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Author: Mary Wollstonecraft Publisher: ISBN: Category : Languages : en Pages : 131
Book Description
The Wrongs of Woman begins in medias res with the upper-class Maria's unjust imprisonment by her husband, George Venables. Not only has he condemned Maria to live in an insane asylum, but he has also taken their child away from her. She manages to befriend one of her attendants in the asylum, an impoverished, lower-class woman named Jemima, who, after realizing that Maria is not mad, agrees to bring her a few books. Some of these have notes scribbled in them by Henry Darnford, another inmate, and Maria falls in love with him via his marginalia. The two begin to communicate and eventually meet. Darnford reveals that he has had a debauched life; waking up in the asylum after a night of heavy drinking, he has been unable to convince the doctors to release him.Jemima tells her life story to Maria and Darnford, explaining that she was born a bastard. Jemima's mother died while she was still an infant, making her already precarious social position worse. She was therefore forced to become a servant in her father's house and later bound out as an apprentice to a master who beat her, starved her, and raped her. When the man's wife discovers that Jemima is pregnant with his child, she is thrown out of the house. Unable to support herself, she aborts her child and becomes a prostitute. She becomes the kept woman of a man of some wealth who seems obsessed with pleasure of every kind: food, love, etc. After the death of the gentleman keeping her, she becomes an attendant at the asylum where Maria is imprisoned.In chapters seven through fourteen (about half of the completed manuscript), Maria relates her own life story in a narrative she has written for her daughter. She explains how her mother and father loved their eldest son, Robert, more than their other children and how he ruled "despotically" over his siblings. To escape her unhappy home, Maria visited that of a neighbor and fell in love with his son, George Venables. Venables presented himself to everyone as a respectable and honorable young man; in actuality, he was a libertine. Maria's family life became untenable when her mother died and her father took the housekeeper as his mistress. A rich uncle who was fond of Maria, unaware of Venables' true character, arranged a marriage for her and gave her a dowry of £5,000.Maria quickly learned of her husband's true character. She tried to ignore him by cultivating a greater appreciation for literature and the arts, but he became increasingly dissolute: he whored, gambled, and bankrupted the couple. Maria soon became pregnant after unwanted sexual encounters with her husband. As Maria's uncle is leaving for the continent, he warns Maria of the consequences should she leave her husband. This is the first time that separation or divorce are discussed in the novel and Maria seems to take his words as inspiration rather than the warning they are meant to be. After Venables attempts to pay one of his friends to seduce Maria (a man referred to only as 'Mr. S') so that he can leave her for being an adulteress, Maria tries to leave him. She initially escapes and manages to live in several different locations, often with other women who have also been wronged by their husbands, but he always finds her. When she tries to leave England with her newborn child and the fortune her now deceased uncle has left them, her husband seizes the child and imprisons Maria in the asylum. At this point the completed manuscript breaks off.
Author: Mary Wollstonecraft Publisher: ISBN: Category : Languages : en Pages : 131
Book Description
The Wrongs of Woman begins in medias res with the upper-class Maria's unjust imprisonment by her husband, George Venables. Not only has he condemned Maria to live in an insane asylum, but he has also taken their child away from her. She manages to befriend one of her attendants in the asylum, an impoverished, lower-class woman named Jemima, who, after realizing that Maria is not mad, agrees to bring her a few books. Some of these have notes scribbled in them by Henry Darnford, another inmate, and Maria falls in love with him via his marginalia. The two begin to communicate and eventually meet. Darnford reveals that he has had a debauched life; waking up in the asylum after a night of heavy drinking, he has been unable to convince the doctors to release him.Jemima tells her life story to Maria and Darnford, explaining that she was born a bastard. Jemima's mother died while she was still an infant, making her already precarious social position worse. She was therefore forced to become a servant in her father's house and later bound out as an apprentice to a master who beat her, starved her, and raped her. When the man's wife discovers that Jemima is pregnant with his child, she is thrown out of the house. Unable to support herself, she aborts her child and becomes a prostitute. She becomes the kept woman of a man of some wealth who seems obsessed with pleasure of every kind: food, love, etc. After the death of the gentleman keeping her, she becomes an attendant at the asylum where Maria is imprisoned.In chapters seven through fourteen (about half of the completed manuscript), Maria relates her own life story in a narrative she has written for her daughter. She explains how her mother and father loved their eldest son, Robert, more than their other children and how he ruled "despotically" over his siblings. To escape her unhappy home, Maria visited that of a neighbor and fell in love with his son, George Venables. Venables presented himself to everyone as a respectable and honorable young man; in actuality, he was a libertine. Maria's family life became untenable when her mother died and her father took the housekeeper as his mistress. A rich uncle who was fond of Maria, unaware of Venables' true character, arranged a marriage for her and gave her a dowry of £5,000.Maria quickly learned of her husband's true character. She tried to ignore him by cultivating a greater appreciation for literature and the arts, but he became increasingly dissolute: he whored, gambled, and bankrupted the couple. Maria soon became pregnant after unwanted sexual encounters with her husband. As Maria's uncle is leaving for the continent, he warns Maria of the consequences should she leave her husband. This is the first time that separation or divorce are discussed in the novel and Maria seems to take his words as inspiration rather than the warning they are meant to be. After Venables attempts to pay one of his friends to seduce Maria (a man referred to only as 'Mr. S') so that he can leave her for being an adulteress, Maria tries to leave him. She initially escapes and manages to live in several different locations, often with other women who have also been wronged by their husbands, but he always finds her. When she tries to leave England with her newborn child and the fortune her now deceased uncle has left them, her husband seizes the child and imprisons Maria in the asylum. At this point the completed manuscript breaks off.
