Incredible Hulk Masterworks Vol. 13 PDF Download

Author: Len Wein
Publisher: Marvel Entertainment
ISBN: 1302515608
Category : Comics & Graphic Novels
Languages : en
Pages : 303

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Book Description
Collects Incredible Hulk (1968) #210-222 and Annual #6. Bruce Banner’s in the big city — and New Yorkers are earning their reputation for not being the friendliest bunch! The Quintronic Man, the Constrictor and Jack of Hearts all have it out for Banner, and that means the Hulk’s gonna take a gamma-green bite out of the Big Apple! Then, Hulk heads upstate — straight up, to the S.H.I.E.L.D. Helicarrier — to battle the Bi-Beast! Both brutes are presumed dead in the aftermath of this cataclysmic clash, but will this mean some rare peace for the Hulk? Sadly no, because no man is an island — and when Hulk washes ashore, trouble comes to him in writer Roger Stern’s dazzling debut! Also featuring monster and mystic team-ups with Doctor Strange and Doctor Druid and a classic Hulk tale by Jim Starlin!

Author: Stan Lee
Publisher:
ISBN: 9780760737965
Category : Comic books, strips, etc
Languages : en
Pages : 150

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Author: Stan Lee
Publisher: Outreach/New Reader
ISBN: 9781302931803
Category : Juvenile Fiction
Languages : en
Pages : 0

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Book Description
"Stan Lee, Jack Kirby, Steve Ditko and their Marvel Bullpen friends invented an exciting new approach to comic books. Together, they created Spider-Man, the Fantastic Four, the X-Men, the Avengers and many more of the greatest super heroes ever! The Marvel Masterworks present each character's adventures from the very beginning"--Back cover.

Author: Stan Lee
Publisher:
ISBN: 9780785111856
Category : Comic books, strips, etc
Languages : en
Pages : 0

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Author: John R. Clark
Publisher: University Press of Kentucky
ISBN: 0813183316
Category : Literary Criticism
Languages : en
Pages : 304

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Thomas Mann predicted that no manner or mode in literature would be so typical or so pervasive in the twentieth century as the grotesque. Assuredly he was correct. The subjects and methods of our comic literature (and much of our other literature) are regularly disturbing and often repulsive—no laughing matter. In this ambitious study, John R. Clark seeks to elucidate the major tactics and topics deployed in modern literary dark humor. In Part I he explores the satiric strategies of authors of the grotesque, strategies that undercut conventional usage and form: the de-basement of heroes, the denigration of language and style, the disruption of normative narrative technique, and even the debunking of authors themselves. Part II surveys major recurrent themes of grotesquerie: tedium, scatology, cannibalism, dystopia, and Armageddon or the end of the world. Clearly the literature of the grotesque is obtrusive and ugly, its effect morbid and disquieting—and deliberately meant to be so. Grotesque literature may be unpleasant, but it is patently insightful. Indeed, as Clark shows, all of the strategies and topics employed by this literature stem from age-old and spirited traditions. Critics have complained about this grim satiric literature, asserting that it is dank, cheerless, unsavory, and negative. But such an interpretation is far too simplistic. On the contrary, as Clark demonstrates, such grotesque writing, in its power and its prevalence in the past and present, is in fact conventional, controlled, imaginative, and vigorous—no mean achievements for any body of art.

Author: Jeff McLaughlin
Publisher: Univ. Press of Mississippi
ISBN: 9781604730661
Category : Literary Criticism
Languages : en
Pages : 274

