Marriage in Italy, 1300-1650 PDF Download

Author: Trevor Dean
Publisher: Cambridge University Press
ISBN: 9780521893763
Category : Family & Relationships
Languages : en
Pages : 322

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Book Description
A collection of essays about marriage and the role of women in Renaissance Italy.

Author: Anthony F. D’Elia
Publisher: Harvard University Press
ISBN: 0674015525
Category : History
Languages : en
Pages : 275

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Book Description
Weddings in 15th-century Italian courts were grand, sumptuous affairs, often requiring guests to listen to lengthy orations given in Latin. D'Elia shows how Italian humanists used these orations to support claims of legitimacy and assertions of superiority among families jockeying for power, as well as to advocate for marriage and sexual pleasure.

Author: Elisabeth M. C. Van Houts
Publisher: Oxford University Press
ISBN: 019879889X
Category : Family & Relationships
Languages : en
Pages : 311

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Book Description
Married Life in the Middle Ages, 900-1300 contains an analysis of the experience of married life by men and women in Christian medieval Europe, c. 900-1300. The study focusses on the social and emotional life of the married couple rather than on the institutional history of marriage, breaking it into three parts: Getting Married - the process of getting married and wedding celebrations; Married Life - the married life of lay couples and clergy, their sexuality, and any remarriage; and Alternative Living - which explores concubinage and polygyny, as well as the single life in contrast to monogamous sexual unions. In this volume, van Houts deals with four central themes. First, the tension between patriarchal family strategies and the individual family member's freedom of choice to marry and, if so, to what partner; second, the role played by the married priesthood in their quest to have individual agency and self-determination accepted in their own lives in the face of the growing imposition of clerical celibacy; third, the role played by women in helping society accept some degree of gender equality and self-determination to marry and in shaping the norms for married life incorporating these principles; fourth, the role played by emotion in the establishment of marriage and in married life at a time when sexual and spiritual love feature prominently in medieval literature.

Author: Wolfgang P. Müller
Publisher: Cambridge University Press
ISBN: 1108845428
Category : History
Languages : en
Pages : 279

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Book Description
Examines how late medieval church courts were used for marriage cases, and how this varied dramatically across Europe.

Author: Silvana Seidel Menchi
Publisher: University of Toronto Press
ISBN: 1442637501
Category : Family & Relationships
Languages : en
Pages : 418

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Book Description
Marriage in Europe, 1400-1800 examines the institution not just as it was theorized by jurists and theologians, but as it was lived in reality.

Author: Emlyn Eisenach
Publisher: Penn State Press
ISBN: 0271090898
Category : History
Languages : en
Pages : 266

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Book Description
Emlyn Eisenach uses a wide range of sources, including the richly detailed and previously unexplored records of nearly two hundred marriage-related disputes from the bishop’s court of Verona, to illuminate family and social relations in early modern northern Italy. Arguing against the common emphasis on the growth of law and government in this period, her study emphasizes the fluidity of the principles that governed marriage and its dissolution, and deepens our understanding of the patriarchal family and its complex relationship with gender and status during the sixteenth century. Peopled by characters from across the social spectrum of the city of Verona and its contado, Eisenach’s study moves between stories about specific individuals—serving girls seeking honorable marriage through the unlikely route of concubinage, peasant men in search of independence from their fathers, and aristocratic wives seeking revenge against adulterous husbands—and broader analyses of social, economic, and geographical patterns of behavior. She shows how the Veronese at all social levels attempted to better their familial and personal fortunes by creatively molding wedding rituals to fit their particular circumstances, or engaging in the significant but until now little understood practices of concubinage, clandestine marriage, or informal marriage dissolution. Eisenach also evaluates the first half-century of religious reforms in Verona as the leading pre-Tridentine bishop Gian Matteo Giberti and his successors challenged common practices and understandings in sermons, treatises, confessionals, and court. Emphasizing the limitations of what the religious authorities could impose on the people, she explores how learned and popular notions of marriage, family, and gender shaped each other as they were put into action in the strategies of individual Veronese.

