Author: Gillian Wilson
Publisher: J. Paul Getty Museum
ISBN: 9781606066300
Category : Design
Languages : en
Pages : 0
Book Description
The first comprehensive catalogue of the Getty Museum’s significant collection of French Rococo ébénisterie furniture. This catalogue focuses on French ébénisterie furniture in the Rococo style dating from 1735 to 1760. These splendid objects directly reflect the tastes of the Museum’s founder, J. Paul Getty, who started collecting in this area in 1938 and continued until his death in 1976. The Museum’s collection is particularly rich in examples created by the most talented cabinet masters then active in Paris, including Bernard van Risenburgh II (after 1696–ca. 1766), Jacques Dubois (1694–1763), and Jean-François Oeben (1721–1763). Working for members of the French royal family and aristocracy, these craftsmen excelled at producing veneered and marquetried pieces of furniture (tables, cabinets, and chests of drawers) fashionable for their lavish surfaces, refined gilt-bronze mounts, and elaborate design. These objects were renowned throughout Europe at a time when Paris was considered the capital of good taste. The entry on each work comprises both a curatorial section, with description and commentary, and a conservation report, with construction diagrams. An introduction by Anne-Lise Desmas traces the collection’s acquisition history, and two technical essays by Arlen Heginbotham present methodologies and findings on the analysis of gilt-bronze mounts and lacquer. The free online edition of this open-access publication is available at www.getty.edu/publications/rococo/ and includes zoomable, high-resolution photography. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book, and JPG downloads of the main catalogue images.
French Rococo Ébénisterie in the J. Paul Getty Museum
Author: Gillian Wilson
Publisher: J. Paul Getty Museum
ISBN: 9781606066300
Category : Design
Languages : en
Pages : 0
Book Description
The first comprehensive catalogue of the Getty Museum’s significant collection of French Rococo ébénisterie furniture. This catalogue focuses on French ébénisterie furniture in the Rococo style dating from 1735 to 1760. These splendid objects directly reflect the tastes of the Museum’s founder, J. Paul Getty, who started collecting in this area in 1938 and continued until his death in 1976. The Museum’s collection is particularly rich in examples created by the most talented cabinet masters then active in Paris, including Bernard van Risenburgh II (after 1696–ca. 1766), Jacques Dubois (1694–1763), and Jean-François Oeben (1721–1763). Working for members of the French royal family and aristocracy, these craftsmen excelled at producing veneered and marquetried pieces of furniture (tables, cabinets, and chests of drawers) fashionable for their lavish surfaces, refined gilt-bronze mounts, and elaborate design. These objects were renowned throughout Europe at a time when Paris was considered the capital of good taste. The entry on each work comprises both a curatorial section, with description and commentary, and a conservation report, with construction diagrams. An introduction by Anne-Lise Desmas traces the collection’s acquisition history, and two technical essays by Arlen Heginbotham present methodologies and findings on the analysis of gilt-bronze mounts and lacquer. The free online edition of this open-access publication is available at www.getty.edu/publications/rococo/ and includes zoomable, high-resolution photography. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book, and JPG downloads of the main catalogue images.
Publisher: J. Paul Getty Museum
ISBN: 9781606066300
Category : Design
Languages : en
Pages : 0
Book Description
The first comprehensive catalogue of the Getty Museum’s significant collection of French Rococo ébénisterie furniture. This catalogue focuses on French ébénisterie furniture in the Rococo style dating from 1735 to 1760. These splendid objects directly reflect the tastes of the Museum’s founder, J. Paul Getty, who started collecting in this area in 1938 and continued until his death in 1976. The Museum’s collection is particularly rich in examples created by the most talented cabinet masters then active in Paris, including Bernard van Risenburgh II (after 1696–ca. 1766), Jacques Dubois (1694–1763), and Jean-François Oeben (1721–1763). Working for members of the French royal family and aristocracy, these craftsmen excelled at producing veneered and marquetried pieces of furniture (tables, cabinets, and chests of drawers) fashionable for their lavish surfaces, refined gilt-bronze mounts, and elaborate design. These objects were renowned throughout Europe at a time when Paris was considered the capital of good taste. The entry on each work comprises both a curatorial section, with description and commentary, and a conservation report, with construction diagrams. An introduction by Anne-Lise Desmas traces the collection’s acquisition history, and two technical essays by Arlen Heginbotham present methodologies and findings on the analysis of gilt-bronze mounts and lacquer. The free online edition of this open-access publication is available at www.getty.edu/publications/rococo/ and includes zoomable, high-resolution photography. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book, and JPG downloads of the main catalogue images.
Gustave Courbet
Author: Georges Riat
Publisher: Parkstone Press
ISBN:
Category : Art
Languages : en
Pages : 266
Book Description
Child of materialism and positivism, Courbet was without a doubt one of the most complex painters of the nineteenth century. Symbolising the rejection of traditions, Courbet did not hesitate to confront the public with the truth by liberating painting of conventional rules. He became from then on the leader of pictorial realism.