Author: Mary Wollstonecraft Publisher: ISBN: Category : Languages : en Pages : 156
Book Description
Maria: or, The Wrongs of Woman is the 18th-century British feminist Mary Wollstonecraft's unfinished novelistic sequel to her revolutionary political treatise A Vindication of the Rights of Woman.
Author: Mary Mary Wollstonecraft Publisher: ISBN: Category : Languages : en Pages : 76
Book Description
Maria; or, The Wrongs of Woman was a novel left uncompleted at the time of Mary Wollstonecraft's death. Perhaps more famous today as the mother of Mary Wollstonecraft Shelley, the author of Frankenstein, before her untimely death, Wollstonecraft was a leading figure of feminist literature. Mostly known for her essays and other works of elegantly crafted polemics decrying the unfair treatment and systematic subjugation of women in British society, Wollstonecraft had also already written one novel--Mary: A Fiction--before commencing on her second attempt. Her husband and even more famous--and infamous--literary light, William Godwin, took it upon himself following his wife's death to complete her work and fashion it for publication. Women authors at the time were primarily famous for gothic works of haunted homes and castles in which the subjugation of women were stripped of common notions of reality and the pervasive element of patriarchal governance. By situating her heroine into a mental hospital at the request of her husband and revealing the true horror facing many women in a society constructed upon stripping of civil rights, Maria; or, The Wrongs of Woman places the underlying horror of gothic fiction within the very real world of feminist empowerment.
Author: Mary Wollstonecraft Publisher: e-artnow ISBN: Category : Fiction Languages : en Pages : 139
Book Description
Maria: or, The Wrongs of Woman is the 18th-century British feminist Mary Wollstonecraft's unfinished novelistic sequel to her revolutionary political treatise A Vindication of the Rights of Woman (1792). The Wrongs of Woman was published posthumously in 1798 by her husband, William Godwin, and is often considered her most radical feminist work. Wollstonecraft's philosophical and gothic novel revolves around the story of woman imprisoned in an insane asylum by her husband. It focuses on the societal rather than the individual "wrongs of woman" and criticizes what Wollstonecraft viewed as the patriarchal institution of marriage in eighteenth-century Britain and the legal system that protected it. However, the heroine's inability to relinquish her romantic fantasies also reveals women's collusion in their oppression through false and damaging sentimentalism. The novel pioneered the celebration of female sexuality and cross-class identification between women. Such themes, coupled with the publication of Godwin's scandalous Memoirs of Wollstonecraft's life, made the novel unpopular at the time it was published.
