter M. Boenisch in collaboration with David Williams, this new edition includes an additional four chapters by leading contemporary experts on theatre direction. Covering recent practices and developments, as well as new trends in the academic research on directing, Directors' Theatre interrogates working ethics and performance aesthetics, directors' work with actors as a central creative source and their responses to the ongoing reassessment of theatre's role and function in contemporary culture. This long-awaited reissue will make a classic, authoritative study on directors and directing accessible to a new generation of students, scholars and artists. It is essential reading for undergraduate and postgraduate students of Theatre, Performance Studies and Directing. New to this Edition: - Includes four new chapters written by leading contemporary experts on theatre direction: Patrice Pavis, Katalin Trencsényi, the research team of Luk Van den Dries, and DuškaRadosavljevic - New chapters discuss recent approaches and developments in theatre directing as well as research on directing, including artists such as Luk Perceval, Daniel Jeanneteau, Improbable and Ivo van Hove, while also introducing the development of theatre direction in Eastern Europe - The original text has been carefully revised by David Williams and chapters have been supplemented with new introductions and conclusions
A Handbook to the Reception of Greek Drama
Author: Betine van Zyl Smit
Publisher: John Wiley & Sons
ISBN: 1118347773
Category : Literary Criticism
Languages : en
Pages : 624
Book Description
A Handbook to the Reception of Greek Drama offers a series of original essays that represent a comprehensive overview of the global reception of ancient Greek tragedies and comedies from antiquity to the present day. Represents the first volume to offer a complete overview of the reception of ancient drama from antiquity to the present Covers the translation, transmission, performance, production, and adaptation of Greek tragedy from the time the plays were first created in ancient Athens through the 21st century Features overviews of the history of the reception of Greek drama in most countries of the world Includes chapters covering the reception of Greek drama in modern opera and film
Publisher: John Wiley & Sons
ISBN: 1118347773
Category : Literary Criticism
Languages : en
Pages : 624
Book Description
A Handbook to the Reception of Greek Drama offers a series of original essays that represent a comprehensive overview of the global reception of ancient Greek tragedies and comedies from antiquity to the present day. Represents the first volume to offer a complete overview of the reception of ancient drama from antiquity to the present Covers the translation, transmission, performance, production, and adaptation of Greek tragedy from the time the plays were first created in ancient Athens through the 21st century Features overviews of the history of the reception of Greek drama in most countries of the world Includes chapters covering the reception of Greek drama in modern opera and film
Dramatic Theories of Voice in the Twentieth Century
Author: Andrew Kimbrough
Publisher: Cambria Press
ISBN: 1621969371
Category : Voice (Philosophy)
Languages : en
Pages : 334
Book Description
Publisher: Cambria Press
ISBN: 1621969371
Category : Voice (Philosophy)
Languages : en
Pages : 334
Book Description
British Theatre and Performance 1900-1950
Author: Rebecca D'Monte
Publisher: Bloomsbury Publishing
ISBN: 1408166011
Category : Performing Arts
Languages : en
Pages : 353
Book Description
British theatre from 1900 to 1950 has been subject to radical re-evaluation with plays from the period setting theatres alight and gaining critical acclaim once again; this book explains why, presenting a comprehensive survey of the theatre and how it shaped the work that followed. Rebecca D'Monte examines how the emphasis upon the working class, 'angry' drama from the 1950s has led to the neglect of much of the century's earlier drama, positioning the book as part of the current debate about the relationship between war and culture, the middlebrow, and historiography. In a comprehensive survey of the period, the book considers: - the Edwardian theatre; - the theatre of the First World War, including propaganda and musicals; -the interwar years, the rise of commercial theatre and influence of Modernism; - the theatre of the Second World War and post-war period. Essays from leading scholars Penny Farfan, Steve Nicholson and Claire Cochrane give further critical perspectives on the period's theatre and demonstrate its relevance to the drama of today. For anyone studying 20th-century British Drama this will prove one of the foundational texts.