Publisher: Parkstone Press
ISBN:
Category : Art
Languages : en
Pages : 266
Book Description
Child of materialism and positivism, Courbet was without a doubt one of the most complex painters of the nineteenth century. Symbolising the rejection of traditions, Courbet did not hesitate to confront the public with the truth by liberating painting of conventional rules. He became from then on the leader of pictorial realism.
The J. Paul Getty Museum Guidebook
Author: W. R. Valentiner
Publisher: Getty Publications
ISBN: 160606424X
Category : Art
Languages : en
Pages : 70
Book Description
This is the second edition of the original guidebook to the J. Paul Getty Museum’s collection. The book introduces the collection, as divided into Greek and Roman antiquities, European paintings, and French decorative arts.
Publisher: Getty Publications
ISBN: 160606424X
Category : Art
Languages : en
Pages : 70
Book Description
This is the second edition of the original guidebook to the J. Paul Getty Museum’s collection. The book introduces the collection, as divided into Greek and Roman antiquities, European paintings, and French decorative arts.
Metamorphoses
Author: Emanuele Coccia
Publisher: John Wiley & Sons
ISBN: 1509545689
Category : Philosophy
Languages : en
Pages : 180
Book Description
We are all fascinated by the mystery of metamorphosis – of the caterpillar that transforms itself into a butterfly. Their bodies have almost nothing in common. They don’t share the same world: one crawls on the ground and the other flutters its wings in the air. And yet they are one and the same life. Emanuele Coccia argues that metamorphosis – the phenomenon that allows the same life to subsist in disparate bodies – is the relationship that binds all species together and unites the living with the non-living. Bacteria, viruses, fungi, plants, animals: they are all one and the same life. Each species, including the human species, is the metamorphosis of all those that preceded it – the same life, cobbling together a new body and a new form in order to exist differently. And there is no opposition between the living and the non-living: life is always the reincarnation of the non-living, a carnival of the telluric substance of a planet – the Earth – that continually draws new faces and new ways of being out of even the smallest particle of its disparate body. By highlighting what joins humans together with other forms of life, Coccia’s brilliant reflection on metamorphosis encourages us to abandon our view of the human species as static and independent and to recognize instead that we are part of a much larger and interconnected form of life.
Publisher: John Wiley & Sons
ISBN: 1509545689
Category : Philosophy
Languages : en
Pages : 180
Book Description
We are all fascinated by the mystery of metamorphosis – of the caterpillar that transforms itself into a butterfly. Their bodies have almost nothing in common. They don’t share the same world: one crawls on the ground and the other flutters its wings in the air. And yet they are one and the same life. Emanuele Coccia argues that metamorphosis – the phenomenon that allows the same life to subsist in disparate bodies – is the relationship that binds all species together and unites the living with the non-living. Bacteria, viruses, fungi, plants, animals: they are all one and the same life. Each species, including the human species, is the metamorphosis of all those that preceded it – the same life, cobbling together a new body and a new form in order to exist differently. And there is no opposition between the living and the non-living: life is always the reincarnation of the non-living, a carnival of the telluric substance of a planet – the Earth – that continually draws new faces and new ways of being out of even the smallest particle of its disparate body. By highlighting what joins humans together with other forms of life, Coccia’s brilliant reflection on metamorphosis encourages us to abandon our view of the human species as static and independent and to recognize instead that we are part of a much larger and interconnected form of life.
The Daguerreotype
Author: Dominique de Font-Réaulx
Publisher: 5Continents
ISBN: 9788874394661
Category : Photography
Languages : en
Pages : 0
Book Description
Illustrates the development and rapid spread of Louis Daguerre's photographic invention in France by a variety of daguerreotypes drawn from the collection of the Musee d'Orsay.
Publisher: 5Continents
ISBN: 9788874394661
Category : Photography
Languages : en
Pages : 0
Book Description
Illustrates the development and rapid spread of Louis Daguerre's photographic invention in France by a variety of daguerreotypes drawn from the collection of the Musee d'Orsay.
Tableaux anciens et du XIXe siècle, armes blanches et a feu
Author: Me R. G. Boisgirard, Commissaire-Priseur
Publisher:
ISBN:
Category :
Languages : fr
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : fr
Pages : 0
Book Description
The Open Work
Author: Umberto Eco
Publisher: Harvard University Press
ISBN: 9780674639768
Category : Art
Languages : en
Pages : 324
Book Description
This book is significant for its concept of "openness"--the artist's decision to leave arrangements of some constituents of a work to the public or to chance--and for its anticipation of two themes of literary theory: the element of multiplicity and plurality in art, and the insistence on literary response as an interaction between reader and text.
Publisher: Harvard University Press
ISBN: 9780674639768
Category : Art
Languages : en
Pages : 324
Book Description
This book is significant for its concept of "openness"--the artist's decision to leave arrangements of some constituents of a work to the public or to chance--and for its anticipation of two themes of literary theory: the element of multiplicity and plurality in art, and the insistence on literary response as an interaction between reader and text.
The French Academy
Author: June Ellen Hargrove
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 240
Book Description
The essays in this volume grew out of a symposium at the University of Maryland's Center for Renaissance and Baroque Studies and the Walters Art Gallery in Baltimore.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 240
Book Description
The essays in this volume grew out of a symposium at the University of Maryland's Center for Renaissance and Baroque Studies and the Walters Art Gallery in Baltimore.