Author: Mary Wollstonecraft Publisher: ISBN: Category : Languages : en Pages : 131
Book Description
Mary Wollstonecraft (27 April 1759 - 10 September 1797) was an eighteenth-century British writer, philosopher, and feminist. During her brief career, she wrote novels, treatises, a travel narrative, a history of the French Revolution, a conduct book, and a children's book. Wollstonecraft is best known for A Vindication of the Rights of Woman (1792), in which she argues that women are not naturally inferior to men, but appear to be only because they lack education. She suggests that both men and women should be treated as rational beings and imagines a social order founded on reason. Among the general public and specifically among feminists, Wollstonecraft's life has received much more attention than her writing because of her unconventional and often tumultuous personal relationships. After two ill-fated affairs, with Henry Fuseli and Gilbert Imlay (by whom she had a daughter, Fanny Imlay), Wollstonecraft married the philosopher William Godwin, one of the forefathers of the anarchist movement. Wollstonecraft died at the age of thirty-eight, ten days after giving birth to her second daughter, leaving behind several unfinished manuscripts. Her daughter Mary Wollstonecraft Godwin, later Mary Shelley, would become an accomplished writer in her own right. After Wollstonecraft's death, William Godwin published a Memoir (1798) of her life, revealing her unorthodox lifestyle, which inadvertently destroyed her reputation for a century. However, with the emergence of the feminist movement at the turn of the twentieth century, Wollstonecraft's advocacy of women's equality and critiques of conventional femininity became increasingly important. Today Wollstonecraft is regarded as one of the founding feminist philosophers, and feminists often cite both her life and work as important influences.
Author: Mary Wollstonecraft Publisher: Independently Published ISBN: Category : Languages : en Pages : 76
Book Description
Maria; or, The Wrongs of Woman was a novel left uncompleted at the time of Mary Wollstonecraft's death. Perhaps more famous today as the mother of Mary Wollstonecraft Shelley, the author of Frankenstein, before her untimely death, Wollstonecraft was a leading figure of feminist literature. Mostly known for her essays and other works of elegantly crafted polemics decrying the unfair treatment and systematic subjugation of women in British society, Wollstonecraft had also already written one novel-Mary: A Fiction-before commencing on her second attempt. Her husband and even more famous-and infamous-literary light, William Godwin, took it upon himself following his wife's death to complete her work and fashion it for publication. Women authors at the time were primarily famous for gothic works of haunted homes and castles in which the subjugation of women were stripped of common notions of reality and the pervasive element of patriarchal governance. By situating her heroine into a mental hospital at the request of her husband and revealing the true horror facing many women in a society constructed upon stripping of civil rights, Maria; or, The Wrongs of Woman places the underlying horror of gothic fiction within the very real world of feminist empowerment.
Author: Mary Wollstonecraft Publisher: Independently Published ISBN: Category : Languages : en Pages : 160
Book Description
Maria: or, The Wrongs of Woman is the 18th-century British feminist Mary Wollstonecraft's unfinished novelistic sequel to her revolutionary political treatise A Vindication of the Rights of Woman. Wollstonecraft's philosophical and gothic novel revolves around the story of woman imprisoned in an insane asylum by her husband. It focuses on the societal rather than the individual "wrongs of woman" and criticizes what Wollstonecraft viewed as the patriarchal institution of marriage in eighteenth-century Britain and the legal system that protected it. However, the heroine's inability to relinquish her romantic fantasies also reveals women's collusion in their oppression through false and damaging sentimentalism. The novel pioneered the celebration of female sexuality and cross-class identification between women. Such themes, coupled with the publication of Godwin's scandalous Memoirs of Wollstonecraft's life, made the novel unpopular at the time it was published.
Author: Mary Shelley Publisher: Liveright Publishing ISBN: 087140950X Category : Fiction Languages : en Pages : 772
Book Description
Two centuries after its original publication, Mary Shelley’s classic tale of gothic horror comes to vivid life in "what may very well be the best presentation of the novel" to date (Guillermo del Toro). "Remarkably, a nineteen-year-old, writing her first novel, penned a tale that combines tragedy, morality, social commentary, and a thoughtful examination of the very nature of knowledge," writes best-selling author Leslie S. Klinger in his foreword to The New Annotated Frankenstein. Despite its undeniable status as one of the most influential works of fiction ever written, Mary Shelley’s novel is often reductively dismissed as the wellspring for tacky monster films or as a cautionary tale about experimental science gone haywire. Now, two centuries after the first publication of Frankenstein, Klinger revives Shelley’s gothic masterpiece by reproducing her original text with the most lavishly illustrated and comprehensively annotated edition to date. Featuring over 200 illustrations and nearly 1,000 annotations, this sumptuous