Music, Books on Music, and Sound Recordings PDF Download

Author: Library of Congress
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 760

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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 44

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Author: Iain Fenlon
Publisher: Cambridge University Press
ISBN: 1108671276
Category : Music
Languages : en
Pages : 732

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Book Description
Part of the seminal Cambridge History of Music series, this volume departs from standard histories of early modern Western music in two important ways. First, it considers music as something primarily experienced by people in their daily lives, whether as musicians or listeners, and as something that happened in particular locations, and different intellectual and ideological contexts, rather than as a story of genres, individual counties, and composers and their works. Second, by constraining discussion within the limits of a 100-year timespan, the music culture of the sixteenth century is freed from its conventional (and tenuous) absorption within the abstraction of 'the Renaissance', and is understood in terms of recent developments in the broader narrative of this turbulent period of European history. Both an original take on a well-known period in early music and a key work of reference for scholars, this volume makes an important contribution to the history of music.

Author: Dennis Shrock
Publisher: Oxford University Press
ISBN: 0197622402
Category : Music
Languages : en
Pages : 929

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"Choral Repertoire is the definitive and comprehensive one-volume presentation of the most significant composers and compositions of choral music from the Western Hemisphere throughout recorded history. The book is designed for multiple uses-as a programming guide for practicing conductors, instructional resource for students and teachers of choral music, historic and stylistic reference for choral singers, and source of information about composers and compositions for choral enthusiasts-and as such, the book intends to further and make accessible important information relevant to the vast scope of choral music. Organized by era (Medieval, Renaissance, Baroque, Classical, and Modern), Choral Repertoire covers general characteristics of each historical era, trends and styles unique to various countries, biographical sketches of more than six hundred composers, and performance annotations of more than five thousand individual works. Of the composers, there is substantive coverage of women and composers of color, and of the repertoire, there is inclusion of lesser-known works as well as those works that are considered standard"--

Author: Ted Emery
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Drama
Languages : en
Pages : 280

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Carlo Goldoni (1707-1793) is widely recognized as one of Italy's finest playwrights, but his production for the operatic theatre is much less well known. While musicologists have established the importance of Goldoni's innovations in the form of the comic libretto, literary scholars have tended to see the drammi giocosi as at best a pale reflection of the plays, and at worst a distortion of the «real» Goldoni. In Goldoni as Librettist, Emery traces the complex web of relationships between plays and libretti, illustrating the ways in which the author used his operas to prepare for the comedies, or to experiment with themes to which the plays were closed. This reading of Goldoni's operatic texts not only confirms their status as a form of literary activity, but also allows us to more fully understand Goldoni's development as a playwright.

Author: Barbara K. Lewalski
Publisher: John Wiley & Sons
ISBN: 0470776846
Category : Literary Criticism
Languages : en
Pages : 816

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Providing a close examination of Milton's wide-ranging prose and poetry at each stage of his life, Barbara Lewalski reveals a rather different Milton from that in earlier accounts. Provides a close analysis of each of Milton's prose and poetry works. Reveals how Milton was the first writer to self consciously construct himself as an 'author'. Focuses on the development of Milton's ideas and his art.

Author: Richard Wistreich
Publisher: Routledge
ISBN: 1317000277
Category : Music
Languages : en
Pages : 380

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Giulio Cesare Brancaccio was a Neapolitan nobleman with long practical experience of military life, first in the service of Charles V and later as both soldier and courtier in France and then at the court of Alfonso II d'Este at Ferrara. He was also a virtuoso bass singer whose performances were praised by both Tasso and Guarini - he was even for a while the only male member of the famous Ferrarese court Concerto delle dame, who established a legendary reputation during the 1580s. Richard Wistreich examines Brancaccio's life in detail and from this it becomes possible to consider the mental and social world of a warrior and courtier with musical skills in a broader context. A wide-ranging study of bass singing in sixteenth- and early seventeenth-century Italy provides a contextual basis from which to consider Brancaccio's reputation as a performer. Wistreich illustrates the use of music in the process of 'self-fashioning' and the role of performance of all kinds in the construction of male noble identity within court culture, including the nature and currency of honour, chivalric virtù and sixteenth-century notions of gender and virility in relation to musical performance. This fascinating examination of Brancaccio's social world significantly expands our understanding of noble culture in both France and Italy during the sixteenth century, and the place of music-making within it.

Author: Thoinot Arbeau
Publisher: Courier Corporation
ISBN: 0486217450
Category : Performing Arts
Languages : en
Pages : 274

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The most valuable resource for 16th-century dances and dance music, this volume describes galliards, pavans, branles, gavottes, lavolta, basse dance, morris dance, and more, with detailed instructions of steps. 44 illustrations.

Author: Kate van Orden
Publisher: University of Chicago Press
ISBN: 022676799X
Category : Music
Languages : en
Pages : 341

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Book Description
In this groundbreaking new study, Kate van Orden examines noble education in the arts to show how music contributed to cultural and social transformation in early modern French society. She constructs a fresh account of music's importance in promoting the absolutism that the French monarchy would fully embrace under Louis XIV, uncovering many hitherto unpublished ballets and royal ceremonial performances. The great pressure on French noblemen to take up the life of the warrior gave rise to bellicose art forms such as sword dances and equestrian ballets. Far from being construed as effeminizing, such combinations of music and the martial arts were at once refined and masculine-a perfect way to display military prowess. The incursion of music into riding schools and infantry drills contributed materially to disciplinary order, enabling the larger and more effective armies of the seventeenth century. This book is a history of the development of these musical spheres and how they brought forth new cultural priorities of civility, military discipline, and political harmony. Music, Discipline, and Arms in Early Modern France effectively illustrates the seminal role music played in mediating between the cultural spheres of letters and arms.

Author: J. R. Hale
Publisher: A&C Black
ISBN: 0826497926
Category : History
Languages : en
Pages : 623

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Book Description
Beginning with the chapters on warfare in the first three volumes of the New Cambridge Modern History, Sir John Hale's writings on the subject present an original and rich assessment of war's place in Renaissance life and thought. The first section of this collection constitutes a major contribution to the study of Renaissance fortifications, their design, planning and execution, and their political as well as their military significance. The second deals with the recruitment and training of officers and men. In the third, contemporary reactions to war are analysed in a variety of social and intellectual contexts. The archival and literary sources drawn on are primarily Italian, in the second place English, but the imaginative scene is that of western Europe as a whole.