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Book Description
Through the combination of text and images, comic books offer a unique opportunity to explore deep questions about aesthetics, ethics, and epistemology in nontraditional ways. The essays in this collection focus on a wide variety of genres, from mainstream superhero comics, to graphic novels of social realism, to European adventure classics. Included among the contributions are essays on existentialism in Daniel Clowes's graphic novel "Ghost World," ecocriticism in Paul Chadwick's long-running "Concrete" series, and political philosophies in Herge's perennially popular "The Adventures of Tintin." Modern political concerns inform Terry Kading's discussion of how superhero comics have responded to 9/11 and how the genre reflects the anxieties of the contemporary world. Essayists also explore the issues surrounding the development and appreciation of comics. Amy Kiste Nyberg examines the rise of the Comics Code, using it as a springboard for discussing the ethics of censorship and child protection in America. Stanford W. Carpenter uses interviews to analyze how a team of Marvel artists and writers reimagined the origin of one of Marvel's most iconic superheroes, Captain America. Throughout, essayists in Comics as Philosophy show how well the form can be used by its artists and its interpreters as a means of philosophical inquiry. Jeff McLaughlin is assistant professor of philosophy at Thompson Rivers University in Kamloops, British Columbia."

Author: Theo Cateforis
Publisher: Routledge
ISBN: 1136201025
Category : Music
Languages : en
Pages : 417

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Book Description
The Rock History Reader is an eclectic compilation of readings that tells the history of rock as it has been received and explained as a social and musical practice throughout its six decade history. The readings range from the vivid autobiographical accounts of such rock icons as Ronnie Spector and David Lee Roth to the writings of noted rock critics like Lester Bangs and Chuck Klosterman. It also includes a variety of selections from media critics, musicologists, fanzine writers, legal experts, sociologists and prominent political figures. Many entries also deal specifically with distinctive styles such as Motown, punk, disco, grunge, rap and indie rock. Each entry includes headnotes, which place it in its historical context. This second edition includes new readings on the early years of rhythm & blues and rock ‘n’ roll, as well as entries on payola, mods, the rise of FM rock, progressive rock and the PMRC congressional hearings. In addition, there is a wealth of new material on the 2000s that explores such relatively recent developments as emo, mash ups, the explosion of internet culture and new media, and iconic figures like Radiohead and Lady Gaga. With numerous readings that delve into the often explosive issues surrounding censorship, copyright, race relations, feminism, youth subcultures, and the meaning of musical value, The Rock History Reader continues to appeal to scholars and students from a variety of disciplines.

Author:
Publisher: Marvel
ISBN: 9780785184485
Category : Comics & Graphic Novels
Languages : en
Pages : 0

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Book Description
Banished to the mysterious and dangerous Crossroads by Doctor Strange, the Hulk fights his way back from the edge of insanity, battles opponents like the U-Foes, the N'Garai demons, Klaatu and the Puffball Collective, fights alongside newfound friends like the Lady of Life in the City of Death, and comes face-to-face with three aspects of his own shattered psyche - as Bruce Banner struggles to reassert control over his savage alter ego and come to terms with his haunted past! The story of Banner's birth, and how his tragic childhood shaped the monster within, is revealed! Longtime Hulk artist Sal Buscema wraps up his decade-long run! COLLECTING: Incredible Hulk (1968) 301-313, Annual 13; Alpha Flight (1983) 29

Author: Paul Ferstl
Publisher: de Gruyter
ISBN: 9783110641530
Category : Language Arts & Disciplines
Languages : en
Pages : 0

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Book Description
The fifth volume of ICLA 2016 proceedings, Dialogues between Media, unites essays on the interplay of media or inter-arts studies, as well as papers with a focus on comics studies, further testimony to the fact that comics have truly arrived in mainstream academic discourse. "Adaptation" is a key term for the studies presented in this volume; various articles discuss the adaptation of literary source texts in different target media - cinematic versions, comics adaptations, TV series, theatre, and opera.

Author: Nataša Durovicová
Publisher: Routledge
ISBN: 1135869979
Category : Performing Arts
Languages : en
Pages : 681

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SCMS Award Winner "Best Edited Collection" The standard analytical category of "national cinema" has increasingly been called into question by the category of the "transnational." This anthology examines the premises and consequences of the coexistence of these two categories and the parameters of historiographical approaches that cross the borders of nation-states. The three sections of World Cinemas, Transnational Perspectives cover the geopolitical imaginary, transnational cinematic institutions, and the uneven flow of words and images.