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Author: Lewis Masonic Publisher: Lewis Masonic Pub ISBN: 9780853181057 Category : Freemasonry Languages : en Pages : 0
Book Description
Full musical scores for keyboard for 21 pieces of ceremonial music associated with The Craft Degrees and 3 associated with the Royal Arch Degree.
Author: Lewis Masonic Publisher: Lewis Masonic Pub ISBN: 9780853181057 Category : Freemasonry Languages : en Pages : 0
Book Description
Full musical scores for keyboard for 21 pieces of ceremonial music associated with The Craft Degrees and 3 associated with the Royal Arch Degree.
Author: Jacques Henry Publisher: Inner Traditions ISBN: 9781594771286 Category : Music Languages : en Pages : 160
Book Description
An exploration of Mozart’s strong ties to Freemasonry and how its principles profoundly shaped his musical work • Reveals how Mozart structured his music on Masonic ritual and ceremony to provide a musical lexicon of Masonic symbols • Shows that Freemasonry plays the same role in Mozart’s work as Lutheran Christianity plays in that of Bach Thanks to recently discovered documents, we now have a fuller picture of the esoteric influences on the life and work of Wolfgang Amadeus Mozart. Musicologist Jacques Henry shows that the Masonic influence on Mozart goes beyond those pieces, such as The Magic Flute, that fulfilled a ritual purpose for the composer. His works actually provide a complete musical lexicon of Masonic symbols inspired by the principles of the craft and the spirit of the Masonic quest. Mozart constructed his Masonic compositions by creating auditory correspondences to the symbols present in the rituals, choosing keys and tempos that transpose their content into harmony. His understanding of the use of symbol allowed him to create music that would lead the listener into a harmony that transcended earthly existence. A number of musicologists believe that the place of the Masonic spiritual vision in Mozart’s work is comparable to that held by Lutheran Christianity in the work of Johann Sebastian Bach. Mozart wed his deep understanding of music to the esoteric wisdom he gained as a Freemason. He shows that when we lose ourselves in the expression of pure harmony, it is the same as the symbol being lost in what it symbolizes. Jacques Henry provides a rigorous and original analysis of Mozart’s works that reveals their inner meaning as shaped by the composer’s profound embrace of the spiritual principles of Freemasonry.
Author: Oscar Patterson Publisher: Rowman & Littlefield ISBN: 0761869611 Category : Social Science Languages : en Pages : 259
Book Description
Modern Freemasonry in the United States and Great Britain celebrates its 300th anniversary in 2017 tracing its direct history from the Grand Lodge of England founded in 1717. This text is intended to provide a theory of origin for the Fraternity. It is based on available sources, many of which are not Masonic in nature, but cover the disciplines of history, religion, ethics, economics, politics, and labor development. The book begins with an overview of how the Fraternity initiated members in the seventeenth and early eighteenth centuries, and includes the ancient Legend of Noah. It then reviews how history is written and exams the utilization of Biblical and legendary accounts in the development of a country’s, peoples’, or organization’s history. The text moves on to the transition from craft guild to fraternal organization and gives the full text of Freemasonry’s four oldest documents: Regius Poem, Cooke Manuscript, Graham Manuscript, and Schaw Statutes. This is followed by a description of the London Masons’ Company based on the assumption that this city-wide organization of craftsmen chartered in 1481 may have been the administrative precursor of the Grand Lodge of England. The author then reviews the demise of craft guilds and the rise of fraternal societies in the seventeenth and eighteenth centuries. Additional chapters review the Masonic approach to ritual, education, and ethical decision making. The text closes with a discussion of the philosophy of Freemasonry as well as comments and suggestions regarding Freemasonry’s future. The last chapter is a Scottish Charge appropriate to all men, not just Freemasons.
Author: Todd E. Creason Publisher: Lulu.com ISBN: 1435703456 Category : History Languages : en Pages : 283
Book Description
Famous American Freemasons is a collection of stories about some of the Masons from America's past. Through little-known stories of some of the fraternity's most influential members, Todd E. Creason shows the amazing range of contributions Masons have made to the causes of freedom, politics, philosophy, scientific discovery, and the arts-contributions that have helped to define the nation. In Famous American Freemasons, author and Freemason Todd E. Creason also gives unique insight into the history and philosophy of Freemasonry in America while debunking common myths and misconceptions about the world's largest and oldest fraternal organization. These famous American men came from all walks of life with different religious beliefs as well as educational, cultural, economic, and career backgrounds. They became patriots, Presidents, military leaders, entertainers, and American legends-and one and all were Freemasons.