Publisher: Bloomsbury Publishing
ISBN: 1408166011
Category : Performing Arts
Languages : en
Pages : 353
Book Description
British theatre from 1900 to 1950 has been subject to radical re-evaluation with plays from the period setting theatres alight and gaining critical acclaim once again; this book explains why, presenting a comprehensive survey of the theatre and how it shaped the work that followed. Rebecca D'Monte examines how the emphasis upon the working class, 'angry' drama from the 1950s has led to the neglect of much of the century's earlier drama, positioning the book as part of the current debate about the relationship between war and culture, the middlebrow, and historiography. In a comprehensive survey of the period, the book considers: - the Edwardian theatre; - the theatre of the First World War, including propaganda and musicals; -the interwar years, the rise of commercial theatre and influence of Modernism; - the theatre of the Second World War and post-war period. Essays from leading scholars Penny Farfan, Steve Nicholson and Claire Cochrane give further critical perspectives on the period's theatre and demonstrate its relevance to the drama of today. For anyone studying 20th-century British Drama this will prove one of the foundational texts.
Tuning in to the neo-avant-garde
Author: Inge Arteel
Publisher: Manchester University Press
ISBN: 1526155702
Category : Literary Criticism
Languages : en
Pages : 402
Book Description
Bringing together an international and diverse group of scholars, Tuning in to the neo-avant-garde offers the first in-depth study of the radio medium’s significance as a site of artistic experimentation for the literary neo-avant-garde in the postwar period. Covering radio works from the 1950s until the 2010s, the collection charts how artists across the UK, Europe and North America continued as well as reacted to the legacies of the historical avant-garde and modernism, operating within different national broadcasting contexts, by placing radio in an intermedial dialogue with prose, poetry, theatre, music and film. In doing so, the volume explores a wide variety of acoustic genres – radio play, feature, electroacoustic music, radiophonic poem, radio opera – to show that the medium deserves to occupy a more central place than it currently does in studies of literature, (inter)media(lity) and the (neo-)avant-garde.
Publisher: Manchester University Press
ISBN: 1526155702
Category : Literary Criticism
Languages : en
Pages : 402
Book Description
Bringing together an international and diverse group of scholars, Tuning in to the neo-avant-garde offers the first in-depth study of the radio medium’s significance as a site of artistic experimentation for the literary neo-avant-garde in the postwar period. Covering radio works from the 1950s until the 2010s, the collection charts how artists across the UK, Europe and North America continued as well as reacted to the legacies of the historical avant-garde and modernism, operating within different national broadcasting contexts, by placing radio in an intermedial dialogue with prose, poetry, theatre, music and film. In doing so, the volume explores a wide variety of acoustic genres – radio play, feature, electroacoustic music, radiophonic poem, radio opera – to show that the medium deserves to occupy a more central place than it currently does in studies of literature, (inter)media(lity) and the (neo-)avant-garde.
Staging Sovereignty
Author: Arthur Bradley
Publisher: Columbia University Press
ISBN: 0231561695
Category : Political Science
Languages : en
Pages : 156
Book Description
To become sovereign, one must be seen as sovereign. In other words, a sovereign must appear—philosophically, politically, and aesthetically—on the stage of power, both to themselves and to others, in order to assume authority. In this sense, sovereignty is a theatrical phenomenon from the very beginning. This book explores the relationship between theater and sovereignty in modern political theory, philosophy, and performance. Arthur Bradley considers the theatricality of power—its forms, dramas, and iconography—and examines sovereignty’s modes of appearance: thrones, insignia, regalia, ritual, ceremony, spectacle, marvels, fictions, and phantasmagoria. He weaves together political theory and literature, reading figures such as Plato, Aristotle, Montaigne, Leibniz, Kant, Hegel, Schmitt, Benjamin, Derrida, and Agamben alongside writers including Shakespeare, Cervantes, Schiller, Melville, Valéry, Kafka, Ionesco, and Genet. Formally inventive and deeply interdisciplinary, Staging Sovereignty offers a surprising and original narrative of political modernity from early modern political theology to the age of neoliberal capitalism.