Author: Joanne M. Ferraro
Publisher: Bloomsbury Publishing
ISBN: 1350103187
Category : History
Languages : en
Pages : 224

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Book Description
Why marry? The personal question is timeless. Yet the highly emotional desires of men and women during the period between 1450 and 1650 were also circumscribed by external forces that operated within a complex arena of sweeping economic, demographic, political, and religious changes. The period witnessed dramatic religious reforms in the Catholic confession and the introduction of multiple Protestant denominations; the advent of the printing press; European encounters and exchange with the Americas, North Africa, and southwestern and eastern Asia; the growth of state bureaucracies; and a resurgence of ecclesiastical authority in private life. These developments, together with social, religious, and cultural attitudes, including the constructed norms of masculinity, femininity, and sexuality, impinged upon the possibility of marrying. The nine scholars in this volume aim to provide a comprehensive picture of current research on the cultural history of marriage for the years between 1450 and 1650 by identifying both the ideal templates for nuptial unions in prescriptive writings and artistic representation and actual practices in the spheres of courtship and marriage rites, sexual relationships, the formation of family networks, marital dissolution, and the overriding choices of individuals over the structural and cultural constraints of the time. A Cultural History of Marriage in the Renaissance and Early Modern Age presents an overview of the period with essays on Courtship and Ritual; Religion, State and Law; Kinship and Social Networks; the Family Economy; Love and Sex; the Breaking of Vows; and Representations of Marriage.

Author: Rabia Gregory
Publisher: Routledge
ISBN: 1317100204
Category : Literary Criticism
Languages : en
Pages : 398

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Book Description
The first full-length study of the notion of marriage to Jesus in late medieval and early modern popular culture, this book treats the transmission and transformation of ideas about this concept as a case study in the formation of religious belief and popular culture. Marrying Jesus in Medieval and Early Modern Northern Europe provides a history of the dispersion of theology about the bride of Christ in the period between the twelfth and seventeenth centuries and explains how this metaphor, initially devised for a religious elite, became integral to the laity's pursuit of salvation. Unlike recent publications on the bride of Christ, which explore the gendering of sanctity or the poetics of religious eroticism, this is a study of popular religion told through devotional media and other technologies of salvation. Marrying Jesus argues against the heteronormative interpretation that brides of Christ should be female by reconstructing the cultural production of brides of Christ in late medieval Europe. A central assertion of this book is that by the fourteenth century, worldly, sexually active brides of Christ, both male and female, were no longer aberrations. Analyzing understudied vernacular sources from the late medieval period - including sermons, early printed books, spiritual diaries, letters, songs, and hagiographies - Rabia Gregory shows how marrying Jesus was central to late medieval lay piety, and how the 'chaste' bride of Christ developed out of sixteenth-century religious disputes.

Author: Giulia Bigolina
Publisher: University of Chicago Press
ISBN: 0226048799
Category : Literary Criticism
Languages : en
Pages : 227

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Book Description
Presented for the first time in a critical English edition, Urania: A Romance provides modern readers with a rare glimpse into the novel and novella forms at a time when narrative genres were not only being invented but, in the hands of women like Giulia Bigolina (1518?-1569?), used as vehicles for literary experimentation. The first known prose romance written by a woman in Italian, Bigolina's Urania centers on the monomaniacal love of a female character falling into melancholy when her beloved leaves her for a more beautiful woman. A tale that includes many of the conventions that would later become standards of the genre—cross-dressing, travel, epic skirmishes, and daring deeds—Urania also contains the earliest treatise on the worth of women. Also included in this volume, the novella Giulia Camposampiero is the only extant part of a probable longer narrative written in the style of the Decameron. While employing some of those same gender and role reversals as Urania, including the privileging of heroic constancy in both men and women, it chronicles the tribulations that a couple undergoes until their secret marriage is publicly recognized.

Author: Chriscinda Henry
Publisher: Taylor & Francis
ISBN: 1000875334
Category : Art
Languages : en
Pages : 410

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Book Description
The chapters in this volume explore the relationship between music and art in Italy across the long sixteenth century, considering an era when music-making was both a subject of Italian painting and a central metaphor in treatises on the arts. Beginning in the fifteenth century, transformations emerge in the depiction of music within visual arts, the conceptualization of music in ethics and poetics, and in the practice of musical harmony. This book brings together contributors from across musicology and art history to consider the trajectories of these changes and the connections between them, both in theory and in the practices of everyday life. In sixteen chapters, the contributors blend iconographic analysis with a wider range of approaches, investigate the discourse surrounding the arts, and draw on both social art history and the material turn in Renaissance studies. They address not only paintings and sculpture, but also a wide range of visual media and domestic objects, from instruments to tableware, to reveal a rich, varied, and sometimes tumultuous exchange among musical and visual arts and ideas. Enriching our understanding of the subtle intersections between visual, material, and musical arts across the long Renaissance, this book offers new insights for scholars of music, art, and cultural history. Chapter 15 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.