Author: Cécile Révauger Publisher: Simon and Schuster ISBN: 1620554887 Category : Social Science Languages : en Pages : 297
Book Description
The history of black Freemasonry from Boston and Philadelphia in the late 1700s through the Civil War to the Civil Rights Movement • Examines the letters of Prince Hall, legendary founder of the first black lodge • Reveals how many of the most influential jazz musicians of the 20th century were also Masons, including Louis Armstrong, Duke Ellington, and Nat King Cole • Explores the origins of the Civil Rights Movement within black Freemasonry and the roles played by Booker T. Washington and W. E. B. Du Bois When the first Masonic lodges opened in Paris in the early 18th century their membership included traders, merchants, musketeers, clergymen, and women--both white and black. This was not the case in the United States where black Freemasons were not eligible for membership in existing lodges. For this reason the first official charter for an exclusively black lodge--the Prince Hall Grand Lodge of Massachusetts--was granted by the Grand Lodge of England rather than any American chapter. Through privileged access to archives kept by Grand Lodges, Masonic libraries, and museums in both the United States and Europe, respected Freemasonry historian Cécile Révauger traces the history of black Freemasonry from Boston and Philadelphia in the late 1700s through the Abolition Movement and the Civil War to the genesis of the Civil Rights Movement in the early 1900s up through the 1960s. She opens with a look at Prince Hall, legendary founder and the chosen namesake when black American lodges changed from “African Lodges” to “Prince Hall Lodges” in the early 1800s. She reveals how the Masonic principles of mutual aid and charity were more heavily emphasized in the black lodges and especially during the reconstruction period following the Civil War. She explores the origins of the Civil Rights Movement within black Freemasonry and the roles played by Booker T. Washington and W. E. B. Du Bois, founder of the NAACP, among others. Looking at the deep connections between jazz and Freemasonry, the author reveals how many of the most influential jazz musicians of the 20th century were also Masons, including Louis Armstrong, Duke Ellington, Nat King Cole, Eubie Blake, Cab Calloway, and Paul Robeson. Unveiling the deeply social role at the heart of black Freemasonry, Révauger shows how the black lodges were instrumental in helping American blacks transcend the horrors of slavery and prejudice, achieve higher social status, and create their own solid spiritually based social structure, which in some cities arose prior to the establishment of black churches.
Author: William D. Moore Publisher: Univ. of Tennessee Press ISBN: 9781572334960 Category : Architecture Languages : en Pages : 252
Book Description
In Masonic Temples, William D. Moore introduces readers to the structures American Freemasons erected over the sixty-year period from 1870 to 1930, when these temples became a ubiquitous feature of the American landscape. As representations of King Solomon’s temple in ancient Jerusalem erected in almost every American town and city, Masonic temples provided specially designed spaces for the enactment of this influential fraternity’s secret rituals. Using New York State as a case study, Moore not only analyzes the design and construction of Masonic structures and provides their historical context, but he also links the temples to American concepts of masculinity during this period of profound economic and social transformation. By examining edifices previously overlooked by architectural and social historians, Moore decodes the design and social function of Masonic architecture and offers compelling new insights into the construction of American masculinity. Four distinct sets of Masonic ritual spaces—the Masonic lodge room, the armory and drill room of the Knights Templar, the Scottish Rite Cathedral, and the Shriners’ mosque – form the central focus of this volume. Moore argues that these spaces and their accompanying ceremonies communicated four alternative masculine archetypes to American Freemasons—the heroic artisan, the holy warrior, the adept or wise man, and the frivolous jester or fool. Although not a Freemason, Moore draws from his experience as director of the Chancellor Robert R Livingston Masonic Library in New York City, where heutilized sources previously inaccessible to scholars. His work should prove valuable to readers with interests in vernacular architecture, material culture, American studies, architectural and social history, Freemasonry, and voluntary associations.
Author: Lewis Masonic
Author: Lewis Masonic
Author: Jacques Henry
Author: Oscar Patterson
Author: Todd E. Creason
Author: James Anderson
Author: Albert Gallatin Mackey
Author: Cécile Révauger
Author: Leon Hyneman
Author: William D. Moore
Author: Charles G. Finney