Publisher: Columbia University Press
ISBN: 0231561695
Category : Political Science
Languages : en
Pages : 156
Book Description
To become sovereign, one must be seen as sovereign. In other words, a sovereign must appear—philosophically, politically, and aesthetically—on the stage of power, both to themselves and to others, in order to assume authority. In this sense, sovereignty is a theatrical phenomenon from the very beginning. This book explores the relationship between theater and sovereignty in modern political theory, philosophy, and performance. Arthur Bradley considers the theatricality of power—its forms, dramas, and iconography—and examines sovereignty’s modes of appearance: thrones, insignia, regalia, ritual, ceremony, spectacle, marvels, fictions, and phantasmagoria. He weaves together political theory and literature, reading figures such as Plato, Aristotle, Montaigne, Leibniz, Kant, Hegel, Schmitt, Benjamin, Derrida, and Agamben alongside writers including Shakespeare, Cervantes, Schiller, Melville, Valéry, Kafka, Ionesco, and Genet. Formally inventive and deeply interdisciplinary, Staging Sovereignty offers a surprising and original narrative of political modernity from early modern political theology to the age of neoliberal capitalism.
The Cambridge Companion to Operetta
Author: Anastasia Belina
Publisher: Cambridge University Press
ISBN: 1107182166
Category : Music
Languages : en
Pages : 347
Book Description
A collection of essays revealing how operetta spread across borders and became popular on the musical stages of the world.
Publisher: Cambridge University Press
ISBN: 1107182166
Category : Music
Languages : en
Pages : 347
Book Description
A collection of essays revealing how operetta spread across borders and became popular on the musical stages of the world.
Popular Culture in Europe since 1800
Author: Tobias Becker
Publisher: Taylor & Francis
ISBN: 1000954250
Category : History
Languages : en
Pages : 248
Book Description
This book tells the story of the history of popular culture in Europe since 1800, providing a framework which challenges traditional associations that have formulated popular culture firmly in relation to the post-1945 period and the economic power of the USA. Focusing on key themes associated with modernity – secularisation, industrialisation, social cohesion and control, globalisation and technological change – this synthesis of research across a very wide field fills a gap that has long been felt by students and educators working in the field of popular culture. While it is organised as a history of cultural forms, it can also be used across a wide range of social science and humanities programmes, including media and cultural studies, literary studies, sociology and European studies. Covering the subject with a broad number of themes, this book discusses popular culture through visual culture and performance, games, music, film, television and video games. Popular Culture in Europe since 1800 will be of interest to anyone looking for an engaged but concise overview of how book production and reading practices, visual cultures, music, performance and sports and games developed across Europe in the modern period.
Publisher: Taylor & Francis
ISBN: 1000954250
Category : History
Languages : en
Pages : 248
Book Description
This book tells the story of the history of popular culture in Europe since 1800, providing a framework which challenges traditional associations that have formulated popular culture firmly in relation to the post-1945 period and the economic power of the USA. Focusing on key themes associated with modernity – secularisation, industrialisation, social cohesion and control, globalisation and technological change – this synthesis of research across a very wide field fills a gap that has long been felt by students and educators working in the field of popular culture. While it is organised as a history of cultural forms, it can also be used across a wide range of social science and humanities programmes, including media and cultural studies, literary studies, sociology and European studies. Covering the subject with a broad number of themes, this book discusses popular culture through visual culture and performance, games, music, film, television and video games. Popular Culture in Europe since 1800 will be of interest to anyone looking for an engaged but concise overview of how book production and reading practices, visual cultures, music, performance and sports and games developed across Europe in the modern period.