The Catholic Reformation
Author: Michael A. Mullett
Publisher: Taylor & Francis
ISBN: 1000891615
Category : History
Languages : en
Pages : 192
Book Description
The Catholic Reformation (1999) provides a dynamic and original history of this crucial movement in early modern Europe. Starting from the late middle ages, it clearly traces the continuous transformation of Catholicism in its structure, bodies and doctrine. Charting the gain in momentum of Catholic renewal from the time of the Council of Trent, it also considers the ambiguous effect of the Protestant Reformation in accelerating the renovation of the Catholic Church. It explores how and why the Catholic Reformation occurred, stressing that many moves towards restoration were underway well before the Protestant Reformation. The huge impact the Catholic renewal had, not only on the papacy, Church leaders and religious ritual and practice, but also on the lives of ordinary people – their culture, arts, attitudes and relationships – is shown in colourful detail.
Publisher: Taylor & Francis
ISBN: 1000891615
Category : History
Languages : en
Pages : 192
Book Description
The Catholic Reformation (1999) provides a dynamic and original history of this crucial movement in early modern Europe. Starting from the late middle ages, it clearly traces the continuous transformation of Catholicism in its structure, bodies and doctrine. Charting the gain in momentum of Catholic renewal from the time of the Council of Trent, it also considers the ambiguous effect of the Protestant Reformation in accelerating the renovation of the Catholic Church. It explores how and why the Catholic Reformation occurred, stressing that many moves towards restoration were underway well before the Protestant Reformation. The huge impact the Catholic renewal had, not only on the papacy, Church leaders and religious ritual and practice, but also on the lives of ordinary people – their culture, arts, attitudes and relationships – is shown in colourful detail.
From Penitence to Charity
Author: Barbara B. Diefendorf
Publisher: Oxford University Press
ISBN: 0198025580
Category : Religion
Languages : en
Pages : 353
Book Description
From Penitence to Charity radically revises our understanding of women's place in the institutional and spiritual revival known as the Catholic Reformation. Focusing on Paris, where fifty new religious congregations for women were established in as many years, it examines women's active role as founders and patrons of religious communities, as spiritual leaders within these communities, and as organizers of innovative forms of charitable assistance to the poor. Rejecting the too common view that the Catholic Reformation was a male-dominated movement whose principal impact on women was to control and confine them, the book shows how pious women played an instrumental role, working alongside--and sometimes in advance of--male reformers. At the same time, it establishes a new understanding of the chronology and character of France's Catholic Reformation by locating the movement's origins in a penitential spirituality rooted in the agonies of religious war. It argues that a powerful desire to appease the wrath of God through acts of heroic asceticism born of the wars did not subside with peace but, rather, found new outlets in the creation of austere, contemplative convents. Admiration for saintly ascetics prompted new vocations, and convents multiplied, as pious laywomen rushed to fund houses where, enjoying the special rights accorded founders, they might enter the cloister and participate in convent life. Penitential enthusiasm inevitably waned, while new social and economic tensions encouraged women to direct their piety toward different ends. By the 1630s, charitable service was supplanting penitential asceticism as the dominant spiritual mode. Capitalizing on the Council of Trent's call to catechize an ignorant laity, pious women founded innovative new congregations to aid less favored members of their sex and established lay confraternities to serve society's outcasts and the poor. Their efforts to provide war relief during the Fronde in particular deserve recognition.
Publisher: Oxford University Press
ISBN: 0198025580
Category : Religion
Languages : en
Pages : 353
Book Description
From Penitence to Charity radically revises our understanding of women's place in the institutional and spiritual revival known as the Catholic Reformation. Focusing on Paris, where fifty new religious congregations for women were established in as many years, it examines women's active role as founders and patrons of religious communities, as spiritual leaders within these communities, and as organizers of innovative forms of charitable assistance to the poor. Rejecting the too common view that the Catholic Reformation was a male-dominated movement whose principal impact on women was to control and confine them, the book shows how pious women played an instrumental role, working alongside--and sometimes in advance of--male reformers. At the same time, it establishes a new understanding of the chronology and character of France's Catholic Reformation by locating the movement's origins in a penitential spirituality rooted in the agonies of religious war. It argues that a powerful desire to appease the wrath of God through acts of heroic asceticism born of the wars did not subside with peace but, rather, found new outlets in the creation of austere, contemplative convents. Admiration for saintly ascetics prompted new vocations, and convents multiplied, as pious laywomen rushed to fund houses where, enjoying the special rights accorded founders, they might enter the cloister and participate in convent life. Penitential enthusiasm inevitably waned, while new social and economic tensions encouraged women to direct their piety toward different ends. By the 1630s, charitable service was supplanting penitential asceticism as the dominant spiritual mode. Capitalizing on the Council of Trent's call to catechize an ignorant laity, pious women founded innovative new congregations to aid less favored members of their sex and established lay confraternities to serve society's outcasts and the poor. Their efforts to provide war relief during the Fronde in particular deserve recognition.