volume recaptures Shelley’s early nineteenth-century world with historical precision and imaginative breadth, tracing the social and political roots of the author’s revolutionary brand of Romanticism. Braiding together decades of scholarship with his own keen insights, Klinger recounts Frankenstein’s indelible contributions to the realms of science fiction, feminist theory, and modern intellectual history—not to mention film history and popular culture. The result of Klinger’s exhaustive research is a multifaceted portrait of one of Western literature’s most divinely gifted prodigies, a young novelist who defied her era’s restrictions on female ambitions by independently supporting herself and her children as a writer and editor. Born in a world of men in the midst of a political and an emerging industrial revolution, Shelley crafted a horror story that, beyond its incisive commentary on her own milieu, is widely recognized as the first work of science fiction. The daughter of a pioneering feminist and an Enlightenment philosopher, Shelley lived and wrote at the center of British Romanticism, the “exuberant, young movement” that rebelled against tradition and reason and "with a rebellious scream gave birth to a world of gods and monsters" (del Toro). Following his best-selling The New Annotated H. P. Lovecraft and The New Annotated Sherlock Holmes, Klinger not only considers Shelley’s original 1818 text but, for the first time in any annotated volume, traces the effects of her significant revisions in the 1823 and 1831 editions. With an afterword by renowned literary scholar Anne K. Mellor, The New Annotated Frankenstein celebrates the prescient genius and undying legacy of the world’s "first truly modern myth." The New Annotated Frankenstein includes: Nearly 1,000 notes that provide information and historical context on every aspect of Frankenstein and of Mary Shelley’s life Over 200 illustrations, including original artwork from the 1831 edition and dozens of photographs of real-world locations that appear in the novel Extensive listings of films and theatrical adaptations An introduction by Guillermo del Toro and an afterword by Anne K. Mellor
Author: Mary Wollstonecraft Publisher: ISBN: Category : Languages : en Pages : 131
Book Description
Mary Wollstonecraft (27 April 1759 - 10 September 1797) was an eighteenth-century British writer, philosopher, and feminist. During her brief career, she wrote novels, treatises, a travel narrative, a history of the French Revolution, a conduct book, and a children's book. Wollstonecraft is best known for A Vindication of the Rights of Woman (1792), in which she argues that women are not naturally inferior to men, but appear to be only because they lack education. She suggests that both men and women should be treated as rational beings and imagines a social order founded on reason. Among the general public and specifically among feminists, Wollstonecraft's life has received much more attention than her writing because of her unconventional and often tumultuous personal relationships. After two ill-fated affairs, with Henry Fuseli and Gilbert Imlay (by whom she had a daughter, Fanny Imlay), Wollstonecraft married the philosopher William Godwin, one of the forefathers of the anarchist movement. Wollstonecraft died at the age of thirty-eight, ten days after giving birth to her second daughter, leaving behind several unfinished manuscripts. Her daughter Mary Wollstonecraft Godwin, later Mary Shelley, would become an accomplished writer in her own right. After Wollstonecraft's death, William Godwin published a Memoir (1798) of her life, revealing her unorthodox lifestyle, which inadvertently destroyed her reputation for a century. However, with the emergence of the feminist movement at the turn of the twentieth century, Wollstonecraft's advocacy of women's equality and critiques of conventional femininity became increasingly important. Today Wollstonecraft is regarded as one of the founding feminist philosophers, and feminists often cite both her life and work as important influences.
Author: Mary Wollstonecraft Publisher: Broadview Press ISBN: 1770483128 Category : Fiction Languages : en Pages : 357
Book Description
Mary Wollstonecraft wrote these two novellas at the beginning and end of her years of writing and political activism. Though written at different times, they explore some of the same issues: ideals of femininity as celebrated by the cult of sensibility, the unequal education of women, and domestic subjugation. Mary counters the contemporary trend of weak, emotional heroines with the story of an intelligent and creative young woman who educates herself through her close friendships with men and women. Darker and more overtly feminist, The Wrongs of Woman is set in an insane asylum, where a young woman has been wrongly imprisoned by her husband. By presenting the novellas in light of such texts as Wollstonecraft’s letters, her polemical and educational prose, similar works by other feminists and political reformists, the literature of sentiment, and contemporary medical texts, this edition encourages an appreciation of the complexity and sophistication of Wollstonecraft’s writing goals as a radical feminist in the 1790s.
Author: Mary Wollstonecraft
Author: Mary Wollstonecraft
Author: Mary Wollstonecraft
Author: Mary Mary Wollstonecraft
Author: Mary Wollstonecraft
Author: Mary Wollstonecraft
Author: Mary Wollstonecraft
Author: Mary Wollstonecraft
Author: Mary Shelley
Author: Mary Wollstonecraft
Author: Mary Wollstonecraft